Film

What can American motion pictures tell us about the American South, and what can the South tell us about the movies? Our guest is Robert Jackson, an Associate Professor of English here at the University of Tulsa.

Our guest on this broadcast of ST is the acclaimed filmmaker Annie O'Neil, who is probably best known for her work on the award-winning documentary, "Walking the Camino: Six Ways to Santiago," which is a detailed profile, directed by Lydia Smith, of six hikers making the difficult, 500-mile Camino De Santiago pilgrimage to the shrine of St. James in Galicia, Spain. After this film came out in 2013, O'Neil was contacted by one Phil Volker, a man living near Seattle with Stage 4 cancer.

Without question, Americans today appreciate good/sturdy design or historic/innovative architecture more than ever before. The Architecture & Design Film Festival, which dates back to 2009, is rooted in this widespread appreciation. It's a festival that usually plays in big cities all over the globe -- NYC, say, or Seoul, South Korea -- but this weekend, from April 20th through the 23rd, the Architecture & Design Film Festival will be screened at the Circle Cinema here in Tulsa.

On this edition of StudioTulsa, we're discussing the Oscar-nominated documentary feature, "I Am Not Your Negro," which opens locally tomorrow (Friday the 24th) at the Circle Cinema. Indeed, our two guests today -- Hannibal Johnson (a Tulsa-based author and attorney) and Bob Jackson (an Associate Professor of English here at the University of Tulsa) -- will both be speaking about this film, and co-leading an audience-wide discussion about it, tomorrow night at the Circle.

"The Big Trail" -- a classic Western from 1930, and the first film in which John Wayne had a starring role -- was chosen in 2006 by the Library of Congress to be a part of the National Film Registry. And it was shot in a wide-screen format (rare for that time) by the legendary Hollywood director, Raoul Walsh. Just recently, it was announced that someone has donated to Gilcrease Museum a set of rare stereoscopic photographs that were taken on the set of this motion picture, which was actually filmed all over the West, from New Mexico to Utah to California.

"Come along now, Watson! The game is afoot!" On this edition of StudioTulsa, we're discussing none other than Sherlock Holmes with the writer and editor Michael Sims, who is the author of (among other books) "The Story of Charlotte's Web," which both The Washington Post and The Boston Globe chose as a Best Book of the Year.

On this edition of StudioTulsa, we listen back to a discussion that originally aired in February of last year. At that time, we spoke with Julia Clifford, the director of a documentary film called "Children of the Civil Rights." This film tells the little-known yet true story of a group of schoolchildren in Oklahoma City who -- for nearly six years -- staged Civil Rights-era sit-ins at various diners and lunch counters in OKC. These protests began in 1958, more than a year before the far more familiar Greensboro, North Carolina, sit-ins occurred.

On this edition of ST, we speak by phone with Laleh Mehran, a Denver-based multi-disciplinary artist who moved to the United States from Iran when she was a child in the 1970s. Her art work explores cultures and locations, ideas and identities, patterns and shapes -- and it seems especially focused on issues of technology, geography, and media. Her striking pieces have been shown/installed over the years -- both individually and in group shows -- in Holland, Germany, Italy, Massachusetts, Oregon, Pittsburgh, and elsewhere.

On this edition of StudioTulsa, we speak with David Spear and Joseph Julian Gonzalez, two film/concert composers from Los Angeles who are both lecturing and teaching here at TU as J. Donald Feagin Visiting Artists. About a year ago, Spear and Gonzalez composed a new score of original themes for the 1928 silent film "Ramona" -- and in doing so, they also re-arranged the title song and adapted sacred and Spanish classical music for their newly created score.

On this installment of StudioTulsa, we offer a discussion with the widely acclaimed American writer Dennis Lehane, who's well-known for his bestselling novels in the crime/mystery/thriller genre, among them "Darkness, Take My Hand," "Sacred," "Gone Baby Gone," "Mystic River," "Shutter Island," "Live by Night," and "World Gone By." Lehane has also written for "The Wire" and "Boardwalk Empire," two popular TV series that aired in recent years on HBO, and several of his novels have been adapted into award-winning films.

On this installment of StudioTulsa, we're talking about the Bob Dylan Archive, that widely-reported-on treasure trove of 6,000+ items documenting the entirety of the legendary singer-songwriter's still-active career. This archive was purchased earlier this year by the George Kaiser Family Foundation and The University of Tulsa; it will be housed at TU's Helmerich Center for American Research (which is located within the Gilcrease Museum).

On this edition of ST, our guest is Yuval Rabin, son of the late Israeli Prime Minister Yitzhak Rabin, who will appear at the Circle Cinema tonight (Tuesday the 20th) as part of the 3rd Annual Oklahoma Jewish Film Festival. This event is a special screening-plus-Q&A gathering co-presented by the Circle Cinema, the Jewish Federation of Tulsa, and the Sherwin Miller Museum of Jewish Art. Mr.

On this edition of StudioTulsa, we listen back to a 2008 discussion with author and journalist Steve Lopez about his bestselling nonfiction account, "The Soloist: A Lost Dream, an Unlikely Friendship, and the Redemptive Power of Music." At that time, this book -- which explores themes of mental illness, homelessness, artistic inspiration, and creativity -- had just come out; it was later the basis for major motion picture of the same title.

On this edition of StudioTulsa, we speak with the filmmaker Kyle Ham, who grew up in Tulsa before studying theatre and film at DePauw University. Ham has a new movie out, his first feature, which he actually co-wrote with his former professor from DePauw University, playwright Steve Timm. That film is "Reparation" -- it's an award-winning independent motion picture about a troubled Air Force veteran who searches for clues to his lost memories in his daughter's artwork.

