Originally published on Wed December 5, 2012 9:53 am
Composers Hubert Parry, Charles Villiers Stanford and Edward Elgar dominated the British musical scene in the latter half of the Victorian age through the Edwardian era. Albums of Parry's music have been rare lately, so this new recording by Neeme Järvi and BBC National Orchestra and Chorus of Wales is most welcome. Except for Parry's ever-popular Jerusalem, all the selections here are world premiere recordings.
Originally published on Fri June 13, 2014 11:51 am
When conductor Gustavo Dudamel brings the Simón Bolívar Symphony Orchestra of Venezuela (SBSOV) to Carnegie Hall as the culmination of a two-week, five-city tour, many of its 200 musicians will have traveled a long way from desperate poverty and crime.
Graham Dechter is a 26-year-old jazz guitarist who's been living his dream. Dechter was invited to join the world-famous Clayton-Hamilton Jazz Orchestra at 19, and now, seven years later, he's leading his own group — and just released his second album, Takin It There. Here's a clip of the Graham Dechter Quartet performing the title track in the Jazz24/KPLU studios.
Please join us for the next edition of All This Jazz, which begins at 10pm on KWGS 89.5-1 on Saturday the 1st. (And then we'll re-air the program the following night, Sunday the 2nd, on 89.5-2 --- which is our great all-jazz HD Radio channel here at Public Radio Tulsa --- beginning at 7pm.)
Our second-hour theme will be "Live Recordings." It's a theme we like to return to every so often, since jazz is, after all, a form of both art and entertainment that thrives --- indeed, subsists --- on live performance.
When the pianist Mulgrew Miller died on May 29, 2013, following a cerebral hemorrhage, the jazz world grieved the loss of this "wonderful musician and great spirit," in the words of his fellow pianist Kenny Barron.
Originally published on Mon December 3, 2012 11:08 am
Lincoln Center and the New York Phil have confirmed plans for a (long, long overdue) major overhaul of 50-year-old Avery Fisher Hall that "aims to redefine what it means to be a concert hall at a time of challenging orchestra economics and changing audience habits." This will be the third attempt at addressing the venue's acoustical challenges.