Originally published on Wed February 20, 2013 12:41 pm
Field Report founder and frontman Chris Porterfield assumed his music career was over after he left the Wisconsin band DeYarmond Edison, which also featured Justin Vernon of Bon Iver and several current members of Megafaun. Following the band's 2006 breakup, Porterfield started writing music for the first time, taking years to hone his skills.
Multi-instrumentalist David Lindley makes his sixth appearance on Mountain Stage, recorded live on the campus of the University of Alaska at Fairbanks. Lindley was first heard by a wide audience while he worked as an accompanist for Jackson Browne, playing lap steel in the classic "Running on Empty."
Originally published on Wed March 27, 2013 10:03 am
(For our week dedicated to Robert Schumann, pianist Jonathan Biss defends this misunderstood composer in the first of three essays. Click the audio link above to hear him play Schumann and discuss the composer with Performance Today host Fred Child.)
Originally published on Mon October 8, 2012 8:25 am
All this week, we'll be focusing our lens on the music of Robert Schumann and the lasting impact of his work. Leading the conversation is pianist Jonathan Biss, who's making a 30-concert project out of this Schumann exploration all season long and who has written a series of essays on Schumann. Starting things off for us today is musicologist and Schumann expert Eric Frederick Jensen.
Originally published on Sun October 7, 2012 3:58 pm
Born in Tel Aviv, Anat Cohen came to New York two decades ago to study the masters of jazz. In so doing, the clarinetist and saxophonist started a bit of a stampede: Today, Israel is exporting some of the most vital jazz out there.
Among the 23 recipients of the MacArthur "genius" grants this past week: an economist, a mathematician, a photographer, a neuroscientist, and a Boston-based stringed instrument bow maker.
Benoit Rolland acknowledges that the violin reigns supreme as the star of the strings, capable of fetching millions of dollars at auction. But what about the bow? "A violin with no bow is not a violin, that's clear," says Rolland.
Don't try to pigeonhole Josephine Foster. She has recorded albums of psychedelic rock and Tin Pan Alley, music for children, blues, Spanish folk tunes, 19th century German art songs and a song cycle based on the poems of Emily Dickinson. Although her soprano may be a little unusual, it's arresting.
Foster recently released a new album, Blood Rushing. She spoke with NPR's Scott Simon about finding her voice, collaborating with her husband, singing at funerals and embracing small-town life.
Originally published on Sun October 7, 2012 4:05 pm
Django Reinhardt has achieved an almost godlike status among those who love jazz guitar. When he and violinist Stephane Grappelli formed the Quintet of the Hot Club of France in 1934, they created a new sound in jazz: The guitar and violin served as the lead instrumental voices, propelled by two hard-swinging rhythm guitars and a bass.