On this edition of ST, we speak with Teddy Cruz, the acclaimed architect and scholar --- he's an associate professor of Public Culture and Urbanism in the Visual Arts Department at the University of California, San Diego --- who will appear at a "Third Thursday" event at the Philbrook Museum of Art here in Tulsa tomorrow night (the 16th) at 6pm. A 2010 profile of Cruz that appeared in T: The New York Times Style Magazine --- in which he was named as one of "the Nifty 50: America's up-and-coming talent" --- begins like so: "Most architects live to build.
On this encore edition of ST, we listen back to a conversation with Amy Wells, a Hollywood-based set decorator who's worked on several outstanding films and TV series over the years, among them the television programs "House," "Love Field," and "Mad Men," as well as the motion pictures "Clueless," "There Will Be Blood," and "A Single Man." Wells did an event here in Tulsa (at the Philbrook Museum of Art) back in May; at that time, she stopped by our studios to talk about her interesting work on AMC's "Mad Men" --- a critically acclaimed show that's routinely praised as much for its costumes
On today's edition of StudioTulsa, we're pleased to welcome back an old friend, Michael Hightower, who lived and worked in Tulsa for about two decades, starting in 1980, and who, for most of that time, owned and presided over Council Oak Books. Now based in Charlottesville, Virginia, Hightower joins us to talk about his new novel, "The Pattersons," a work of historical fiction as well as modern-day sociological commentary that occasionally draws on Hightower's own life story.
"Some folks look at me and see a certain swagger," the former President George W. Bush once remarked to an appreciative audience, "which, in Texas, is called 'walking.'" It's pretty clear to just about everyone that the State of Texas sees itself as a breed apart in many ways, and for many reasons; Texans, as a rule, seem to consider their home state an exceptional, singular, not-to-be-messed-with place.
On this installment of StudioTulsa, we welcome back Scott Perkins, a curator at the Price Tower Arts Center in Bartlesville, who tells us about a fine exhibit currently on view at the Price Tower called "From Process to Print: Graphic Works by Romare Bearden." Bearden (1911-1988) is widely regarded as one of the most important African-American artists this country has produced; he made art works in a range of media and was also a gifted writer, a cherished mentor to younger generations of artists, a tireless arts advocate, and a prominent intellectual and collaborator within the artistic/cu
Earlier this month, in the pages of The New York Times Book Review, the acclaimed American historian Douglas Brinkley and the accomplished Hollywood actor Johnny Depp offered a co-written essay that made at least two rather surprising announcements.
How many cigarettes are sold each year, worldwide? Believe it or not, six trillion. Our guest, who calls the cigarette "the deadliest artifact in the history of human civilization," was the first-ever historian, several years ago, to testify in court against Big Tobacco. On this installment of our show, we speak by phone with Robert N. Proctor, Professor of the History of Science at Stanford University.
(Note: This show first aired back in April.) A century ago, women could not own property or vote. Today, women are the primary wage earners in about 40% of American households, and are poised to be a majority within twenty years if current trends continue. Washington Post staff writer Liza Mundy calls it "The Big Flip" and examines this huge cultural shift and its impact on gender roles, relationships, and social dynamics.
"1913 Massacre" is the name of a song that Woody Guthrie wrote circa 1941; it recounts an early-20th-century tragedy that happened at the Italian Hall building in Calumet, Michigan, on Christmas Eve of 1913, when hundreds of miners, along with their families and friends, had gathered for a party. At that time, Calumet was at the heart of Michigan's then-lucrative copper-mining activity.
On this installment of ST, we're looking back on the life and music of the late Doc Watson, who died in May at the age of 89. Watson was a truly legendary guitarist and singer whose work in the realms of folk, bluegrass, country, blues, and gospel music won him several Grammy Awards and universal acclaim. Despite being blind from infancy, he had a long and highly influential career; his guitar-playing (and especially his flat-picking skills) as well as his vast knowledge of traditional American music were, and still are, considered unequaled.