Dance

On this edition of ST, we learn about the highly regarded, Vancouver-based dance company, Kidd Pivot. As is noted of this small but accomplished collective at the company's website: "Integrating movement, original music, text, and rich visual design, Kidd Pivot's performance work is assembled with recklessness and rigor, balancing sharp exactitude with irreverence and risk.

Starting tonight, Friday the 2nd, Tulsa Ballet presents its final performance of the 2013-14 season, "Off the Floor: Creations in Studio K." This is the seventh year in which the ballet has offered a three-part "Creations in Studio K" evening, and this time around, it will feature world-premiere works by Jodie Gates ("The Angle of Incidence"), Young Soon Hue ("Contrast"), and Ma Cong ("Uniko"). Our guest on ST is Tulsa Ballet's artistic director, Marcello Angelini, who describes each of these works in detail.

On this edition of ST, we meet Ari Christopher, the Executive Director and Choreographer of Tulsa Modern Movement (or TuMM). Initiated in 2011, TuMM, per its website, "invigorates modern dance in Oklahoma by creating and performing new choreography, promoting life-long learning in the art of dance, and collaborating across disciplines." Christopher studied at the Martha Graham Center for Contemporary Dance and attended the Modern Dance BFA program at Marymount Manhattan College in New York City.

On this edition of ST, we're talking about two noteworthy cultural events happening in downtown Tulsa this weekend. First off, we discuss the final concert of the Tulsa Symphony Orchestra's current season, "Inside Out!," which happens tomorrow night (Saturday the 12th) at 7:30pm at the Tulsa PAC. We speak with Kari Caldwell, the principal cellist and board president of the TSO, who'll be the featured soloist as the symphony performs "Don Quixote" by Strauss. This concert will also feature Jennifer Higdon's "Blue Cathedral" and Haydn's "Symphony No.

On this installment of ST, we welcome Christopher Bruce, the highly regarded British choreographer and dancer who served as Artistic Director of the Rambert Dance Company from 1994 until 2002. Bruce, whom London's Daily Telegraph once called "the Nureyev of contemporary ballet," was appointed Houston Ballet's Associate Choreographer in 1989, and this world-renowned company has served as his artistic home in America since then.

On this edition of ST, we chat with Marcello Angelini, who's been the Artistic Director at Tulsa Ballet since 1995. Angelini tells us about the latest production from his world-renowned company, which opened over the weekend, on the 3rd, and which will continue through Sunday the 12th at Tulsa Ballet's Studio K space, near 45th Place and Peoria Avenue in Tulsa.

Tulsa Ballet will soon present "Lady of the Camellias," with performances scheduled for February 1st, 2nd, and 3rd at the Tulsa PAC.

On this installment of ST, we speak by phone with Frank Chaves, the artistic director of River North Dance Chicago, a critically acclaimed dance organization, founded in 1989, that continues to perform at leading venues around the world. This company is recognized for its skilled and emotive dancers, stimulating music, and bold choreography. Chaves, who's also the company's main choreographer (and who's been with the company for two decades now), tells us that River North Dance Chicago is especially dedicated to merging jazz, ballet, and contemporary styles of movement.

We are pleased to welcome to ST Alfonso Martin, a Principal Dancer with Tulsa Ballet who first joined the company in 1998 as a Demi-Soloist. This season, Martin's 14th with TulsaBallet, will be his last; he's decided to "go out while still on top" in terms of his retirement from dancing.

On this installment of StudioTulsa, we speak with Ken Tracy, the founder of (and programming director for) the Tulsa-based nonprofit arts organization known as Choregus Productions.

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