Painting (Fine Arts)

On this installment of ST, we learn about the Tulsa Artist Fellowship, or TAF, which was established last year by the George Kaiser Family Foundation to both enrich and expand the local art scene by recruiting artists from all over the nation to the Tulsa area. This fellowship, per its website, "provides an unrestricted stipend, free housing, and work-space in Tulsa, Oklahoma, to US Resident artists.... The Fellows are expected to integrate into the local arts community, such as [via] studio and collection visits.

On this edition of ST, we speak with the well-regarded contemporary American painter and artist, Susanna Coffey, who is currently speaking/teaching at the University of Tulsa as a Ruth Mayo Memorial Distinguished Visiting Artist.

On this installment of ST, we welcome Scott Stulen, the newly arrived Director of the Philbrook Museum of Art here in Tulsa. Formerly, Stulen was the Curator of Audience Experiences and Performance at the Indianapolis Museum of Art (IMA); he officially joined the staff at Philbrook earlier this week.

On this edition of ST, we welcome back to our studios Catherine Whitney, the Chief Curator and Curator of American Art at the Philbrook Museum of Art here in Tulsa. Philbrook is offering a fascinating new show -- on view through August 28th -- entitled "A Place in the Sun: The Southwest Paintings of Walter Ufer and E.

On this edition of ST, we are pleased to speak once again with the artist P.S. Gordon (born in 1953 in Claremore, Oklahoma). Gordon is an artist mainly known for his rich, vividly precise watercolors of flowers -- and, per his website, he "gained national attention with a series of solo exhibitions, beginning in 1982, at the Fischbach Gallery in New York City, and Joseph Gierek Fine Art in his then-adopted hometown of Tulsa, Oklahoma.

On this edition of StudioTulsa, we get to know Laura Fry, who began her tenure as Curator of Art at the Gilcrease Museum here in Tulsa back in December. Fry previously worked at the Tacoma Art Museum in Tacoma, Washington, where she was the inaugural Haub Curator of Western American Art. Prior to that post, she served at the Buffalo Bill Center of the West in Cody, Wyoming -- first as an education and curatorial assistant, then as a Frederic Remington research assistant.

On this edition of our show, we learn about a new exhibition at the Gilcrease Museum here in Tulsa; "Rick Bartow: Things You Know But Cannot Explain" will be on view through April 24th. Featuring more than 100 art works, including sculptures, paintings, drawings, prints, mixed media pieces, and the giant pastels for which Bartow is best known, the exhibit draws from both public and private collections -- including the artist's own studio.

On this edition of our show, we speak with Steve McDonald, an artist and illustrator from Canada, about his new book, "Fantastic Cities: A Coloring Book of Amazing Places Real and Imagined." It's a striking collection of highly detailed line drawings depicting aerial views of real cities from around the world, both genuine and fictional. From New York, London, and Paris, to Istanbul, Tokyo, and Amsterdam, this large-format "coloring book for adults" combines arresting cityscapes with rather mind-bending and/or kaleidoscope-like close-ups of architectural details of all sorts.

On this edition of ST, we present a discussion about a great new show at the Philbrook Museum of Art here in Tulsa. "The Figure Examined: Masterworks from the Kasser Mochary Art Foundation" will on view through September 13th. Sarah Lees, the Ruth G. Hardman Curator of European Art at Philbrook -- and the curator for this exhibit -- joins us.

On this installment of ST, we learn about "Red," an award-winning play about the Abstract Expressionist artist Mark Rothko that will soon be presented at the Williams Theater in the Tulsa PAC by the locally-based American Theatre Company. Our guest is Lisa Wilson, who is directing this production.

On this installment of ST, we learn about a gorgeous new show at the Gilcrease Museum here in Tulsa; "California Impressionism: Selections from The Irvine Museum" opens on Sunday (the 3rd) and runs through September 6th. Our guest is the curator for this traveling exhibition, Jean Stern, who is the founding executive director of The Irvine Museum (in Irvine, CA).

The 108 Contemporary gallery in the Brady Arts District in downtown Tulsa opened a new exhibit this past weekend that focuses on the growth and development of fiber art in America from roughly the 1950s onward. The show -- called "Innovators and Legends" -- runs through March 22nd. Our guest on ST is the curator for this exhibit, Geary Jones, who is himself a well-regarded fiber artist.

