On this edition of ST, we speak with the well-regarded author, essayist, and cultural critic Chuck Klosterman, who has published a number of books and also writes the weekly "Ethicist" column for The New York Times Magazine. Klosterman's latest title, "I Wear the Black Hat: Grappling with Villains (Real and Imagined)," is just out in paperback; it's a far-reaching, often funny, and highly entertaining exploration of why we as a society are so attracted to -- yet also, of course, repelled by -- villains both fictional and nonfictional...as well as the very notion of villainy itself.
On this edition of our show, we offer an interesting how-does-society-affect-our-mental-health discussion with Joel Gold, who, with his brother Ian, is one of the authors of "Suspicious Minds: How Culture Shapes Madness -- The Truman Show Delusion and Other Strange Beliefs." Dr. Joel Gold is a clinical associate professor of psychiatry at New York University School of Medicine and was an attending psychiatrist in the department of psychiatry at Bellevue Hospital Center for nine years.
Our guest on ST today is William Joyce, the well-known children's book author and illustrator, veteran New Yorker magazine cover artist, and all-around creative guru. Joyce's many picture books include "George Shrinks," "Dinosaur Bob," and "Santa Calls" --- and he won three Emmy Awards for his "Rolie Polie Olie" animated TV series.
On this edition of ST, a discussion of the distinctive films of writer/director Wes Anderson, whose vivid, detailed, and meticulously crafted movies include "Rushmore," "The Royal Tenenbaums," "The Life Aquatic with Steve Zissou," and "Moonrise Kingdom" --- as well as "The Grand Budapest Hotel," which is still in theaters nationwide. Our guest is Matt Zoller Seitz, a critic for New York magazine who has a new book out about Anderson's decidedly ornate cinematic world.
On this installment of ST, we listen back to an interview we did about a year ago with Jonathan Rossetti, who directed, stars in, and co-scripted "Home, James," a newly released indie feature film that was made here in T-Town...and that's now (or was recently) playing --- thanks to a distribution deal with Devolver Digital Films --- in New York City, Los Angeles, Portland, and the aforesaid Tulsa; "Home, James" will be screened at the Circle Cinema (near the corner of Admiral and Lewis) through May 29th.
This edition of SToH presents an interesting discussion about the "food insecurity" affecting so many Native American individuals, families, and communities today, here in Oklahoma and all over the nation. Addressing this insecurity --- and the serious and widespread health issues stemming from it --- is no easy task, and we meet a locally based public-health researcher, filmmaker, activist, and advocate who's taking a deliberately multifaceted approach in doing so. Dr.
On this edition of ST, we speak with Rebecca Miller, the acclaimed screenwriter, author, and filmmaker, who'll appear tonight (Thursday the 17th) at 7pm at a free-to-the-public Book Smart Tulsa event at the Circle Cinema. At this gathering, she'll be reading from and signing copies of her latest novel, "Jacob's Folly," which is just out in paperback; she'll also deliver an introduction before a screening of her 2009 film, "The Private Lives of Pippa Lee" (which she adapted from her novel of the same title).
Our guest on ST is Anthony Horowitz, the prolific English novelist and screenwriter who creates a range of different works in the mystery/suspense/thriller genre. He might be best known for his young adult adventure stories known as the Alex Rider series, all of which feature the eponymous teenage spy (who's saved the world on several different occasions). The tenth and final Alex Rider book has just been published --- it's called "Russian Roulette," and Horowitz tells us all about it on today's show.
Moviegoers, rejoice! The Circle Cinema is turning eighty-five! The theatre opened on July 15, 1928, with a showing of "Across the Atlantic," starring Monte Blue --- in this picture, according to advertisements from the period, Blue "flies to France...and...finds romance." The Circle is Tulsa's only remaining historical movie theatre (and the only theatre in town built before the 1960s); it's listed with the Oklahoma Historical Preservation Office and on the National Register of Historic Places.
One of the more famous lines attributed to John Ford (1894-1973), the iconic film director who made many of the finest Westerns ever to come out of Hollywood, goes like this: "When the truth becomes legend, print the legend." That line is from "The Man Who Shot Liberty Valance," a movie from the early 1960s, but it just as clearly applies to "The Searchers," the classic Western from 1956, with John Wayne and Natalie Wood, which is commonly seen as a Ford masterpiece.