I'm a bit of a cynic when it comes to composer anniversaries but this year, marking 100 years since the birth of Benjamin Britten, has been absolutely fascinating for me. I am now living proof that such centenaries can indeed change the way we look at a composer and provide us with opportunities to explore their breadth and depth. In Britten I have found a new hero, a musically surprising and multi-dimensional citizen of the world.
If you're going to be cooking Thanksgiving dinner next week, you've probably already started gathering the traditional ingredients — but your ingredients are most likely very different from those that made up the first Thanksgiving meal in 1621. (Marshmallows with those sweet potatoes, anyone?)
Originally published on Wed November 20, 2013 11:57 am
British composer Benjamin Britten was born 100 years ago this Friday, Nov. 22. Before you ask "Benja-who?" consider this: Did you see Wes Anderson's film Moonrise Kingdom last summer, or Pedro Almodovar's Talk to Her back a decade or so ago? (Well, maybe you have to be an art-house denizen for those.
Jesse Winchester makes his eighth appearance on Mountain Stage, recorded live on the campus of West Virginia University in Morgantown. Winchester ranks among the elite group of singer-songwriters who can captivate an audience with just his words, his voice and an acoustic guitar.
The so-called "Great American Songbook" is made up of popular songs that made your grandparents and parents dance. They were written for movies and Broadway musicals by composers like Rodgers and Hart, Cole Porter, George and Ira Gershwin, and others.
Working as a jazz musician in the 21st century is difficult enough, but hardly anybody tries to make a go of it with a big band anymore. Yet that's exactly what Ted Nash does on his latest album, Chakra.