Originally published on Wed October 24, 2012 12:26 pm
It's not all that often anymore that sexism and female objectification are so revoltingly obvious, but then someone dreams up something like this: a leering and condescending interview in the Scottish Sun with violinist Nicola Benedetti. (I don't really want to give the Sun any credence with more page views, but this one has to be read to be believed.)
Long before he appeared on the cover of Time Magazine, in 1964, Thelonious Monk was a one-of-a-kind jazz pianist: a player and composer of startling originality, a musician of ample wit and heart, a bebopper of seemingly boundless genius. His body of work --- indeed, his approach to the piano itself --- was fresh and unique and cohesive. It was also, in the opinion of some, quite odd. Or else sloppy-sounding in its fingering, or else melodically lop-sided, or worse.
JazzSet returns to the 2011 Newport Jazz Festival for performances from two complementary bandleaders on the main Fort Adams stage: violinist Regina Carter and trumpeter Wynton Marsalis.
Regina Carter started playing violin as a 4-year-old Suzuki method student in Detroit, and later played in school and community orchestras. After attending the New England Conservatory of Music, she chose jazz as her primary direction. JazzSet first presented her from the 1995 Telluride Jazz Festival â€” on a stage in the mountains, playing into the open air.
Originally published on Tue September 18, 2012 4:12 pm
There's a lot of astounding information in this comprehensive profile of trumpeter Marcus Belgrave, "the reigning patriarch of Detroit jazz." After touring with Ray Charles for years, and getting opportunities with Max Roach and Charles Mingus, Belgrave opted not to stick it out in New York like many musicians of his caliber. Instead, he chose Detroit, where he's been since 1963.
Originally published on Tue August 28, 2012 7:15 pm
Conductor, pianist and peace advocate Daniel Barenboim first recorded all five of Beethoven's piano concertos in 1967. Barenboim, a brash and fantastically smart 24-year-old, was paired with an elder statesman, conductor Otto Klemperer. There was real magic in that collaboration, yielding recordings that still set a benchmark.