Philbrook Museum of Art

On this edition of ST, we present a discussion about a great new show at the Philbrook Museum of Art here in Tulsa. "The Figure Examined: Masterworks from the Kasser Mochary Art Foundation" will on view through September 13th. Sarah Lees, the Ruth G. Hardman Curator of European Art at Philbrook -- and the curator for this exhibit -- joins us.

On this edition of ST, we speak with Christine Madrid French, a Florida-based architectural historian, historic preservation advocate, and author. (You can read about her many and various projects and publications as an architect with a passion for the past at French's website.) French will deliver a presentation called "Saving the Modern Century" tonight, Thursday the 21st, at 5:30pm at the Phlibrook Museum of Art.

Our guest on ST is cultural anthropologist Christina E. Burke, who is the Curator of Native American and Non-Western Art at the Philbrook Museum of Art here in Tulsa.

On this edition of StudioTulsa, we learn about a show on view at the Philbrook Museum of Art through April 5th: "Whistler and the British Etching Revival." This small but engaging exhibition, culled from Philbrook's permanent collection, displays prints by James McNeill Whistler (1834-1903) and Francis Seymour Haden (1818-1910) -- who was Whistler's brother-in-law -- as well as similar works by several artists who came after these two.

On today's ST, we are pleased to once again welcome Catherine Whitney, the Chief Curator and Curator of American Art at the Philbrook Museum of Art here in Tulsa, who tells us about a fantastic new show on view at that museum called "New York to New Mexico: Masterworks of American Modernism from the Vilcek Foundation Collection." This show will run through May 3rd; more info can be accessed at the museum's website.

On this edition of ST, we welcome James Warhola (born 1955), an American artist and illustrator who's created more than two dozen children's picture books over the years. Warhola briefly worked at Interview magazine in New York City -- which was established and edited by Andy Warhol, his uncle -- before becoming a science fiction illustrator. As such, beginning in the early 1980s, he did the cover art for hundreds of sci-fi books, and he was later an artist and illustrator for Mad magazine.

From just after WWII until the late 1970s, the Indian Annual exhibition at Tulsa's Philbrook Museum of Art served as a vital outlet -- and a nationally recognized showcase -- for Native American fine art. This juried competition and sale attracted artists, collectors, and curators from across the country for more than three decades. It also helped build the collections of institutions like Philbrook, the Heard Museum (AZ), and the Museum of the American Indian (NY), all of which consistently purchased award-winning pieces at this show.

On this edition of ST, we're discussing a special exhibit that's set to open at the Philbrook Museum of Art here in Tulsa over the weekend. Indeed, it's Philbrook's first-ever exhibition of works by Claude Monet (1840-1926), the widely admired and highly influential Fresh Impressionist. "Monet and the Seine: Impressions of a River" opens on Sunday the 29th and runs through September 21, 2014.

On this edition of ST, a discussion of the distinctive films of writer/director Wes Anderson, whose vivid, detailed, and meticulously crafted movies include "Rushmore," "The Royal Tenenbaums," "The Life Aquatic with Steve Zissou," and "Moonrise Kingdom" --- as well as "The Grand Budapest Hotel," which is still in theaters nationwide. Our guest is Matt Zoller Seitz, a critic for New York magazine who has a new book out about Anderson's decidedly ornate cinematic world.

Once upon a time, museums throughout this country would invariably display or organize their "art" and their "Native American art" in two distinct categories; a piece would "belong" to one or the other camp, but never both. That's increasingly not the case anymore, thankfully --- and our guest today talks about why. We're pleased to welcome Rick West back to ST; he'll be the keynote speaker for a day-long Native Art Symposium tomorrow (Saturday the 5th) at the Philbrook Museum of Art here in Tulsa.

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