This gifted man wrote more than 15-hundred songs. Most of them were hits, on network and local radio and the record stores to his fans! Irving Berlin will be in the Big Band Saturday Night spotlight this weekend.
Help us celebrate our 20th year on Tulsa radio with BBSN! Join us at 8 o'clock on 89.5.
Saxophonist Joshua Redman and the collaborative trio The Bad Plus both stand among the most celebrated, thoughtful and prominent jazz acts of the last couple decades. That, and their constrasting aesthetic sensibilities, made it at least news when they first got together in 2011. As it turns out, that collaboration bore lasting fruit: After a series of gigs last summer, they went into the studio with each others' tunes to record The Bad Plus Joshua Redman (say it out loud), to be released in late May.
Saxophonist and composer Kamasi Washington, 34, has been working on releasing his now three-CD, nearly three-hour, choir-and-strings-assisted album The Epic for the better part of five years now. Even longer, if you consider how long his 10-piece working band has known each other: Most of its members, known collectively as The Next Step or The West Coast Get Down, have known each other since at least high school decades ago in South Central Los Angeles, and in some instances well before that.
For 25 years, the baritone saxophone chair of the Jazz at Lincoln Center Orchestra has been held by a one Joe Temperley. The Scottish musician, now 85, carries tons of credits to his C.V., especially with big bands: Thad Jones-Mel Lewis, Woody Herman, Buddy Rich, Clark Terry and — most notably — the Duke Ellington Orchestra.
The pianist and composer Vijay Iyer frames his new trio recording, Break Stuff, around the idea of musical breaks: "a break in music is still music: a span of time in which to act," he writes. Formally, he's referring to breakbeats and other musical breakdowns, but more generally, Iyer's trio exploits opportunities to rupture convention.
Marian McPartland hosts pianist Stanley Cowell for this 1999 episode of Piano Jazz, recorded before an audience at NPR's studios in Washington. Known for his brilliant and highly personal approach, Cowell bridges traditional and contemporary styles of jazz. He and McPartland challenge each other in inventive duets, and Cowell performs his composition "Equipoise."
Celebrating their 30th anniversary season this past June, the OK Mozart International Festival presented a semi-staged concert performance of Mozart’s final masterpiece opera, The Magic Flute, a work in which the composer most successfully translated his ideals into music of extraordinary clarity and beauty. Sung in English the performance featured soloists drawn from across Oklahoma and the US, the Amici NY Orchestra, and the Bartlesville Choral Society conducted by the Festival’s artistic director Constantine Kitsopoulos.
Originally published on Fri April 24, 2015 11:19 am
Life changed a lot after that day in 1877 when Thomas Edison spoke "Mary had a little lamb" into a contraption he called a phonograph and discovered he could reproduce sound. Back then, tinfoil cylinders captured just a few flickering moments. Today Wagner's entire Ring cycle fits on a 16GB flash drive.