Join us for the next edition of All This Jazz --- a weekly survey of modern jazz, both recent and classic --- airing every Saturday night here on Public Radio 89.5-1, from 10pm till midnight. (There's also a re-broadcast of our show on Sunday night at 7pm, on Jazz 89.5-2, which is our all-jazz HD Radio channel....)
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Pablo Helguera is a New York-based artist working with sculpture, drawing, photography and performance. His new book isHelguera's Artunes. You can see more of his work atArtworld Salon and on his own site.
"Hey, Alan Lambert, here! This weekend on Big Band Saturday Night, lots of rare music and plenty of memories. We'll be saying happy birthday day to crooner Perry Como. Join me at 8 o'clock on 89.5...Big Band Saturday Night."
Shape-note singing is a communal form of music that began in New England 200 years ago, mostly from townsfolk without any musical training. It's music that surrounded folk singer Sam Amidon during his childhood in Vermont.
"He didn't have the same chops and virtuosic approach like Benny Goodman or Artie Shaw, but he told a deep story," says Lovano, who played with Herman early in his career. "He was a blues player from his heart, and really had a beautiful voice on alto saxophone."
As a child in Bogotá, Edmar Castañeda and his sister took folk dance classes. Their mother made sure of that. Castañeda liked the dancing, but he really liked the live harp accompaniment. In Spanish, the harp is called the llanero. It's Colombian, not a classical harp.
Thursday morning, the Boston Symphony Orchestra announced that conductor Andris Nelsons is being appointed as its music director. The selection puts an end to the uncertainty that has cast a long shadow over the celebrated orchestra in recent years.
Vermont folksinger Sam Amidon says he intentionally borrowed lines from older songs for his new mountain ballad "As I Roved Out." The result is an erratic narrative, played out brilliantly in an absorbing (and comical) new video about a
Subway entertainers are a mixed bag, but in the arts mecca of New York City, they're often overqualified — so much so that bands and other musical acts need to audition to even set up underground. And those are just the "official" performers.