American Art

On this edition of our show, we speak with Rachel Keith, the Director of Collections and Exhibitions at Philbrook Museum of Art here in Tulsa. She tells us about the newly-opened and totally original exhibition, "Museum Confidential," which will be on view at Philbrook through early May of next year. As noted of this show at the Philbrook website: "Visitors [to Philbrook] often ask what goes on behind-the-scenes.

On this installment of StudioTulsa, we learn about the work of Kay WalkingStick, a widely celebrated American landscape artist who once referred to herself as "a New York painter and a Cherokee woman." Now 82, and equally (and impressively) adept in both abstract and representational styles, WalkingStick is the subject of a newly opened retrospective exhibition at the Gilcrease Museum here in Tulsa.

On this edition of our show, we learn about "Eloquent Craftsman: Tom Manhart and His Students," a new exhibition focusing on the artwork and teaching career of Thomas A. Manhart, a thoughtful and influential sculptor who was a much-admired professor of art at TU from 1963 to 1993.

On this edition of ST, we get an update on the Kravis Discovery Center at the Gilcrease Museum here in Tulsa. Located in the museum’s lower level, the Center recently underwent an extensive renovation in order to create a more interactive, more tech-driven -- and thus more "21st century" -- experience. Our guest is Dr. Bob Pickering, a Professor of Anthropology here at TU as well as a Senior Curator at Gilcrease.

On this edition of StudioTulsa, we speak once again with Scott Stulen, the President and Director of the Philbrook Museum of Art. At a press conference earlier today, Stulen announced a number of exciting changes in store for Philbrook, which will take effect very soon.

The "Oh, Tulsa!" Biennial -- a "best of" group show that aims to gather and present many outstanding works by Tulsa-based visual artists -- opened recently at the Living Arts Gallery in Tulsa's Brady Arts District. Our guest on ST is the guest curator for this show, Dr. Kirsten Olds, who is an Associate Professor of Art History at the University of Tulsa. "Oh, Tulsa!" will be on view through August 25th, and you can learn more about it at this link.

On this edition of StudioTulsa, we learn about a new exhibition (which opens this evening, the 4th) at the 108 Contemporary Gallery in downtown Tulsa. "Both Sides Now: Joyce J. Scott & Sonya Clark" will be on view through September 24th. Scott is our guest on the program today. And the exhibit in which she's co-featured is thus described at the 108 website: "Through the use of glass, beadwork, and fiber, 2016 MacArthur Fellow Joyce J.

On this edition of ST, we learn about a striking new show at the Philbrook Museum of Art here in Tulsa; "Hope & Fear: Propaganda of the Great War" will be on view through November 12th. Our guests are the show's co-curators, Chief Curator Catherine Whitney and Librarian/Archivist Thomas Young. As noted of this exhibit at the Philbrook website: "To commemorate the 100th anniversary year of America's entry into World War I, Philbrook presents wartime propaganda art from the Museum's permanent collection.

Our guest is Todd Cunningham, the Executive Director of Arts Alliance Tulsa, which is, per its website, "a United Arts Fund that strengthens and supports the arts for a greater Tulsa through fundraising, support services, audience development, and responsible investment and allocation of resources." Comprised of dozens of outstanding nonprofit arts groups from throughout the Tulsa area, Arts Alliance Tulsa has only been around for a couple of years now -- but its very presence highlights the important role that the arts play in our community'

Our guest on this edition of ST is Scott Stulen, the President and Director of the Philbrook Museum of Art here in Tulsa, who tells us about a special show now on view at the museum. It's a rich gathering of work by 26 different artists from the well-regarded Chicano art collection of Cheech Marin, the movie actor and author.

Our guest is the celebrated photographer David Halpern, who was based for many years here in Tulsa and now resides in Santa Fe. A wonderful exhibition of his work -- "The Essence of Place: Celebrating the Photography of David Halpern" -- will be on view at the Gilcrease Museum through the end of this year.

On this installment of StudioTulsa, we listen back to an interview that we first aired in January with John M. Coward, an associate professor of communication here at the University of Tulsa. At that time, Coward joined us to discuss his then-new book, "Indians Illustrated: The Image of Native Americans in the Pictorial Press." This book is a social, cultural, and pictorial history of how Native Americans were illustrated in the many and various magazines and newspapers that popped up all over the nation in the latter half of the 19th century.

Without question, Americans today appreciate good/sturdy design or historic/innovative architecture more than ever before. The Architecture & Design Film Festival, which dates back to 2009, is rooted in this widespread appreciation. It's a festival that usually plays in big cities all over the globe -- NYC, say, or Seoul, South Korea -- but this weekend, from April 20th through the 23rd, the Architecture & Design Film Festival will be screened at the Circle Cinema here in Tulsa.

On this edition of StudioTulsa, we welcome Steve Liggett back to our program. A well-known figure on the local arts scene, Liggett is an art teacher and sculptor who's also the director of the nonprofit Living Arts of Tulsa, which was established in the 1960s by Virginia Myers and others as a haven for the creation and display of contemporary art right here in T-Town.

On this installment of StudioTulsa, we speak with Laura Fry, the Senior Curator and Curator of Art at the Gilcrease Museum. She tells us about two special exhibitions now on view at the museum: "Looking West: The Rumley Family Collection" (which will close on the 19th, this coming Sunday) and "Creating the Modern Southwest" (which will close at the end of this year).

