Choreography

On this edition of ST, we are discussing "Onegin," the universally acclaimed 20th-century ballet by the late choreographer John Cranko, with music by Tchaikovsky, which Tulsa Ballet will present this coming weekend (October 28th through the 30th) at the Tulsa PAC. This ballet -- based on the Alexander Pushkin verse-novel called "Eugene Onegin" -- offers the love story of Tatiana and Onegin. It's a rich and engaging tale of unrequited romance -- as full of complex drama as it is great dancing -- and you can learn more about this ballet here.

This weekend -- beginning on Friday night -- Tulsa Ballet will kick off its 60th Anniversary Season with a mixed-repertory evening of three world-premiere ballets featuring the choreography of Ma Cong, Alejandro Cerrudo, and Nicolo Fonte. "Creations in Studio K" begins at 8pm on the 16th at the Tulsa Ballet Studio K space (on East 45th Place) -- and you can learn more about this three-part presentation, including details on additional performance dates and show times, at this link.

On this installment of StudioTulsa, we speak with Ken Tracy, the founder and executive director of the non-profit Choregus Productions, which started offering performances of world-class music and contemporary dance to Tulsa audiences ten years ago. Tracy joins us to talk about a newly created dance festival from Choregus, which will kick off at the Tulsa PAC on Saturday night, the 30th, and which will present dance companies from the US, Israel, and France/Algeria.

On this edition of StudioTulsa, we welcome back to our show Marcello Angelini, the longtime artistic director of Tulsa Ballet, who tells us about the company's latest production. It's a three-part evening -- entitled "Signature Series" -- that features some of Angelini's favorite ballets: "Serenade" by George Balanchine (music by Pyotr Ilyich Tchaikovsky), "Remansos" by Nacho Duato (music by Enrique Granados), and "Infra" by Wayne McGregor (music by Max Richter).

On this edition of ST, we welcome back Marcello Angelini, the longtime artistic director of Tulsa Ballet. This weekend, March 18th through the 20th, Tulsa Ballet with present a three-part program entitled "Masters of Dance" -- it's an energetic and eclectic sampler featuring works by three of Europe's most esteemed choreographers, and it's meant to display the remarkable versatility of Tulsa Ballet.

On this installment of ST, we welcome back to our program the well-regarded, Ohio-based choreographer Edwaard Liang, who is currently working with Tulsa Ballet on a production of his special version of "Romeo and Juliet," which will be staged February 12th through the 14th. Shakespeare's tragic tale of two passionate yet ill-fated lovers will be presented in the Tulsa PAC, with the Tulsa Symphony Orchestra playing Prokofiev's immortal score.

On this installment of ST, we chat with Marcello Angelini, artistic director of Tulsa Ballet. The company will soon present "The Taming of the Shrew" at the Tulsa PAC, with performances scheduled for October 23rd, 24th, and 25th. As noted of this production at the Tulsa Ballet website: "Shakespeare's famous comedy springs to life through masterful choreography by the legendary John Cranko, with music by Domenico Scarlatti freely arranged by Kurt-Heinz Stolze.

Tulsa Ballet gets its new season underway this evening at 8pm (Friday the 11th) with an all-new, three-part "Creations in Studio K" program. This show will feature world-premiere pieces from Jorma Elo (resident choreographer for Boston Ballet), Dwight Rhoden (artistic director of Complexions Contemporary Ballet), and Tulsa Ballet resident choreographer Ma Cong. Performances will happen September 11th through the 20th in Tulsa Ballet's 300-seat Studio K Theater.

"Carmina Burana," the work that launched Tulsa Ballet's Resident Choreographer Ma Cong's career, premiered in 2006 to rave reviews and overwhelming popular acclaim. It was glowingly re-staged in 2010 -- and now comes an another encore of Ma Cong's masterpiece. Tulsa Ballet will collaborate with members of Tulsa Opera, Tulsa Oratorio Chorus, and the Tulsa Symphony Orchestra in a monumental production of "Carmina Burana" on October 31st, November 1st, and November 2nd at the Tulsa PAC.

The lasting and widespread influence that choreographer Martha Graham (1894-1991) had on the world of dance has been likened to the impact that Pablo Picasso had on painting, or that Aaron Copland had on music, or that Frank Lloyd Wright had on architecture. In other words, it's an influence that clearly continues to this day; Graham is commonly seen as a visionary who all but created what we now call modern dance, and who shaped the ideas and careers of countless dancers who came after her.

Our guest on this edition of ST is Marcello Angelini, the Artistic Director of Tulsa Ballet, who's now celebrating his twentieth season at the helm of the company. That Tulsa Ballet has both grown and thrived under Angelini's impressive leadership is a given in this community, and on today's show we are focusing on one flourishing aspect of the company that was created during Angelini's tenure: Tulsa Ballet II, which is the second or "pre-professional" company of Tulsa Ballet.

On this edition of ST, we learn about the highly regarded, Vancouver-based dance company, Kidd Pivot. As is noted of this small but accomplished collective at the company's website: "Integrating movement, original music, text, and rich visual design, Kidd Pivot's performance work is assembled with recklessness and rigor, balancing sharp exactitude with irreverence and risk.

On this edition of ST, we meet Ari Christopher, the Executive Director and Choreographer of Tulsa Modern Movement (or TuMM). Initiated in 2011, TuMM, per its website, "invigorates modern dance in Oklahoma by creating and performing new choreography, promoting life-long learning in the art of dance, and collaborating across disciplines." Christopher studied at the Martha Graham Center for Contemporary Dance and attended the Modern Dance BFA program at Marymount Manhattan College in New York City.

On this edition of ST, we chat with Marcello Angelini, who's been the Artistic Director at Tulsa Ballet since 1995. Angelini tells us about the latest production from his world-renowned company, which opened over the weekend, on the 3rd, and which will continue through Sunday the 12th at Tulsa Ballet's Studio K space, near 45th Place and Peoria Avenue in Tulsa.

Tulsa Ballet will soon present "Lady of the Camellias," with performances scheduled for February 1st, 2nd, and 3rd at the Tulsa PAC.

On this installment of ST, we speak by phone with Frank Chaves, the artistic director of River North Dance Chicago, a critically acclaimed dance organization, founded in 1989, that continues to perform at leading venues around the world. This company is recognized for its skilled and emotive dancers, stimulating music, and bold choreography. Chaves, who's also the company's main choreographer (and who's been with the company for two decades now), tells us that River North Dance Chicago is especially dedicated to merging jazz, ballet, and contemporary styles of movement.

On this installment of StudioTulsa, we speak with Ken Tracy, the founder of (and programming director for) the Tulsa-based nonprofit arts organization known as Choregus Productions.

Today, we welcome back to our program Marcello Angelini, who's been the artistic director at Tulsa Ballet since 1995. As a critic writing for Dance Insider once noted: "To look at what Marcello Angelini has accomplished [since he arrived at] Tulsa Ballet is to see what a community-based arts revolution looks like." The glorious revolution continues with a new production --- the final show of the 2011-2012 season --- called "Off the Floor: Creations in Studio K," which will soon be staged at Tulsa Ballet's Studio K facility in Brookside (at 1212 East 45th Place South).