Originally published on Sun August 4, 2013 9:02 am
If you didn't manage to fly in, drive up or sneak your way aboard a yacht bound for coastal Rhode Island — well, we can't help you get to the 2013 Newport Jazz Festival. But if you're not near Aquidneck Island this weekend, you can still catch a lot of the festival from our live NPR Music webcast, presented with WBGO and WGBH.
Originally published on Wed October 2, 2013 4:47 pm
When Lissie stopped by World Cafe for her session about a month ago, she still didn't have a name for her new album. Now titled Back to Forever, the singer's second record is due out Sept. 10; it comes three years after the release of her debut, Catching a Tiger. Lissie's new songs emphasize her observations of the world around her. "Shameless," for example, focuses on what people will do for stardom.
The Newport Folk Festival understands the value of a good palate-cleanser — not to mention the way folk and gospel's roots intertwine — so this year's lineup taps the rich vein of talent at Boston's Berklee College of Music to bring fans the Berklee Gospel & Roots Choir.
Hear the group perform as part of the 2013 Newport Folk Festival, recorded live on Sunday, July 28 in Newport, R.I.
Iris DeMent is as credible as folksingers come: The 52-year-old singer-songwriter grew up singing traditional gospel and country music alongside 14 siblings in rural Arkansas. Once endorsed as "the best singer I ever heard" by no greater an authority than Merle Haggard, DeMent seems to emerge from another era entirely.
Major jazz gatherings such as the Newport Jazz Festival — which dates back to 1954 — have always relied on big names to attract visitors. The 2013 edition is no different, with headliners such as Wayne Shorter (with Herbie Hancock), Marcus Miller, Chick Corea, Eddie Palmieri and Esperanza Spalding.
A young, Niger-born Tuareg guitarist inspired by the wizardry of Saharan rock bands like Tinariwen, Omar Moctar (a.k.a. Bombino) has helped make African music more relatable to U.S. fans, thanks to both his own instrumental gifts and to collaborators like The Black Keys' Dan Auerbach, who produced Bombino's new album, Nomad.
Originally published on Sun August 4, 2013 7:48 am
To say that you're writing a symphony today is a statement, especially for a young composer like me. The challenge is to find just the right way to commandeer the age-old form, to render it fresh and vital once again within an American context.
In jazz, the clarinet went into eclipse for awhile, drowned out by louder trumpets and saxes. The instrument has long since made a comeback, and the modern clarinet thrives in settings where it doesn't have to shout to be heard.
Take "Spindleshanks," a little out-of-sync boogie-woogie for Darryl Harper's clarinet and Kevin Harris' piano. It's from Harper's The Edenfred Files. In his long-running Onus Trio, the spare unit Darryl Harper features on most of his new album, he can sing softly as an owl in the night.
Tift Merritt was first known as a decorated country singer — her 2004 album Tambourine was even nominated for a Best Country Album Grammy — but the North Carolina native has spent the years since wandering down far-flung side roads. Merritt keeps finding ways to place literal and figurative distance between herself and Nashville: She's lived in New York City and France, while exploring the sounds of folk, cosmopolitan pop and even classical music.