On this edition of ST, we welcome two curators from the Philbrook Museum of Art to our show. Catherine Whitney and Sarah Lees tell us about "Lusha Nelson Photographs: Celebrity, the Forgotten Man, and 1930s America," which will be on view through May 7th of this year.

On this installment of ST, we learn about the Tulsa Artist Fellowship, or TAF, which was established last year by the George Kaiser Family Foundation to both enrich and expand the local art scene by recruiting artists from all over the nation to the Tulsa area. This fellowship, per its website, "provides an unrestricted stipend, free housing, and work-space in Tulsa, Oklahoma, to US Resident artists.... The Fellows are expected to integrate into the local arts community, such as [via] studio and collection visits.

On this edition of ST, we speak with the well-regarded contemporary American painter and artist, Susanna Coffey, who is currently speaking/teaching at the University of Tulsa as a Ruth Mayo Memorial Distinguished Visiting Artist.

On this edition of ST, we speak by phone with Laleh Mehran, a Denver-based multi-disciplinary artist who moved to the United States from Iran when she was a child in the 1970s. Her art work explores cultures and locations, ideas and identities, patterns and shapes -- and it seems especially focused on issues of technology, geography, and media. Her striking pieces have been shown/installed over the years -- both individually and in group shows -- in Holland, Germany, Italy, Massachusetts, Oregon, Pittsburgh, and elsewhere.

On this edition of StudioTulsa, we learn about "Native Fashion Now," a traveling exhibition on view at the Philbrook Museum here in Tulsa through January 8, 2017. Our guest is Christina Burke, the Curator of Native American and Non-Western Art at Philbrook, who tells us how this show thoroughly and engagingly blends cutting-edge/modern-day fashion with classic Native American iconography/imagery. And further, per the Philbrook website: "Visitors are invited to explore the rich and surprising realm of contemporary Native fashion.

On this installment of ST, we welcome Scott Stulen, the newly arrived Director of the Philbrook Museum of Art here in Tulsa. Formerly, Stulen was the Curator of Audience Experiences and Performance at the Indianapolis Museum of Art (IMA); he officially joined the staff at Philbrook earlier this week.

On this edition of ST, we welcome back to our studios Catherine Whitney, the Chief Curator and Curator of American Art at the Philbrook Museum of Art here in Tulsa. Philbrook is offering a fascinating new show -- on view through August 28th -- entitled "A Place in the Sun: The Southwest Paintings of Walter Ufer and E.

On this edition of ST, we are pleased to speak once again with the artist P.S. Gordon (born in 1953 in Claremore, Oklahoma). Gordon is an artist mainly known for his rich, vividly precise watercolors of flowers -- and, per his website, he "gained national attention with a series of solo exhibitions, beginning in 1982, at the Fischbach Gallery in New York City, and Joseph Gierek Fine Art in his then-adopted hometown of Tulsa, Oklahoma.

(Note: This interview originally aired last fall.) On this edition of ST, a discussion with Patricia Goldstone, who has been a reporter for the Los Angeles Times, has written for The Washington Post and The Economist, and is also an award-winning playwright.

On this edition of StudioTulsa, we get to know Laura Fry, who began her tenure as Curator of Art at the Gilcrease Museum here in Tulsa back in December. Fry previously worked at the Tacoma Art Museum in Tacoma, Washington, where she was the inaugural Haub Curator of Western American Art. Prior to that post, she served at the Buffalo Bill Center of the West in Cody, Wyoming -- first as an education and curatorial assistant, then as a Frederic Remington research assistant.

On this edition of our show, we learn about a new exhibition at the Gilcrease Museum here in Tulsa; "Rick Bartow: Things You Know But Cannot Explain" will be on view through April 24th. Featuring more than 100 art works, including sculptures, paintings, drawings, prints, mixed media pieces, and the giant pastels for which Bartow is best known, the exhibit draws from both public and private collections -- including the artist's own studio.

On this edition of ST, we speak with the well-regarded Missouri-based printmaker, Tom Huck, who owns and operates a press called Evil Prints. Huck is known for his large-format, intricately detailed, and darkly humorous woodcuts -- many of which are also quite satirical or even raunchy -- that are inspired by the work of Hieronymus Bosch, Albrecht Dürer, and Pieter Bruegel the Elder, as well as (much more recently) R. Crumb and various heavy-metal rock LP covers.

On this edition of our show, a discussion with Whitney Forsyth, an Associate Professor at the University of Tulsa School of Art. Prof. Forsyth heads up the Ceramics program here at TU, and she's also the curator of a terrific art show on view at the Living Arts of Tulsa gallery called "Core Connections: The University of Tulsa Student and Alumni Ceramics Exhibition, 1999-2016." It's on display through January 28th. For this wide-ranging exhibit, she selected work by her current and former students, all of whom have taken ceramic classes at the University over the past 17 years. As Prof.

Last fall, about 40 local non-profit arts organizations joined Phil Lakin, CEO of the Tulsa Community Foundation, in launching Arts Alliance Tulsa (or AAT), a United Arts Fund that aims to provide funding for -- and audience-development support for -- the City of Tulsa's various cultural assets. (United Arts Funds, as noted at the AAT website, "seek to raise money to provide ongoing operating support to local arts institutions. Over the past 65 years, more than 100 communities across the country -- both large and small -- have established UAFs.

(Note: This interview first aired earlier this year.) On this edition of ST, a discussion with the Pulitzer Prize-winning architectural critic Paul Goldberger, a contributing editor at Vanity Fair who spent fifteen years as the architecture writer for The New Yorker and previously wrote for The New York Times.

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