Originally published on Wed October 17, 2012 10:20 am
In the last decade or so, it's been invigorating to watch new developments in the American Primitive style of acoustic guitar, as it finds new voices and revives its progenitors. By my estimation, enough time has passed since the first Imaginational Anthem and By the Fruits You Shall Know the Roots compilations to influence a younger crop of guitarists.
Originally published on Tue October 16, 2012 2:39 pm
(Pianist Jonathan Biss decodes the unconventional relationship between Robert Schumann and his wife Clara in this second essay for our week dedicated to this composer. Click the audio link above to hear him play Schumann and discuss his work with Performance Today host Fred Child.)
Iris DeMent possesses one of the great voices in contemporary popular music: powerfully, ringingly clear, capable of both heartbreaking fragility and blow-your-ears-back power. Had she been making country albums in the '70s and '80s and had more commercial ambition, she'd probably now be considered right up there with Loretta Lynn and Tammy Wynette.
Originally published on Tue October 9, 2012 4:18 pm
We've reached episode three of Treme's third season and things are starting to get interesting. Through the Everett, Lt. Colson, Toni Bernette and Nelson storylines, we begin to see how deep police and government corruption runs in New Orleans. Davis is funding his next scheme; Janette is funding her next restaurant; Annie is funding her next musical adventure. The possible endgame for Chief Lambreaux (and by extension, his son) draws near. And a lot of dudes get laid.
Originally published on Wed February 20, 2013 12:41 pm
Field Report founder and frontman Chris Porterfield assumed his music career was over after he left the Wisconsin band DeYarmond Edison, which also featured Justin Vernon of Bon Iver and several current members of Megafaun. Following the band's 2006 breakup, Porterfield started writing music for the first time, taking years to hone his skills.
Multi-instrumentalist David Lindley makes his sixth appearance on Mountain Stage, recorded live on the campus of the University of Alaska at Fairbanks. Lindley was first heard by a wide audience while he worked as an accompanist for Jackson Browne, playing lap steel in the classic "Running on Empty."
Originally published on Wed March 27, 2013 10:03 am
(For our week dedicated to Robert Schumann, pianist Jonathan Biss defends this misunderstood composer in the first of three essays. Click the audio link above to hear him play Schumann and discuss the composer with Performance Today host Fred Child.)
Originally published on Mon October 8, 2012 8:25 am
All this week, we'll be focusing our lens on the music of Robert Schumann and the lasting impact of his work. Leading the conversation is pianist Jonathan Biss, who's making a 30-concert project out of this Schumann exploration all season long and who has written a series of essays on Schumann. Starting things off for us today is musicologist and Schumann expert Eric Frederick Jensen.
Originally published on Sun October 7, 2012 3:58 pm
Born in Tel Aviv, Anat Cohen came to New York two decades ago to study the masters of jazz. In so doing, the clarinetist and saxophonist started a bit of a stampede: Today, Israel is exporting some of the most vital jazz out there.