(Note: This interview originally aired back in December.) We speak with the Pulitzer Prize-winning journalist and author Ron Suskind, whose bestselling nonfiction books include "Confidence Men" and "The One Percent Doctrine," among others. Suskind joins us to discuss his latest book, a memoir called "Life, Animated: A Story of Sidekicks, Heroes, and Autism." This work, first published in 2014, chronicles Suskind's family’s two-decade struggle with his son Owen's autism. As was noted of the book by the St.

On this edition of ST, we speak with A.O. Scott, chief film critic at The New York Times. Scott has a new book out; it's called "Better Living Through Criticism: How to Think About Art, Pleasure, Beauty, and Truth." As was noted of this work in a starred review in Publishers Weekly: "This stunning treatise on criticism from...Scott is a complete success, comprehensively demonstrating the value of his art.

On this installment of StudioTulsa, we learn about a fascinating new documentary film depicting the rise and fall of E.W. Marland, the legendary -- and often controversial, and always colorful -- Oklahoma oilman who was also the state's 10th governor. "High Stakes: The Life and Times of E.W. Marland," shot on location in Ponca City, Oklahoma, is the newest creation of co-producers Steve Herrin and Scott Swearingen, who have also made docs about Woody Guthrie, Thomas Gilcrease, and Willard Stone.

(Note: This interview originally aired in July of last year.) On this presentation of ST, we chat with Joe Randazzo, a former editor of The Onion and former creative director of adultswim.com who now writes for the Comedy Central program called @midnight.

On this installment of ST, we meet a young Oklahoma filmmaker named Taylor Mullins, who tells us about his new documentary, "Oklahoma Shakedown." As the controversy continues over whether waste-water disposal is playing a role in our state's alarming rise of seismic activity, this film profiles various Oklahoma geologists and residential property owners who have decided to take action to stop these incessant quakes.

On this edition of our show, we learn about a documentary film that will be screened tonight (Thursday the 11th) in Helmerich Hall on the TU campus. The screening is free to the public, and it will also feature a panel discussion; it begins at 7pm. The film is question is "Children of the Civil Rights," and our guest is Julia Clifford, who directed it. As noted of this film at the "Children of the Civil Rights" website: "No one knew a group of children in Oklahoma City were heroes; not even the children themselves.

On this installment of ST, a look back at several of the more notable movies of 2015 with Michael Smith, the film critic at The Tulsa World. He joined this city's daily paper in 1996, and just to be clear about matters from the outset: Smith recently wrote in that newspaper that he thinks "Star Wars: The Force Awakens" is the "best film in [that] franchise." Really? That good?

On this edition of ST, we speak with the Pulitzer Prize-winning journalist and author Ron Suskind, whose bestselling nonfiction books include "Confidence Men," "The Way of the World," and "The One Percent Doctrine," among others. Suskind joins us to discuss his latest book, a memoir called "Life, Animated: A Story of Sidekicks, Heroes, and Autism." This work, first published last year, chronicles Suskind's family’s two-decade struggle with his son Owen's autism. As was noted of the book by the St.

On this edition of ST, we learn about the first-ever Tulsa American Film Festival, which, per its website, "showcases independent feature and short films from across the U.S., highlighting Native American films, Oklahoma-based filmmakers, local student short films, a classic Oklahoma-centric film retrospective in addition to panels and parties." The festival happens later this week, from the 15th through the 18th, with screenings at the Circle Cinema and other events at the Woody Guthrie Center and the Gilcrease Museum.

On this installment of ST, we learn about the charmingly off-the-wall and/or downright ghoulish cartoons of Charles Addams, whose distictive, humorous drawings graced the pages of The New Yorker (and other magazines) for many years, and were the basis, of course, for "The Addams Family" (of TV and movie fame). More than 50 works by Addams are now on display at the Zarrow Center for Art and Education in downtown Tulsa; "Charles Addams: Family and Friends" will be on view through September 27th.

Our guest on this edition of ST is the locally based filmmaker Sterlin Harjo, who tells us about his latest feature, "Mekko." Most of this movie was shot in Tulsa, and it profiles a Native American ex-con (the film's title character) as he tries to rebuild his life after 19 years behind bars. Mekko has no home, no immediate family, and little cash -- so he soon ends up on the streets, where he's eventually taken in by Tulsa's homeless Native community.

On this edition of StudioTulsa, we learn about a newly created feature-length documentary film, "Boomtown: An American Journey," which depicts the history of the City of Tulsa. Our guests are Russ Kirkpatrick, the producer and executive producer of this film, and Michelle Place, the executive director of The Tulsa Historical Society and Museum, which originally commissioned it.

(Note: This interview originally aired in March of this year.) Our guest is the film historian and journalist Mark Harris, who's written for Entertainment Weekly, Grantland, New York Magazine, The New York Times, The Washington Post, and other publications.

On this presentation of ST, we chat with Joe Randazzo, a former editor of The Onion and former creative director of adultswim.com who now writes for the Comedy Central program called @midnight.

John Williams -- the still-active genius who created the music for such classic movies as "Jaws," "Star Wars," "Raiders of the Lost Ark," "Close Encounters of the Third Kind," "E.T.: The Extraterrestrial," and "Schindler's List" (to name just a handful) -- is arguably the greatest composer ever to work in Hollywood. And his memorable, broadly popular music will be the focal point for the final Tulsa Symphony Orchestra concert of this season.

On this edition of AT, an interesting and far-reaching chat with Dan and Cheryl Foliart -- a husband-and-wife team who are, respectively, a Hollywood composer and a music executive, and who are both currently visiting TU as J. Donald Feagin Guest Artists.

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