On this installment of ST, we listen back to a 1999 interview with Marcus Borg, a noted liberal theologian and New Testament scholar who was among the first -- from the 1980s onward -- to analyze Jesus as a historical figure. Borg, who died last week at age 72 of a lung ailment, appeared on StudioTulsa a few times over the years. This discussion marks his first appearance on our program.
On Saturday the 24th, in a performance beginning at 8pm, the highly acclaimed Rastrelli Cello Quartet will return to Tulsa. The concert happens at the Williams Theatre in the Tulsa Performing Arts Center and is presented by Choregus Productions. Our guest is the founder and artistic director of this group, Kira Kraftzoff. As he explains, the Rastrelli has been deliberately focused on -- and enthusiastically passionate about -- what classical music buffs sometimes call "non-traditional programming" since its inception in 2002.
Our guest is Bessel van der Kolk, the founder and medical director of the Trauma Center in Brookline, Massachusetts, and the director of the National Complex Trauma Treatment Network. He speaks with us about his new book, "The Body Keeps the Score," which was praised last fall by Library Journal as follows: "Renowned trauma researcher van der Kolk's book is comprehensive in scope.
On this edition of ST, we learn about the new Heller Theatre Company presentation of "Dead Man's Cell Phone," which opens at the Henthorne PAC here in Tulsa (at 4825 So. Quaker) on Friday the 23rd. (It runs through February 1st.) "Dead Man's Cell Phone" -- a celebrated and off-the-wall comedy by Sarah Ruhl, the forty-ish American playwright and MacArthur "Genius" Fellowship recipient -- was given the Helen Hayes Award for Outstanding New Play after it premiered in 2007.
On Sunday the 25th -- at Grace Lutheran Church (2331 East 5th Place) in Tulsa -- the 28th Annual Knippa Interfaith / Ecumenical Lecture will be given. It is free to the public, it starts at 7pm, and it will feature the Rev. Dr. John M. Buchanan, Pastor Emeritus of the Fourth Presbyterian Church of Chicago (where he served for more than 25 years). Buchanan is also the editor and publisher of The Christian Century magazine; he has received numerous doctorates and honors for his scholarship, and he's written three books.
At the end of 2014, a surprising announcement appeared in the Tulsa World. A subsequent news item expanding on this announcement had the following headline: "Morton Clinics Won't Accept New Uninsured Patients, Citing State Cuts to Funding." Morton Comprehensive Health Services -- with clinics in Tulsa, Nowata, and Bartlesville -- is one of Northeastern Oklahoma's leading providers of health care for uninsured patients.
On this installment of ST, we speak with James Bagwell, a widely admired and diversely experienced classical music and choral conductor who's been on the faculty at Bard College since 2000, where he is currently the chair of the undergraduate music department and co-director of the graduate program in conducting. He's worked with organizations ranging from the American Symphony Orchestra and The Concert Chorale of New York to The Dessoff Symphonic Choir and the Jerusalem Symphony.
On this edition of ST, we welcome James Warhola (born 1955), an American artist and illustrator who's created more than two dozen children's picture books over the years. Warhola briefly worked at Interview magazine in New York City -- which was established and edited by Andy Warhol, his uncle -- before becoming a science fiction illustrator. As such, beginning in the early 1980s, he did the cover art for hundreds of sci-fi books, and he was later an artist and illustrator for Mad magazine.
On this installment of ST, we speak by phone with Anthony Barnosky, a Professor of Integrated Biology at UC-Berkeley and a leading scientist specializing on how global change affects biodiversity and ecosystem function.
From now through February 26th, the nonprofit Living Arts of Tulsa (in the downtown Brady Arts District) will present "Speaking Volumes: Transforming Hate," a striking and wide-ranging exhibition collecting work by sixty different artists that first went on view in Helena, Montana, in 2008.