On this installment of ST, a fascinating chat about historic preservation -- how it works, how it's changed over the years, and how we learn so much from it -- with Fenella France, who's the Chief of the Preservation Research and Testing Division at the Library of Congress. She's also worked for the Smithsonian Institution and the National Park Service, and from 2001 to 2007, she was the project and scientific manager for Art Preservation Services in New York.
On this edition of ST, we speak by phone with James Pepper Henry, director of the well-regarded Heard Museum in Phoenix, Arizona, who's just been named at the new director of the Gilcrease Museum here in Tulsa. Pepper Henry will begin his tenure at Gilcrease in late March. He's a member of Oklahoma's Kaw Nation, and in a statement released on Monday the 5th, he referred to his upcoming arrival at Gilcrease as "a real homecoming.... I have lots of family and friends in Oklahoma. The museum's founder, Thomas Gilcrease, and I share Muscogee Creek heritage.
The "Rediscover Gilcrease" weekend -- a two-day, free-to-the-public gala happening at the museum on September 6th and 7th -- will feature unique attractions, special activities, and lots of family-friendly entertainment. Among the highlights, without question, will be the official opening of the striking new Helmerich Center for American Research at Gilcrease. Several different lectures and presentations will be presented at the Helmerich Center, and one of them will be given by our guest today. Our guest is Brian Hosmer, the H.G.
A fine show recently opened at the Gilcrease Museum here in Tulsa; "Form and Line: Allan Houser's Sculpture and Drawings" will be on exhibit through June 29th. One of the most widely known and admired Native American artists of the 20th century, the Oklahoma-born Houser, who died at 80 in 1994, was a Chiricahua Apache sculptor, painter, and book illustrator. He was also a dedicated and highly influential teacher of art, most notably at the Institute of American Indian Arts in Santa Fe, NM.
On this edition of ST, we are discussing a soon-to-open exhibit at the Gilcrease Museum here in Tulsa, "Buffalo Bill's Wild West Warriors: Photographs by Gertrude Käsebier," which will go on view Sunday, November 24th. Our guest is Michelle Delaney, director of the Consortium for Understanding the American Experience at the Smithsonian Institution.
Tulsa's Gilcrease Museum is currently showing one of the finest collections of early color printmaking, or chromolithography, in its exhibit called "Yellowstone and the West: The Chromolithographs of Thomas Moran," which is on display through September 8th at the museum. The exhibit features a suite of 15 prints commissioned and made by Louis Prang; these are prints of Moran's watercolors from his 1871 journey to Yellowstone as a member of the Hayden Expedition.
On this edition of ST, we speak with Jim Richardson, a longtime contributing photographer for National Geographic magazine (and contributing editor to NatGeo's Traveler magazine) who is known for his globe-trotting photo-journalism as well as his carefully observed images of rural American life. As a social documentary photographer who's been in the business for 30+ years, Richardson has enjoyed an influential and far-flung career.
Our guest is Dr. Scott A. Shields, the associate director and chief curator at the Crocker Art Museum in California, who's also the chief curator for a traveling exhibit that will be on view at the Gilcrease Museum here in Tulsa through March 24th. "Edgar Payne: The Scenic Journey" is a retrospective appreciation that features nearly 100 paintings and drawings, along with photographs, sculptures, and other objects from the artist's studio.
On this installment of StudioTulsa, we're joined by Elizabeth Chambers, the collections manager for the Mount Vernon Estate, Museum, and Gardens, who's currently in town to help set-up a show opening at the Gilcrease Museum on Sunday the 24th. It's a traveling exhibit, "Discover the Real George Washington: New Views from Mount Vernon," that will be on view at Gilcrease through September 23rd. What do we know, for certain, about "the Father of Our Country"?