Fifty years ago, in 1964 -- during what would come to be called Freedom Summer in the American South -- a young photographer named Matt Herron, who'd recently relocated to Mississippi from the North (with his wife and kids) in order to work on civil rights issues while also shooting photo-stories for Life, Look, and The Saturday Evening Post, put together a group of talented photographers that was known as the Southern Documentary Project.
Ever flipped through a box of old photographs at a flea market --- or perhaps a soon-to-be-discarded album of family photos at a garage sale --- and then stopped to wonder, at some point, about a certain image: "Who are these people? Where did this come from? Who took this?
Farming, as a way of life, has of course been on the decline in this country for a long time now --- and one way in which we can actually see this dwindling livelihood is by noting the disappearing or decaying farm structures throughout America's rural landscape: the houses, barns, and out-buildings that made such a landscape habitable in the first place. Our guest is a photographer whose work tells the stories of these once-loved-but-now-abandoned buildings. Nancy Warner joins us by phone; she's a fine-art and portrait photographer based in San Francisco.
On this edition of ST, we are talking about the life and work of Dorothea Lange (1895-1965), the influential American documentary photographer and photo-journalist who's best known for her Depression-era photographs; her "Migrant Mother" is surely among the most recognized images to emerge from the 1930s. Our guest is Elizabeth Partridge, the goddaughter of Lange and an award-winning author of numerous books.
On this edition of ST, we speak by phone with Paul Conroy, a former British soldier who's worked as a photographer and filmmaker for more than a dozen years, and who's reported as a photojournalist on conflicts in Iraq, Congo, Kosovo, Libya, and Syria.
On this edition of ST, we are discussing a soon-to-open exhibit at the Gilcrease Museum here in Tulsa, "Buffalo Bill's Wild West Warriors: Photographs by Gertrude Käsebier," which will go on view Sunday, November 24th. Our guest is Michelle Delaney, director of the Consortium for Understanding the American Experience at the Smithsonian Institution.
On this edition of ST, we speak with Jim Richardson, a longtime contributing photographer for National Geographic magazine (and contributing editor to NatGeo's Traveler magazine) who is known for his globe-trotting photo-journalism as well as his carefully observed images of rural American life. As a social documentary photographer who's been in the business for 30+ years, Richardson has enjoyed an influential and far-flung career.
What do you use to take pictures of your kids, your friends, your family, your vacation destinations? It's all but surely a digital camera of some kind --- and it might well be a "personal device" such as an iPhone, iPad, Android phone, Windows phone, or Blackberry. Photography --- like everything else nowadays connected with technology --- ain't what it used to be....
Our guest on this edition of StudioTulsa is the New Mexico-based photographer Gus Foster, who's been capturing images with various panoramic cameras since the early 1970s. There's a new exhibit at Tulsa's Gilcrease Museum --- on view through October 7th of this year --- called "Panoramic Landscapes of the American West: Gus Foster's Views of this Broad Land." It's a collection a 20+ works that are as spectacular and sweeping as they are carefully executed and richly diverse: a series of color photographs of our western States that are 8, 10, or 12 feet in length.