Tomorrow night, Saturday the 6th, at the Tulsa PAC, the Tulsa Symphony Orchestra will present a winter- and holiday-themed concert with Steven Smith as Guest Conductor. This is Smith's second appearance with the TSO, and he's our guest on ST today. On the program for tomorrow evening, Mendelssohn's Violin Concerto in E minor (with violinist Rossitza Jekova-Goza as the soloist) as well as two selections from Tchaikovsky: the seldom-heard-but-excellent Symphony No. 1 in G minor (a/k/a "Winter Dreams") and, of course, Selections from The Nutcracker.
On this edition of ST, we're pleased to welcome Rebecca Ungerman back to our program. She has long been known and admired as one of the outstanding jazz/cabaret singers in the Tulsa community. She's also a wonderful songwriter, and her original musical, "The Unwitting Wife," was first staged about two years ago here in town (and was thereafter staged in Israel).
This has been an anxious past few months for many in Tulsa's arts community. That community was very much caught off-guard by the decision of Mayor Bartlett's office to eliminate most of the City of Tulsa's arts funding. Alarming proposals to cut staff positions at the Tulsa PAC Trust, the Waterworks Community Arts Center, and both the Heller and Clark Theatres effectively galvanized supporters all over town, and these supporters quickly spurred the City Council to oppose the Mayor's proposals.
Tomorrow night, Saturday the 11th, the Tulsa Symphony Orchestra continues its current season with a pair of beloved yet quite different masterpieces: Mozart's Symphony No. 40 and Prokofiev's Symphony No. 5. The concert begins at 7:30pm in the Chapman Music Hall at the Tulsa PAC. (You'll find more about this upcoming concert at this page from the TSO website.) We are joined today on ST by James Judd, who will be the Guest Conductor tomorrow evening.
Our guest on this installment of ST is Cody Daigle, the resident playwright with Playhouse Tulsa. Originally from Louisiana and now based here in T-Town, Daigle is a witty and engaging actor/director/playwright who's had his plays produced in New Orleans, North Carolina, NYC, Iowa, and elsewhere. His newest play is a musical comedy called "Tulsa! A Radio Christmas Spectacular," and it will be staged at the Tulsa PAC by Playhouse Tulsa --- with original songs by the outstanding Tulsa songbird Rebecca Ungerman --- on Thursday the 5th through Sunday the 8th.
On today's show, we speak with Courtneay Sanders, artistic director of The Playhouse Tulsa, which has recently begun its new season with a funny play called "I Hate Hamlet" by Paul Rudrick. The play will be staged in the Williams Theatre at the Tulsa PAC through Saturday the 14th.
Tomorrow night, Saturday the 7th, the Tulsa Symphony Orchestra will begin its new season with a 7:30pm concert at the Tulsa PAC. On the program, a pair of timeless Beethoven works, Leonore No. 3 and Symphony No. 5, as well as two pieces from the outstanding contemporary composer, Samuel Adler, each of which will be presented in its world premiere: Violin Concerto and Song Cycle. This special evening will also include two guest artists, the soprano Sarah Coburn and the violinist Siwoo Kim.
On this edition of ST, we welcome Kostis Protopapas of Tulsa Opera back to our show. Tulsa Opera will soon present Donizetti's "The Daughter of the Regiment," a comic opera in two acts; it'll be staged at the Tulsa PAC on October 13th (at 7:30pm), 19th (at 7:30pm), and 21st (at 2:30pm). This production stars soprano Sarah Coburn, tenor Gregory Schmidt, bass-baritone Peter Strummer, and mezzo-soprano Dorothy Byrne. Protopapas was named artistic director of Tulsa Opera in 2008; he's currently also serving as the organization's interim executive director.
Thirty-five years ago, in March of 1977, in the heart of downtown, the Tulsa Performing Arts Center first opened its doors --- and Ella Fitzgerald, backed by the Tulsa Philharmonic, offered this beloved venue's debut performance. Built with a combination of public and private funds, following a 1973 bond issue, the Tulsa PAC is owned and operated by the City of Tulsa; it remains a leading arts/cultural/performance space for Tulsans of all ages and backgrounds.