On this edition of ST, we speak with Machele Miller Dill and Michael Wright, two University of Tulsa faculty members who are currently co-directing the TU Department of Theatre and Musical Theatre's presentation of "Beehive." (Dill is also doing the choreography for this production.) Created in the 1980s by the late Larry Gallagher, this show is a music revue --- rather than a "jukebox musical" --- that moves through the sea-change of a decade that was the Sixties by focusing chronologically on the work of popular "girl groups" like The Chiffons, The Shirelles, and The Supremes as well as o
On this edition of our show, we speak with Max McLean, the producer and director of "The Screwtape Letters" --- he also formerly starred in this production --- which will be staged at the Broken Arrow Performing Arts Center on Saturday the 5th at both 4pm and 8pm. This is a theatrical adaptation of the C.S. Lewis novel of the same title, which is a widely cherished little book (commonly seen as a masterpiece, and dating from the early 1940s) that presents letters written by one of Satan's leading demons (named Screwtape) to his nephew (named Wormwood).
On today's show, we speak with Courtneay Sanders, artistic director of The Playhouse Tulsa, which has recently begun its new season with a funny play called "I Hate Hamlet" by Paul Rudrick. The play will be staged in the Williams Theatre at the Tulsa PAC through Saturday the 14th.
LOOK Musical Theatre, a revered nonprofit that began as the Gilbert & Sullivan Society of Tulsa (with "LOOK" later signifying Light Opera Oklahoma) is currently marking its 30th season; the organization was founded in 1983 by John and Jane Carmichael Everitt in association with The University of Tulsa. Every June, LOOK presents professional performances in repertory fashion; these shows are produced and staffed by dozens of professionals: artistic, technical, and marketing personnel from regions both local and national.
On this edition of ST, we welcome back Machele Miller Dill, an assistant professor of musical theatre here at the University of Tulsa. Dill is directing "Spring Awakening," which the TU Department of Theatre will present in the Lorton Performance Center (here on the TU campus) from tomorrow night (the 11th) through Sunday afternoon (the 14th).
Robert Ward, the highly acclaimed American composer, died today at age 95. Ward won the Pulitzer Prize for his opera "The Crucible" --- based on the classic Arthur Miller play, with a libretto adapted by Bernard Stambler --- which was commissioned by the New York City Opera and had its premiere in 1961.
On this edition of ST, we welcome the poet/playwright/actress/musician Lenelle Moise as well as the actress/singer/songwriter Karla Mosley, who comprise the dynamic and diversely talented duo behind "Expatriate," a two-act, two-woman drama-meets-music performance piece that was presented Off-Broadway to glowing reviews in 2008, and that will soon be offered here in Tulsa by the Living Arts Gallery as part of that organization's New Genre XX Festival.
Our two guests on this edition of ST are Michael Wright and Steven Marzolf. Both are directing plays currently being presented in repertory by the TU Department of Theatre and Musical Theatre; Wright is directing Neil Simon's classic comedy/drama, "Biloxi Blues," which opens tonight, and Marzolf is directing John Murrell's "Waiting for the Parade," which opened last night. Both plays concern the Second World War, yet they differ in some interesting ways --- for example, Simon's play is essentially an all-male saga about coming of age amid the struggles of basic training in the U.S.
We are pleased to welcome to StudioTulsa the inimitable Rebecca Ungerman, the great Tulsa-based jazz and cabaret singer and performer who's been a beloved diva / chanteuse / force of nature on our local music scene for the past twenty years or so. Ungerman is taking her newest show --- an original musical, called "The Unwitting Wife," which includes new as well as older songs (some of which date back to her first recordings or earliest efforts at songwriting) --- to Israel, of all places, for a series of performances.