Film

On this installment of ST, we meet a young Oklahoma filmmaker named Taylor Mullins, who tells us about his new documentary, "Oklahoma Shakedown." As the controversy continues over whether waste-water disposal is playing a role in our state's alarming rise of seismic activity, this film profiles various Oklahoma geologists and residential property owners who have decided to take action to stop these incessant quakes.

On this edition of our show, we learn about a documentary film that will be screened tonight (Thursday the 11th) in Helmerich Hall on the TU campus. The screening is free to the public, and it will also feature a panel discussion; it begins at 7pm. The film is question is "Children of the Civil Rights," and our guest is Julia Clifford, who directed it. As noted of this film at the "Children of the Civil Rights" website: "No one knew a group of children in Oklahoma City were heroes; not even the children themselves.

On this installment of ST, a look back at several of the more notable movies of 2015 with Michael Smith, the film critic at The Tulsa World. He joined this city's daily paper in 1996, and just to be clear about matters from the outset: Smith recently wrote in that newspaper that he thinks "Star Wars: The Force Awakens" is the "best film in [that] franchise." Really? That good?

On this edition of ST, we speak with the Pulitzer Prize-winning journalist and author Ron Suskind, whose bestselling nonfiction books include "Confidence Men," "The Way of the World," and "The One Percent Doctrine," among others. Suskind joins us to discuss his latest book, a memoir called "Life, Animated: A Story of Sidekicks, Heroes, and Autism." This work, first published last year, chronicles Suskind's family’s two-decade struggle with his son Owen's autism. As was noted of the book by the St.

On this edition of ST, we learn about the first-ever Tulsa American Film Festival, which, per its website, "showcases independent feature and short films from across the U.S., highlighting Native American films, Oklahoma-based filmmakers, local student short films, a classic Oklahoma-centric film retrospective in addition to panels and parties." The festival happens later this week, from the 15th through the 18th, with screenings at the Circle Cinema and other events at the Woody Guthrie Center and the Gilcrease Museum.

On this installment of ST, we learn about the charmingly off-the-wall and/or downright ghoulish cartoons of Charles Addams, whose distictive, humorous drawings graced the pages of The New Yorker (and other magazines) for many years, and were the basis, of course, for "The Addams Family" (of TV and movie fame). More than 50 works by Addams are now on display at the Zarrow Center for Art and Education in downtown Tulsa; "Charles Addams: Family and Friends" will be on view through September 27th.

Our guest on this edition of ST is the locally based filmmaker Sterlin Harjo, who tells us about his latest feature, "Mekko." Most of this movie was shot in Tulsa, and it profiles a Native American ex-con (the film's title character) as he tries to rebuild his life after 19 years behind bars. Mekko has no home, no immediate family, and little cash -- so he soon ends up on the streets, where he's eventually taken in by Tulsa's homeless Native community.

On this edition of StudioTulsa, we learn about a newly created feature-length documentary film, "Boomtown: An American Journey," which depicts the history of the City of Tulsa. Our guests are Russ Kirkpatrick, the producer and executive producer of this film, and Michelle Place, the executive director of The Tulsa Historical Society and Museum, which originally commissioned it.

(Note: This interview originally aired in March of this year.) Our guest is the film historian and journalist Mark Harris, who's written for Entertainment Weekly, Grantland, New York Magazine, The New York Times, The Washington Post, and other publications.

On this presentation of ST, we chat with Joe Randazzo, a former editor of The Onion and former creative director of adultswim.com who now writes for the Comedy Central program called @midnight.

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