Photography

On this edition of ST, we speak with Lynsey Addario, an award-winning American photojournalist whose work appears regularly in The New York Times, National Geographic, and Time magazine. Having covered conflicts in Afghanistan, Iraq, Darfur, the Congo, Haiti, and elsewhere, Addario is also the author of a well-regarded new autobiography, "It's What I Do: A Photographer's Life of Love and War," which Publishers Weekly has called "a highly readable and thoroughly engaging memoir....

On this edition of ST, we welcome back Karen York, Director of Collections and Exhibitions at the Sherwin Miller Museum of Jewish Art here in Tulsa. York tells us about two interesting exhibits at the museum that will close this coming weekend; the last day to view each show is Sunday the 1st.

On this edition of our show, we welcome back Catherine Whitney, the Chief Curator and Curator of American Art at the Philbrook Museum of Art here in Tulsa, who tells us all about a small but impressive photography show currently on view at the museum. "Hard Times, Oklahoma, 1939-40: The Documentary Photography of Russell Lee" will run through October 26th. Beginning in 1936, Lee worked alongside Walker Evans, Dorothea Lange, and others as part of the government-sponsored Farm Security Administration, which was a New Deal program created by FDR.

We at StudioTulsa have been enjoying some much-cherished vacation time these past two weeks -- and hopefully you, dear listeners, have likewise enjoyed our Encore Presentations of ST for the weeks of August 4th and August 11th. If you'd like to listen to any of these past programs, you'll find audio-stream buttons for them at the following links.

Photo by Matt Herron

Fifty years ago, in 1964 -- during what would come to be called Freedom Summer in the American South -- a young photographer named Matt Herron, who'd recently relocated to Mississippi from the North (with his wife and kids) in order to work on civil rights issues while also shooting photo-stories for Life, Look, and The Saturday Evening Post, put together a group of talented photographers that was known as the Southern Documentary Project.

Ever flipped through a box of old photographs at a flea market --- or perhaps a soon-to-be-discarded album of family photos at a garage sale --- and then stopped to wonder, at some point, about a certain image: "Who are these people? Where did this come from? Who took this?

Farming, as a way of life, has of course been on the decline in this country for a long time now --- and one way in which we can actually see this dwindling livelihood is by noting the disappearing or decaying farm structures throughout America's rural landscape: the houses, barns, and out-buildings that made such a landscape habitable in the first place. Our guest is a photographer whose work tells the stories of these once-loved-but-now-abandoned buildings. Nancy Warner joins us by phone; she's a fine-art and portrait photographer based in San Francisco.

On this edition of ST, we are talking about the life and work of Dorothea Lange (1895-1965), the influential American documentary photographer and photo-journalist who's best known for her Depression-era photographs; her "Migrant Mother" is surely among the most recognized images to emerge from the 1930s. Our guest is Elizabeth Partridge, the goddaughter of Lange and an award-winning author of numerous books.

On this edition of ST, we speak by phone with Paul Conroy, a former British soldier who's worked as a photographer and filmmaker for more than a dozen years, and who's reported as a photojournalist on conflicts in Iraq, Congo, Kosovo, Libya, and Syria.

On this edition of ST, we are discussing a soon-to-open exhibit at the Gilcrease Museum here in Tulsa, "Buffalo Bill's Wild West Warriors: Photographs by Gertrude Käsebier," which will go on view Sunday, November 24th. Our guest is Michelle Delaney, director of the Consortium for Understanding the American Experience at the Smithsonian Institution.

Pages