The pioneering pianist Thelonious Monk left behind a treasure trove of compositions. Onstage at the KC Jazz Club at the John F. Kennedy Center for the Performing Arts in Washington, D.C., a current jazz treasure is here to play some of the best. Benny Green is on piano with Peter Washington on bass and Kenny Washington on drums.
Mollie O'Brien and Rich Moore appear here on Mountain Stage, recorded live on the campus of the North House Folk School in Grand Marais, Minn. Host Larry Groce says that of the nearly 2,000 guests who have appeared on the show, O'Brien is "perhaps the best singer we've ever had." This marks her 13th appearance on Mountain Stage, and her second alongside her partner in both music and life, guitarist and singer Rich Moore.
Originally published on Wed October 31, 2012 4:20 pm
Call it what you want — superstorm, Frankenstorm, post-tropical cyclone — Mother Nature dished out something freakishly fearsome with Hurricane Sandy. It claimed more than 100 lives throughout the Northeast and the Caribbean, while causing what will surely be billions of dollars of damage in the form of washed-out businesses and flood-ravaged homes. It's a history-making hurricane that, alas, will not be soon forgotten.
Originally published on Wed October 31, 2012 4:06 pm
Michel Petrucciani was the first important jazz pianist I ever saw live. In retrospect, it's hard to believe that he would make it to Guéret, my tiny hometown in the middle of France. But in 1992, on a tour called "Like father like son" ("Tel père tel fils"), Petrucciani came to perform with his father, guitar player Tony Petrucciani.
Chris Hillman and Herb Pedersen make their second appearance on Mountain Stage, recorded live on the campus of the North House Folk School in Grand Marais, Minn. As members of The Byrds, The Dillards, The Flying Burrito Brothers and the Desert Rose Band, Hillman and Pedersen have been part of the fabric of American music for nearly half a century.
Born in 1928, Fats Domino enjoyed the first of his many hits — almost all of which were created in New Orleans — when "The Fat Man" rose up the R&B charts all the way to No. 2. That was in 1950. Which explains all the records on the wall at his house, and the regal status he is afforded.
That, and other musical explainers, are in our latest Treme music recap, with WBGO's Josh Jackson.