The Sixties

Our guest is Marc Perrusquia, a journalist with the Memphis Commercial Appeal newspaper, where he's worked for the past three decades. Perrusquia has a new book out, a very compelling work of history called "A Spy in Canaan: How the FBI Used a Famous Photographer to Infiltrate the Civil Rights Movement." As was noted of this book by Kirkus Reviews: "The story of an African-American photographer who spent 18 years feeding information to the FBI.... Over a 60-year career, Ernest Withers (1922-2007) produced more than 1 million photographs chronicling black life in the South.

Our guest on StudioTulsa is Joseph Baldassare, a music producer and promoter who also oversees Arthouse 18, an organization that sets up photography exhibitions and sells high-quality prints at such exhibitions. Baldassare has just brought two closely-related photo exhibits to Tulsa, both of which will be on view at the Henry Zarrow Center for Art and Education throughout December.

On this edition of ST, we chat with Jimmy Webb, who grew up in rural Oklahoma before going out to Hollywood, while still a teen, to break into the songwriting biz...and who eventually created such classic pop tunes as "Wichita Lineman," "By The Time I Get To Phoenix," "Up, Up and Away," and "MacArthur Park." Webb will soon perform (on the 14th) with the Bartlesville Symphony, singing and playing his wonderful songs while also telling plenty of stories. He shares a few of those stories with us today -- many of which also appear in his recent memoir, "The Cake and the Rain."

The Hidden Sixties Halloween Special
Airing Friday, October 27, 2017
8:00 p.m. on Public Radio 89.5 KWGS-FM
LISTEN LIVE

On this edition of ST, we speak with Machele Miller Dill and Michael Wright, two University of Tulsa faculty members who are currently co-directing the TU Department of Theatre and Musical Theatre's presentation of "Beehive." (Dill is also doing the choreography for this production.) Created in the 1980s by the late Larry Gallagher, this show is a music revue --- rather than a "jukebox musical" --- that moves through the sea-change of a decade that was the Sixties by focusing chronologically on the work of popular "girl groups" like The Chiffons, The Shirelles, and The Supremes as well as o