The 21-year-old pianist Daniil Trifonov has been living through the kind of career trajectory that's often called "meteoric." Within one concert season he won gold medals at both the Tchaikovsky and Artur Rubinstein competitions, and a third prize at the Chopin competition.
Originally published on Wed February 6, 2013 2:44 pm
The drummer Marcus Gilmore is coming off a major year in his career. In 2012, DownBeat magazine named him its top Rising Star Drummer in its long-running Critics Poll; pianist Vijay Iyer's trio, of which Gilmore is a member, also took the Jazz Album and Jazz Group of the Year categories.
Marcos Valle wasn't identified with Brazil's influential Tropicalia movement during the 1960s and 1970s. But, like his peers Caetano Veloso and Gilberto Gil, he made ambitious and subversive pop music during those years, mixing American soul and rock with samba, bossa nova and other Brazilian styles.
Originally published on Wed February 6, 2013 10:16 am
In light of ongoing conflicts in Northern Mali, we checked in with Chris Nolan, an organizer of Festival in the Desert — the music festival that takes place each January in the Sahara region where much of the recent fighting has occurred. On today's installment of World Café, Nolan discusses the festival's history and elaborates on the decision to postpone the event this year.
Originally published on Wed February 6, 2013 8:50 am
When a new festival for opera and musical theater called "Prototype" opened in New York last month, it wasn't inaugurated with a huge new piece. Instead, the festival was kicked off with the first staging of Mohammed Fairouz' opera Sumeida's Song — a work for four singers and a handful of musicians that lasts just 60 minutes long, presented at Here, a theater in Manhattan's Tribeca that seats just 100 people.
Yesterday, pianist Sara Davis Buechner published on the New York Times website a brave and moving account of her experiences as a transgendered person. "As David Buechner, born in the northwest suburbs of Baltimore in 1959," she writes, "I became an internationally known concert pianist. But from the time I was a child, I understood that I was meant to be Sara."
Is there some kind of weird vocal vortex in Minnesota? The state turns out so many excellent choral groups — at the school, church and professional levels — that it can arguably be dubbed the choral center of the U.S.
The members of the male vocal ensemble called Cantus, who huddled around Bob Boilen's desk to sing for us, hail from that vortex — specifically Minneapolis-St. Paul.