Tulsa PAC

Our guest on this edition of StudioTulsa is Daniel Hege, who is the newly appointed Principal Guest Conductor for the Tulsa Symphony. Tomorrow night, Saturday the 26th, at 7:30pm, the symphony will present its first Tulsa PAC concert of the new season; it's an evening entitled "Experience the Exotic." On the program: Rimsky-Korsakov's famous tone poem, "Scheherazade," as well as Liszt's "Piano Concerto No.

Theatre Tulsa's much-praised SummerStage production of the Pulitzer Prize-winning play, "Next to Normal," returns this weekend for a set of "back by popular demand" performances at the Tulsa PAC's John H. Williams Theatre. A novel and quite jolting blend of rock music and intense drama, this play depicts a mother who struggles with bipolar disorder, exploring how the affliction affects not only herself but her family.

On this edition of ST, we offer another installment in our ongoing series of interviews with organizations vying to be included in the Vision 2025 sales tax extension for the City of Tulsa. This extension is expected to go before voters in the spring of 2016, and over the past couple of months, many area organizations (from Gilcrease Museum to the Tulsa Zoo; from Tulsa Transit to Langston University) have been presenting proposals in this regard to the Tulsa City Council. We at StudioTulsa are speaking with certain of those groups whose ideas seem especially interesting and/or feasible.

On this installment of ST, we speak with Jennifer Alden, the co-founder and co-director of the Tulsa-based dance company, Portico Dans Theatre. Aldren tells us about this company's latest production, which, per the Portico Dans Theatre website, "combines the drama of an opera ('Pagliacci') and the physicality of aerial dance in 'Pagliacci Project.' The production employs youth and adult dancers on aerial silks, lyra, trapeze, and the Spanish web.

John Williams -- the still-active genius who created the music for such classic movies as "Jaws," "Star Wars," "Raiders of the Lost Ark," "Close Encounters of the Third Kind," "E.T.: The Extraterrestrial," and "Schindler's List" (to name just a handful) -- is arguably the greatest composer ever to work in Hollywood. And his memorable, broadly popular music will be the focal point for the final Tulsa Symphony Orchestra concert of this season.

On this edition of StudioTulsa, we speak by phone with the acclaimed American composer Carlisle Floyd, whose opera, "Of Mice and Men," will be staged this weekend (that is, both this evening and Sunday afternoon) by Tulsa Opera at the Tulsa PAC. This widely performed work was first performed in 1970 by the Seattle Opera; other notable operas composed by Floyd include "Susannah" (1955), "Wuthering Heights" (1958), "Flower and Hawk" (1972), "Willie Stark" (1981), and "Cold Sassy Tree" (2000).

Our guest on ST is Gerhardt Zimmermann, who will be the Guest Conductor for the Tulsa Symphony Orchestra on Saturday the 14th at the Tulsa PAC. This "Simply Tragic" concert, as its being called, will begin at 7:30pm, and it will feature the 80-to-85-minute masterpiece by Mahler known as Symphony No. 6 in A minor (a/k/a the "Tragische").

On this edition of ST, we welcome Jeffrey Zeigler, the gifted cello player and composer who's best known for his eight-year tenure with the internationally known Kronos Quartet. Since leaving that collective about two years ago, Zeigler has embarked on an interesting (and decidedly multi-genre) solo career that's found him collaborating with a host of fascinating musicians -- such as singer/songwriter Norah Jones, avant-jazz guru John Zorn, pianist Vijay Iyer, composer Philip Glass, Wilco drummer Glenn Kotche, and so forth.

This weekend -- just in time for Valentine's Day -- Tulsa Opera will offer two performances of Gounod's "Roméo et Juliette." This classic opera will be staged on Friday the 13th at 7:30pm and Sunday the 15th at 2:30pm, with both productions happening at the Tulsa PAC.

This coming weekend, on both Saturday the 10th and Sunday the 11th, Tulsa Opera will present Tulsa Youth Opera’s production of composer Susan Kander's "The Giver." This piece, as noted at the Tulsa Opera website, is "an opera for young people based on the bestselling novel by Lois Lowry. 'The Giver' tells the story of a seemingly utopian society free from pain or strife, but also devoid of color and memory.