Pokey LaFarge and his backing band The South City Three make their first appearance on Mountain Stage, recorded live at the Paramount Theater in the border town of Bristol, Tenn./Va., in partnership with the Birthplace of Country Music Alliance. Hailing from St. Louis, LaFarge mixes the sounds of a bygone era: early string-band music, ragtime, country blues and Western swing.
Murhaballadeja features a striking photo on the cover: Two beefy, big-jawed men with cruel eyes are in prison garb, shackled with heavy chains at the neck, wrists, knees and feet. Turns out they're legendary 19th century murderers from Finland. These are the kinds of characters you'll find in a collection of murder ballads from Kimmo Pohjonen.
There are lots and lots of jazz greats with November b'days.
For example, and in no particular order: Charlie Mariano. George Cables. Teddy Wilson. Paul Desmond. Etta Jones. Gigi Gryce. Coleman Hawkins. Kevin Eubanks. Don Byron. Eddie Condon. June Chistry (see LP cover herewith, btw). Hampton Hawes. Roswell Rudd. Don Cherry. Mose Allison. Sam Jones. Chris Connor. Ellis Marsalis. Roger Kellaway. Phil Woods. Kurt Elling. Serge Chaloff. Al Cohn. Maria Schneider. Lyle Mays. Scott Joplin.
Originally published on Thu November 8, 2012 8:23 pm
After a quarter century together as one of the world's top chamber music ensembles, the Fugue String Quartet is falling apart at the seams. A generation older than his colleagues, cellist Peter (Christopher Walken) is experiencing the early symptoms of Parkinson's, and with his sudden retirement, a morass of long-buried resentments and pain come spewing out of his three younger partners: first violinist Daniel (Mark Ivanir), second violinist Robert (Philip Seymour Hoffman) and violist Juliette (Catherine Keener).
Originally published on Fri December 7, 2012 7:30 am
Bassist Omer Avital came from Israel to New York in the early '90s and found himself among the top tier of straight-ahead modern jazz performers. The time in the big city led him to re-investigate his roots — his parents are from the Arab-speaking world — and in 2002, he returned to Israel to study traditional music and oud. Since returning, he's remained a monster bass player, but has also integrated his Middle Eastern musical interests into his composing.
Ethiopia enjoys a rich tradition of enticing music, filled with asymmetric rhythms set to a haunting, five-note scale and sly double-entendre lyrics in the Amharic language. It's a shame that, for Western listeners, a full, clear picture of Ethiopian music has been elusive.