On today's ST, we are pleased to once again welcome Catherine Whitney, the Chief Curator and Curator of American Art at the Philbrook Museum of Art here in Tulsa, who tells us about a fantastic new show on view at that museum called "New York to New Mexico: Masterworks of American Modernism from the Vilcek Foundation Collection." This show will run through May 3rd; more info can be accessed at the museum's website.

From just after WWII until the late 1970s, the Indian Annual exhibition at Tulsa's Philbrook Museum of Art served as a vital outlet -- and a nationally recognized showcase -- for Native American fine art. This juried competition and sale attracted artists, collectors, and curators from across the country for more than three decades. It also helped build the collections of institutions like Philbrook, the Heard Museum (AZ), and the Museum of the American Indian (NY), all of which consistently purchased award-winning pieces at this show.

On this edition of ST, we speak with artist Ken Kewley, who teaches at the Pennsylvania Academy of Fine Arts and has shown his work at many galleries, museums, and schools nationwide. "Ken Kewley: Collages, Drawings, and Paintings" is a new show that will be on display at the Alexandre Hogue Gallery (in Phillips Hall on the TU campus) from today, Thursday the 4th, through the 25th of this month. Indeed, there will be an opening reception for this show today -- from 5pm to 7pm -- at the Hogue Gallery. This reception will begin with an Artist's Talk and is free to the public.

On this installment of ST, we preview a new exhibition that will soon open at the Gilcrease Museum here in Tulsa; "Alexandre Hogue: An American Visionary -- Paintings and Works on Paper" will be on view at Gilcrease from August 24th through November 30th. Mainly known for his "Dust Bowl" or "Erosion Series" of Depression-era paintings, Alexandre Hogue (1898-1994) was one of the more celebrated artists to come to prominence during the Regionalist movement in American art (which also saw the rise of such masters as Thomas Hart Benton and Grant Wood).

On this installment of ST, we're discussing a terrific new art exhibit at TU's Henry Zarrow Center for Art and Education, located at 124 East Brady in Tulsa's downtown Brady Arts District: "Painted Faces" will be on view through April 20th. This show explores the work of ten outstanding artists --- from Kansas City, Connecticut, Texas, the U.K., and elsewhere --- all of whom use the human head as a regular element in their picture-making.

Today we're pleased to share an interesting discussion with Barbara Grossman, the 2013 Ruth B. Mayo Distinguished Visiting Artist at the University of Tulsa's School of Art.

Today on ST, a special interview from our archives as we listen back to a 1993 discussion with Charles Banks Wilson. The widely beloved artist died last week at 94. Wilson was born in Arkansas and grew up in Miami, Oklahoma; over the course of his long and prolific career, he worked as a painter, printmaker, art teacher, lecturer, historian, and magazine and book illustrator --- and his works are in the permanent collections of the Metropolitan Museum of Art, the Library of Congress, the Corcoran Gallery, the Oklahoma State Capitol, the Smithsonian, and other notable institutions.

(Please note: This program originally aired last year.) On this edition of our show, we speak by phone with the author and writing instructor B. A. Shapiro about her widely praised novel, "The Art Forger." In 1990, more than a dozen works of art (today worth, in sum, $500+ million) were stolen from the Isabella Stewart Gardner Museum in Boston. It remains the largest unsolved art heist in history, but in this equally fascinating and entertaining novel, our heroine --- Claire Roth, a struggling young artist --- learns more about this theft than she ever bargained for.

On this edition of our show, we speak by phone with the author and writing instructor B. A. Shapiro about her widely praised new novel, "The Art Forger." In 1990, more than a dozen works of art (today worth, in sum, $500+ million) were stolen from the Isabella Stewart Gardner Museum in Boston. It remains the largest unsolved art heist in history, but in this equally fascinating and entertaining novel, our heroine --- Claire Roth, a struggling young artist --- learns more about this theft than she ever bargained for.

On this edition of our show, we speak with Marco Sassone, the award-winning Italian artist (b. 1942), who recently opened an exhibit at the Price Tower Arts Center in Bartlesville. "Marco Sassone: Architecture and Nature" will be on view at that museum through December 2nd. Born in a Tuscan village, raised and schooled in Florence, and later a resident of California for many years, the painter now resides in Toronto.

Our guest is Mark Lewis, the well-regarded Tulsa-based artist, and member of the University of Tulsa art faculty, whose paintings, drawings, and collage works have been shown in galleries nationwide. He's also been a longtime fixture on the sidewalks of 11th Street, Cherry Street, Brookside, and downtown, where he's been making paintings (and, more recently, collages) of this community's cityscapes for more than a dozen years.