Hope you can join us for the next All This Jazz, which begins at 10pm on Saturday the 1st, right here on Public Radio 89.5...and online via live stream at PublicRadioTulsa.org. (We'll also offer, as always, a 7pm re-broadcast of ATJ on Sunday the 2nd on Jazz 89.5-2, which is Public Radio Tulsa's all-jazz HD Radio channel.)
The Los Angeles noir-pop band Leftover Cuties has a sound that's both retro and refreshing.
On this episode of Song Travels, host Michael Feinstein talks with Shirli McAllen, Leftover Cuties' lead singer and ukulele player. Here, the band performs a set of originals from The Spark And The Fire, along with its unique interpretation of "You Are My Sunshine."
The son of pianist Kenny Drew, who rose to fame in the 1950s and '60s, Kenny Drew Jr. made his own way with a virtuosic career in both jazz and classical music. He favored direct, single-note lines, but could also play in a full orchestral style.
In this 1992 session, Drew interprets Monk's "In Walked Bud" — and he and host Marian McPartland collaborate in a performance of "Falling In Love With You."
Originally published on Sat November 1, 2014 6:02 am
Sun Ra was a big-band innovator, a pioneer of recording and playing with electronics, a poet, a cosmic philosopher, a bandleader and a keyboard innovator who claimed to be from Saturn. Herman Poole Blount would have turned 100 in 2014 had he not left us more than 20 years ago. But his spirit lives on, and so does his long-running band.
Tony Trischka's Great Big World appears on Mountain Stage, recorded live on the campus of the North House Folk School in Cook County, Minn.
One of the most influential banjo players the instrument has ever known, Trischka has been playing, teaching and expanding the instrument's possibilities for more than 45 years. "There was a time," host Larry Groce says in his introduction, "when people were surprised when you took a banjo to anything besides bluegrass, old time and country. Trischka was one of the first to take the banjo to places it had never been before."
Originally published on Thu October 30, 2014 1:40 pm
Classical music meets Halloween and the paranormal Thursday night when the National Symphony Orchestra plays the Schumann Violin Concerto, a work buried for nearly a century and recovered — or so the story goes — by a message from the beyond.
Maybe this trajectory mirrors the Kansas City Royals' unlikely road to the pennant: An opera star beats out much more mainstream artists to sing the national anthem at the decisive World Series Game 7.
When Miles Davis returned to performing in the early 1980s, he asked his former bandmate and master composer, Wayne Shorter, to write something for him. What came out was a large ensemble work too unwieldy for Davis, and Shorter put it back on his shelf. "I asked him for a tune, and he gives me a [expletive deleted] symphony," Davis reportedly said at the time.