The night ended with bumping beats down at Webster Hall's Studio space with the Ottawa-based Native collective A Tribe Called Red. The group calls its style "pow wow step" — an imaginative and dance-floor-ready blend of beats, aboriginal singing and dancing, and visuals and audio samples that turn "Indian" stereotypes on their heads. But the most memorable moments in the set come when A Tribe Called Red invites a dancer out to perform a traditional hoop dance, twisting and turning hoops into elegant and beautiful figures.
The French group Lo'Jo is something of a throwback: For 30 years, it's made world music best described as "worldbeat," a melange of a little of this (French chanson) and a little of that (dollops of North and West African colors and textures) within a musical community that tends to prize strongly rooted tradition. With Denis Péan's gravelly vocals complemented by the Berber singing sisters Yamina and Nadia Nid El Mourid, the band circumnavigates the globe — often within the confines of a single song.
Christine Salem Live From Webster Hall (full concert audio)
As the globalFEST evening wound down, much of the buzz about the biggest finds of the year centered on a seemingly unlikely figure: the vocalist Christine Salem, who made her New York City debut in this performance. Often, it's the artists who make 21st-century, Internet-ready musical hybrids that become the most talked-about GlobalFEST artists, but Salem presents the exact opposite model.
Do you think flamenco can only be danced by someone wearing a frilly, fire-engine-red dress? Elsa Rovayo, frontwoman of Madrid's La Shica ("The Girl"), begs to differ. She performed at New York City's globalFEST in stretch leggings and a studded jacket, singing and dancing to her signature blend of flamenco and indie rock in a combination of original compositions and traditional flamenco tunes.
The Stooges Brass Band Live From Webster Hall (full concert audio)
Though it's the year's premier "world music" event, GlobalFEST embraces many homegrown sounds — and the 2013 roster was full of North American artists. A case in point: The Stooges Brass Band, a New Orleans brass band for the 21st century. It's got that unmistakeable sound of its hometown, but hip-hop, funk, R&B and soul are all in the group's DNA.
Every January for the past decade a dozen or more bands from around the world have gathered in New York City for globalFEST - one long, frenzied night of live music showcasing the diverse cultures, histories and numerous sonic branches of "World Music." This year's lineup included Zimbabwe legend Oliver Mtukudzi and his band The Black Spirits, Malian singer Fatoumata Diawara, Chicago's wildly exuberant marching band Mucca Pazza, and much, much more.
Originally published on Thu January 24, 2013 11:54 am
When he was a boy, Andras Schiff labored over the tedious, repetitive finger studies that are universally loathed by aspiring pianists. He thought they were like spinach: yucky, but good for you if you want to grow up to be big and strong ... on the piano keyboard.
Originally published on Wed January 16, 2013 10:04 am
The Winter Jazzfest turned nine this year, and it's matured into a known quantity, a New York cultural landmark. Its variety of routines have worn in enough to develop some comforting predictability. For such a scrappy, low-to-the-ground happening designed around emerging artists and new repertoires, that's an achievement.
Except perhaps for dedicated Russophiles, composer Vissarion Shebalin will most likely be a welcome new discovery. He was a student of Nikolay Myaskovsky, highly respected by Prokofiev and a close friend of Shostakovich.