On this installment of ST, we learn about "Red," an award-winning play about the Abstract Expressionist artist Mark Rothko that will soon be presented at the Williams Theater in the Tulsa PAC by the locally-based American Theatre Company. Our guest is Lisa Wilson, who is directing this production.
On today's ST, we are pleased to once again welcome Catherine Whitney, the Chief Curator and Curator of American Art at the Philbrook Museum of Art here in Tulsa, who tells us about a fantastic new show on view at that museum called "New York to New Mexico: Masterworks of American Modernism from the Vilcek Foundation Collection." This show will run through May 3rd; more info can be accessed at the museum's website.
On this edition of ST, we welcome James Warhola (born 1955), an American artist and illustrator who's created more than two dozen children's picture books over the years. Warhola briefly worked at Interview magazine in New York City -- which was established and edited by Andy Warhol, his uncle -- before becoming a science fiction illustrator. As such, beginning in the early 1980s, he did the cover art for hundreds of sci-fi books, and he was later an artist and illustrator for Mad magazine.
From now through February 26th, the nonprofit Living Arts of Tulsa (in the downtown Brady Arts District) will present "Speaking Volumes: Transforming Hate," a striking and wide-ranging exhibition collecting work by sixty different artists that first went on view in Helena, Montana, in 2008.
On this edition of ST, we speak by phone with James Pepper Henry, director of the well-regarded Heard Museum in Phoenix, Arizona, who's just been named at the new director of the Gilcrease Museum here in Tulsa. Pepper Henry will begin his tenure at Gilcrease in late March. He's a member of Oklahoma's Kaw Nation, and in a statement released on Monday the 5th, he referred to his upcoming arrival at Gilcrease as "a real homecoming.... I have lots of family and friends in Oklahoma. The museum's founder, Thomas Gilcrease, and I share Muscogee Creek heritage.
On this edition of our program, we are talking about the fascinating and far-reaching work of Dennis Oppenheim (1938-2011), the American conceptual artist, performance artist, earth artist, sculptor, photographer, and filmmaker. TU's School of Art will soon present a double-venued exhibition entitled "Dennis Oppenheim: Architecture/Not Architecture, Landscape/Not Landscape," which will be on view at the Alexandre Hogue Gallery (on the TU campus) as well as the Zarrow Center for Art and Education (in downtown Tulsa's Brady Arts District).
The lasting and widespread influence that choreographer Martha Graham (1894-1991) had on the world of dance has been likened to the impact that Pablo Picasso had on painting, or that Aaron Copland had on music, or that Frank Lloyd Wright had on architecture. In other words, it's an influence that clearly continues to this day; Graham is commonly seen as a visionary who all but created what we now call modern dance, and who shaped the ideas and careers of countless dancers who came after her.
On this edition of ST, we speak with artist Ken Kewley, who teaches at the Pennsylvania Academy of Fine Arts and has shown his work at many galleries, museums, and schools nationwide. "Ken Kewley: Collages, Drawings, and Paintings" is a new show that will be on display at the Alexandre Hogue Gallery (in Phillips Hall on the TU campus) from today, Thursday the 4th, through the 25th of this month. Indeed, there will be an opening reception for this show today -- from 5pm to 7pm -- at the Hogue Gallery. This reception will begin with an Artist's Talk and is free to the public.
On this edition of ST, we listen back to an interview that we did in April with the novelist and essayist Ayelet Waldman (whose books include "Red Hook Road," "Love and Other Impossible Pursuits," "Daughter's Keeper," and "Bad Mother: A Chronicle of Maternal Crimes"). Waldman spoke with us about her then-new novel, "Love and Treasure," which has been thus summarized in Booklist: "Classics scholar Jack Wiseman, in the last throes of pancreatic cancer, entrusts an enamel locket to his granddaughter, imploring her to find the rightful owner. It's the only thing he's ever asked of her.