"Ronan & Erwan Bouroullec --- Album" is a richly varied and lovely-to-look-at exhibition on view at the Philbrook Museum of Art here in Tulsa through May 11th. As we read of this show at the Philbrook website: "Design is a complex process in which numerous problems must be solved. Yet even in the age of computers, drawing remains an indispensable tool for many designers, allowing them to capture spontaneous ideas on paper and develop an individual formal language.
"The Sexuality Spectrum" is a powerful and wide-ranging art exhibit now on view at the The Sherwin Miller Museum of Jewish Art in Tulsa, at 2021 East 71st Street, a facility whose mission is "to preserve and share the legacy of Jewish art, history and culture." This traveling exhibit runs through February, and it includes works across a range of media, all of them exploring sexual orientation and/or sexual identity. More than 50 international contemporary artists are featured, including Judy Chicago, Joan Snyder, Arthur Tress, Archie Rand, Albert Winn, Trix Rosen, and others.
On this edition of ST, we are discussing a soon-to-open exhibit at the Gilcrease Museum here in Tulsa, "Buffalo Bill's Wild West Warriors: Photographs by Gertrude Käsebier," which will go on view Sunday, November 24th. Our guest is Michelle Delaney, director of the Consortium for Understanding the American Experience at the Smithsonian Institution.
Back in 1938, the legendary local oilman Waite Phillips announced that he was giving his Italianate mansion --- and its surrounding 20-plus acres of uniformly gorgeous grounds --- to the citizens of Tulsa as an art museum and park space. Today, as has been the case all along, the Philbrook Museum of Art is an important and truly unique aspect of the art scene not just in our community but throughout this part of the nation.
On this installment of ST, we are joined by Lauren Ross, the Meinig Curator of Modern and Contemporary Art at the Philbrook Museum of Art here in Tulsa, who tells us about a group show now on exhibit at the museum, "Remainder," which will run through September 29th.
(Please note: This program originally aired last year.) On this edition of our show, we speak by phone with the author and writing instructor B. A. Shapiro about her widely praised novel, "The Art Forger." In 1990, more than a dozen works of art (today worth, in sum, $500+ million) were stolen from the Isabella Stewart Gardner Museum in Boston. It remains the largest unsolved art heist in history, but in this equally fascinating and entertaining novel, our heroine --- Claire Roth, a struggling young artist --- learns more about this theft than she ever bargained for.
On this edition of our program, we offer a fascinating discussion concerning art, religion, and history with Dr. Clare Haynes of the University of Edinburgh. Tomorrow night, Thursday the 7th, Dr. Haynes will give the 2013 Rita and William H. Bell Distinguished Lecture at 7:30pm in Tyrrell Hall on the TU campus. It's free and open to the public, and it's presented by the TU Department of Philosophy and Religion. The title for this lecture is "Resisting Affinities: The Visual Arts and the Church of England Since the Reformation." As Dr.
The widely praised "Models & Muses: Max Weber and the Figure" exhibit at the Philbrook Museum of Art here in Tulsa will close on February 3rd. On this installment of ST, we revisit this terrific show --- the first museum survey of Weber's work in two decades, and an exhibition which originated at Philbrook --- in order to explore one aspect of Weber's long and influential career in American modern art. Namely, that aspect is his relationship with Mark Rothko, the pioneering abstract painter who, while still a young man, was briefly a student of Weber's in the middle 1920s.
On this edition of StudioTulsa, we speak with the veteran artist James Grashow, born in Brooklyn in 1942, who's been creating an appealing, wide-ranging body of work since the 1960s. From large-scale environmental installations to album covers for Deep Purple and Jethro Tull to miniature "houseplants" (in which homes and buildings replace flowers and buds in intricately constructed bouquets), Grashow creates works that somehow thrive on both whimsy and decay, both wonder and mortality.