Printmaking

On this installment of StudioTulsa, we welcome the bestselling author Mark Kurlansky back to our show. Kurlansky's latest book, which he discusses with us today, is "Paper: Paging Through History." It's a detailed and deeply researched volume that both explains and explores one of the simplest and most essential pieces of human technology. For the past 2,000 years or so, the ability to produce paper in ever more efficient ways has supported -- if not driven -- the proliferation of literacy, media, religion, education, commerce, and art.

On this edition of ST, we speak with the well-regarded Missouri-based printmaker, Tom Huck, who owns and operates a press called Evil Prints. Huck is known for his large-format, intricately detailed, and darkly humorous woodcuts -- many of which are also quite satirical or even raunchy -- that are inspired by the work of Hieronymus Bosch, Albrecht Dürer, and Pieter Bruegel the Elder, as well as (much more recently) R. Crumb and various heavy-metal rock LP covers.

On this installment of ST, we learn about a vivid and exciting new exhibition at Philbrook, "In Living Color: Andy Warhol and Contemporary Printmaking from the Collections of Jordan D. Schnitzer and His Family Foundation," which will be on view through January 17, 2016. Mr. Schnitzer is our guest today.

On this edition of StudioTulsa, we learn about a show on view at the Philbrook Museum of Art through April 5th: "Whistler and the British Etching Revival." This small but engaging exhibition, culled from Philbrook's permanent collection, displays prints by James McNeill Whistler (1834-1903) and Francis Seymour Haden (1818-1910) -- who was Whistler's brother-in-law -- as well as similar works by several artists who came after these two.

On this edition of our show, we speak with the artist Joseph Velasquez, who has an MA and an MFA from the University of Wisconsin-Madison, is the co-founder of the Dirty Printmakers of America, is a curator at the SlingShot Gallery (in Madison, WI), and is one of the creators/participants/educators behind Drive-By Press (which, per its website, is on a "mission to share [its] enthusiasm for printmaking with audiences everywhere.") Now based in Austin, Texas, Velasquez tells us that he began Drive-By Press in order to give demonstrations --- from the back of his truck --- of relief printing,