Philbrook Museum of Art

The widely praised "Models & Muses: Max Weber and the Figure" exhibit at the Philbrook Museum of Art here in Tulsa will close on February 3rd. On this installment of ST, we revisit this terrific show --- the first museum survey of Weber's work in two decades, and an exhibition which originated at Philbrook --- in order to explore one aspect of Weber's long and influential career in American modern art. Namely, that aspect is his relationship with Mark Rothko, the pioneering abstract painter who, while still a young man, was briefly a student of Weber's in the middle 1920s.

On this edition of our show, we speak with Catherine Whitney, who's been the Chief Curator and Curator of American Art at the Philbrook Museum of Art here in Tulsa for the past couple of years now.

On this edition of ST, we listen back to a discussion that first aired in July, when we spoke with Lauren Ross, the Nancy E. Meinig Curator of Modern and Contemporary Art at the Philbrook Museum of Art here in Tulsa. At that time, Philbrook had just opened an exhibition called "Antibodies: The Works of Fernando and Humberto Campana, 1989-2009." That show will close on Sunday the 7th.

On this edition of ST, we speak with Teddy Cruz, the acclaimed architect and scholar --- he's an associate professor of Public Culture and Urbanism in the Visual Arts Department at the University of California, San Diego --- who will appear at a "Third Thursday" event at the Philbrook Museum of Art here in Tulsa tomorrow night (the 16th) at 6pm. A 2010 profile of Cruz that appeared in T: The New York Times Style Magazine --- in which he was named as one of "the Nifty 50: America's up-and-coming talent" --- begins like so: "Most architects live to build.

On this encore edition of ST, we listen back to a conversation with Amy Wells, a Hollywood-based set decorator who's worked on several outstanding films and TV series over the years, among them the television programs "House," "Love Field," and "Mad Men," as well as the motion pictures "Clueless," "There Will Be Blood," and "A Single Man." Wells did an event here in Tulsa (at the Philbrook Museum of Art) back in May; at that time, she stopped by our studios to talk about her interesting work on AMC's "Mad Men" --- a critically acclaimed show that's routinely praised as much for its costumes

On this installment of our program, we speak with Lauren Ross, the Nancy E. Meinig Curator of Modern and Contemporary Art at the Philbrook Museum of Art here in Tulsa. Philbrook has just opened a fascinating exhibition called "Antibodies: The Works of Fernando and Humberto Campana, 1989-2009," which will be on view through October 7th of this year. As Ross explains, this show originated at the Vitra Design Museum in Germany; it's the first of three exhibits from that museum which Philbrook will present over the next few years.

Our guest on this edition of ST is Derry Noyes, an art diretor and graphic designer with the US Postal Service (you can read her bio here). Noyes was the art director a series of Forever US Postage stamps created in 2011 to salute such pioneering American industrial designers as Norman Bel Geddes, Russell Wright, Henry Dreyfuss, and Walter Dorwin Teague.

On this edition of ST, we welcome Amy Wells, a Hollywood-based set decorator who's worked on several outstanding films and TV series over the years, among them the television programs "House," "Love Field," and "Mad Men," as well as the motion pictures "Clueless," "There Will Be Blood," and "A Single Man." Wells will speak this evening (Thursday the 17th) at 7pm at the Philbrook Museum of Art; her appearance is a part of the museum's ongoing "Third Thursday" series.

On today's ST, we speak with Christina Burke, Curator of Native American and Non-Western Art at the Philbrook Museum of Art here in Tulsa. Burke assembled an exhibit which opened at the museum earlier this month, and which is on view through June 3rd, called "Seeking the Sacred: Religious Ritual in Native American Art." It's a show that mainly draws on Philbrook's world-famous collection of 20th-century Native American paintings.

On today's StudioTulsa, we listen back to an interview that first aired in November. At that time, we spoke with Lark Mason, an Asian art expert and longtime appraiser for "Antiques Roadshow," the popular public television program. Earlier last year, during an "Antiques Roadshow" taping here in Tulsa in July, Mason had valued a set of five 17th-century Chinese rhinoceros horn cups --- the property of Tulsa resident Doug Huber, who started collecting them in 1969 while on vacation in England (and who spent about $5,000 on acquiring them, over the years) --- at $1 to $1.5 million.

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