Originally published on Thu January 23, 2014 10:15 am
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World Cafe revisits a 2002 studio session with Rusted Root as Sense of Place: Pittsburgh continues. The energetic, percussion-heavy band has become synonymous with the sound of the city. Formed in 1990, Rusted Root is a sextet featuring many instruments and styles; the group is known for blending acoustic rock with world music. Its percussion style is heavily influenced by the music of Africa, Latin America and Native America, while its lyrical content often touches on Christianity, Judaism and Islam.
Throughout this week, we at NPR Music are taking a look at the year in music with our friend Audie Cornish, host of All Things Considered. I joined her to bring a closer ear to two very impressive classical albums and an international rarity that's been brought back to life. (I also provided Audie with a primer on pronouncing my last name. I hope you all pay close attention.)
Drummer Chick Webb's 1930s orchestra terrorized competitors in band battles and sent dancers into orbit at Harlem's Savoy Ballroom. They could be similarly explosive on record, but only rarely. Early on, they did have some hot Edgar Sampson arrangements that Benny Goodman would soon turn into hits, like "Blue Lou" and "Don't Be That Way." But the Webb band also had an old-school crooner, Charles Linton, with pre-jazz-age enunciation.
Originally published on Tue December 10, 2013 1:04 pm
If the apple doesn't fall far from the tree, sometimes two apples will land on similar turf. Brian Blade has been Wayne Shorter's drummer for several years and leads his own project called The Fellowship Band. His older brother Brady Blade is perhaps best known for his drumming with Emmylou Harris and is an all-around music industry mover and shaker.
Performance Oklahoma presents editions 5 and 6 from the 2012 OK Mozart International Festival Chamber Music series. In the first hour, devoted to music by Robert Schumann cellist Peter Wiley and pianist Anna Polonsky performt the composer’s Drei Fantasiestucke Op 73 and the Adagio and Allegro Op 70 and mezzo-soprano Sasha Cooke and baritone Kelly Markgraf join pianist Orion Weiss to present a duet and six songs. And in the second hour cellist Peter Wiley returns with violinist Ani Kavafian and violist Paul Neubauer to play the String Trio by Jean Francaix. Pianist Orion Weiss
Bluegrass' most beloved pros often play well into their 80s and 90s, so it would surprise no one if our children's children's children turn up at a Sarah Jarosz concert 70 years from now. The singer and multi-instrumentalist first surfaced as an 18-year-old wunderkind with the release of 2009's Song Up In Her Head, which generated the first of what will likely be many Grammy nominations; now a grizzled 22, she's out performing songs from her fine new third album, Build Me Up From Bones.
For this 2006 episode of Piano Jazz, trumpeter Ellen Seeling brought her longtime collaborator and the assistant director of the Montclair Women's Big Band, saxophonist Jean Fineberg, as well as New York drummer Allison Miller.