On this edition of ST, we welcome back Karen York, Director of Collections and Exhibitions at the Sherwin Miller Museum of Jewish Art here in Tulsa. York tells us about two interesting exhibits at the museum that will close this coming weekend; the last day to view each show is Sunday the 1st.

On this edition of ST, we welcome James Warhola (born 1955), an American artist and illustrator who's created more than two dozen children's picture books over the years. Warhola briefly worked at Interview magazine in New York City -- which was established and edited by Andy Warhol, his uncle -- before becoming a science fiction illustrator. As such, beginning in the early 1980s, he did the cover art for hundreds of sci-fi books, and he was later an artist and illustrator for Mad magazine.

From now through February 26th, the nonprofit Living Arts of Tulsa (in the downtown Brady Arts District) will present "Speaking Volumes: Transforming Hate," a striking and wide-ranging exhibition collecting work by sixty different artists that first went on view in Helena, Montana, in 2008.

(Photo: Craig Smith / Heard Museum)

On this edition of ST, we speak by phone with James Pepper Henry, director of the well-regarded Heard Museum in Phoenix, Arizona, who's just been named at the new director of the Gilcrease Museum here in Tulsa. Pepper Henry will begin his tenure at Gilcrease in late March. He's a member of Oklahoma's Kaw Nation, and in a statement released on Monday the 5th, he referred to his upcoming arrival at Gilcrease as "a real homecoming.... I have lots of family and friends in Oklahoma. The museum's founder, Thomas Gilcrease, and I share Muscogee Creek heritage.

Alfred Hitchcock's longtime collaborator, Alexander Graham Bell's assistant, Vladimir Nabokov's wife, Muhammad Ali's first coach, Ernest Shackleton's right-hand man, John Wayne's stunt man, and the little-known sixth member of The Rolling Stones -- on this installment of ST, we're talking about some of the great "sidekicks" of modern history. Our guest is Julia Rothman, one of the editors of a new book called "The Who, the What, and the When: 65 Artists Illustrate the Secret Sidekicks of History," which is just out from Chronicle Books.

On this edition of our program, we are talking about the fascinating and far-reaching work of Dennis Oppenheim (1938-2011), the American conceptual artist, performance artist, earth artist, sculptor, photographer, and filmmaker. TU's School of Art will soon present a double-venued exhibition entitled "Dennis Oppenheim: Architecture/Not Architecture, Landscape/Not Landscape," which will be on view at the Alexandre Hogue Gallery (on the TU campus) as well as the Zarrow Center for Art and Education (in downtown Tulsa's Brady Arts District).

From just after WWII until the late 1970s, the Indian Annual exhibition at Tulsa's Philbrook Museum of Art served as a vital outlet -- and a nationally recognized showcase -- for Native American fine art. This juried competition and sale attracted artists, collectors, and curators from across the country for more than three decades. It also helped build the collections of institutions like Philbrook, the Heard Museum (AZ), and the Museum of the American Indian (NY), all of which consistently purchased award-winning pieces at this show.

The day-long Nimrod Conference for Readers and Writers -- presented each autumn by Nimrod International Journal here at the University of Tulsa -- will happen tomorrow, Saturday the 25th, in the Allen Chapman Activity Center on the TU campus. This conference offers workshops in fiction, poetry, memoir, and young adult fantasy, and "tips of the trade" from editors, literary agents, and the like.

(Note: This show originally aired in June.) Our guest on this edition of ST is Michael Blanding, an author and magazine writer who's also a senior fellow at the Schuster Institute for Investigative Reporting at Brandeis University.

On this edition of StudioTulsa, we present a delightful chat with Rosalind Cook, the locally based sculptor whose well-liked works can be seen throughout the Tulsa community (with more than 30 of her sculptures on public display). Cook's fine, sensitively rendered, and decidedly humane pieces celebrate the human as well as the divine, the earthbound or natural as well as the spiritual or devotional. And as the artist herself has noted, at her website: "I specialize in figurative bronze sculptures that are representational in style.