We speak by phone with the Emmy Award-winning, Cincinnati-based documentary filmmaker Rachel Lyon, whose films have appeared on CNN, PBS, BBC, the History Channel, and elsewhere. Lyon's newest film, "Hate Crimes in the Heartland," will be screened here in Tulsa on Thursday the 5th at 5:30pm; this screening is part of a free-to-the-public panel discussion happening at the Perkins Auditorium on the OU-Tulsa campus (at 41st and Yale).
From "American Sniper," "Into the Woods," and "The Hobbit: The Battle of the Five Armies" to "Wild," "The Imitation Game" (shown here), and "Boyhood," we're dishing on this installment of StudioTulsa about several of the notable movies that arrived (or else will soon arrive) in theaters in 2014. Our guest is Michael Smith, film critic at The Tulsa World.
On this presentation of ST, we speak with Marja Mills, a former reporter and feature writer with The Chicago Tribune. Mills is also the author of a bestselling memoir, "The Mockingbird Next Door," which details the time she spent getting to know novelist Harper Lee -- the author, of course, of the immortal "To Kill a Mockingbird" -- as well as Lee's older sister, Alice. Mills will discuss this recently published book (its origins, its development, its major findings, and so on) tonight, Monday the 8th, at 6:30pm at a Book Smart Tulsa event at the Circle Cinema.
On this edition of StudioTulsa, we listen back to an interview that we first aired earlier this year with the author, essayist, and cultural critic Chuck Klosterman. At that time, we chatted with Klosterman about his essay collection, "I Wear the Black Hat: Grappling with Villains (Real and Imagined)," which is an often funny and highly entertaining exploration of why we as a society are so attracted to -- yet also, of course, repelled by -- villains both fictional and nonfictional.
On this Veterans Day edition of StudioTulsa, we're talking about a certain classic novel that came out of World War I, "The Four Horsemen of The Apocalypse" by the Spanish author Vicente Blasco Ibáñez, and about a silent-film epic, from 1921, which had the same title, and which was based on this novel -- and which also introduced audiences around the globe to an unknown actor named Rudolph Valentino.
(Note: This program originally aired in July.) On this edition of our show, we offer a how-does-society-affect-our-mental-health discussion with Joel Gold, who, with his brother Ian, is one of the authors of "Suspicious Minds: How Culture Shapes Madness -- The Truman Show Delusion and Other Strange Beliefs." Dr. Joel Gold is a clinical associate professor of psychiatry at New York University School of Medicine and was an attending psychiatrist in the department of psychiatry at Bellevue Hospital Center for nine years.
On this installment of ST, we speak by phone with Jonathan Scott Chinn, a filmmaker who lives and works in New York City, and who formerly worked as the producer of this radio show, from 1999 till 2001. Chinn's first feature film, which he directed, is a newly released drama/comedy called "The Widowers." It tells the story of best friends Jake and Jonathan, whose wives have both died in tragic accidents.
On this edition of our show, we welcome back Catherine Whitney, the Chief Curator and Curator of American Art at the Philbrook Museum of Art here in Tulsa, who tells us all about a small but impressive photography show currently on view at the museum. "Hard Times, Oklahoma, 1939-40: The Documentary Photography of Russell Lee" will run through October 26th. Beginning in 1936, Lee worked alongside Walker Evans, Dorothea Lange, and others as part of the government-sponsored Farm Security Administration, which was a New Deal program created by FDR.
On this edition of ST, we speak with the well-regarded author, essayist, and cultural critic Chuck Klosterman, who has published a number of books and also writes the weekly "Ethicist" column for The New York Times Magazine. Klosterman's latest title, "I Wear the Black Hat: Grappling with Villains (Real and Imagined)," is just out in paperback; it's a far-reaching, often funny, and highly entertaining exploration of why we as a society are so attracted to -- yet also, of course, repelled by -- villains both fictional and nonfictional...as well as the very notion of villainy itself.