Dance

Last fall, about 40 local non-profit arts organizations joined Phil Lakin, CEO of the Tulsa Community Foundation, in launching Arts Alliance Tulsa (or AAT), a United Arts Fund that aims to provide funding for -- and audience-development support for -- the City of Tulsa's various cultural assets. (United Arts Funds, as noted at the AAT website, "seek to raise money to provide ongoing operating support to local arts institutions. Over the past 65 years, more than 100 communities across the country -- both large and small -- have established UAFs.

On this installment of ST, we chat with Marcello Angelini, artistic director of Tulsa Ballet. The company will soon present "The Taming of the Shrew" at the Tulsa PAC, with performances scheduled for October 23rd, 24th, and 25th. As noted of this production at the Tulsa Ballet website: "Shakespeare's famous comedy springs to life through masterful choreography by the legendary John Cranko, with music by Domenico Scarlatti freely arranged by Kurt-Heinz Stolze.

Tulsa Ballet gets its new season underway this evening at 8pm (Friday the 11th) with an all-new, three-part "Creations in Studio K" program. This show will feature world-premiere pieces from Jorma Elo (resident choreographer for Boston Ballet), Dwight Rhoden (artistic director of Complexions Contemporary Ballet), and Tulsa Ballet resident choreographer Ma Cong. Performances will happen September 11th through the 20th in Tulsa Ballet's 300-seat Studio K Theater.

On this installment of ST, we speak with Jennifer Alden, the co-founder and co-director of the Tulsa-based dance company, Portico Dans Theatre. Aldren tells us about this company's latest production, which, per the Portico Dans Theatre website, "combines the drama of an opera ('Pagliacci') and the physicality of aerial dance in 'Pagliacci Project.' The production employs youth and adult dancers on aerial silks, lyra, trapeze, and the Spanish web.

"Carmina Burana," the work that launched Tulsa Ballet's Resident Choreographer Ma Cong's career, premiered in 2006 to rave reviews and overwhelming popular acclaim. It was glowingly re-staged in 2010 -- and now comes an another encore of Ma Cong's masterpiece. Tulsa Ballet will collaborate with members of Tulsa Opera, Tulsa Oratorio Chorus, and the Tulsa Symphony Orchestra in a monumental production of "Carmina Burana" on October 31st, November 1st, and November 2nd at the Tulsa PAC.

The lasting and widespread influence that choreographer Martha Graham (1894-1991) had on the world of dance has been likened to the impact that Pablo Picasso had on painting, or that Aaron Copland had on music, or that Frank Lloyd Wright had on architecture. In other words, it's an influence that clearly continues to this day; Graham is commonly seen as a visionary who all but created what we now call modern dance, and who shaped the ideas and careers of countless dancers who came after her.

Our guest on this edition of ST is Marcello Angelini, the Artistic Director of Tulsa Ballet, who's now celebrating his twentieth season at the helm of the company. That Tulsa Ballet has both grown and thrived under Angelini's impressive leadership is a given in this community, and on today's show we are focusing on one flourishing aspect of the company that was created during Angelini's tenure: Tulsa Ballet II, which is the second or "pre-professional" company of Tulsa Ballet.

On this edition of ST, we learn about the highly regarded, Vancouver-based dance company, Kidd Pivot. As is noted of this small but accomplished collective at the company's website: "Integrating movement, original music, text, and rich visual design, Kidd Pivot's performance work is assembled with recklessness and rigor, balancing sharp exactitude with irreverence and risk.

Starting tonight, Friday the 2nd, Tulsa Ballet presents its final performance of the 2013-14 season, "Off the Floor: Creations in Studio K." This is the seventh year in which the ballet has offered a three-part "Creations in Studio K" evening, and this time around, it will feature world-premiere works by Jodie Gates ("The Angle of Incidence"), Young Soon Hue ("Contrast"), and Ma Cong ("Uniko"). Our guest on ST is Tulsa Ballet's artistic director, Marcello Angelini, who describes each of these works in detail.

On this edition of ST, we meet Ari Christopher, the Executive Director and Choreographer of Tulsa Modern Movement (or TuMM). Initiated in 2011, TuMM, per its website, "invigorates modern dance in Oklahoma by creating and performing new choreography, promoting life-long learning in the art of dance, and collaborating across disciplines." Christopher studied at the Martha Graham Center for Contemporary Dance and attended the Modern Dance BFA program at Marymount Manhattan College in New York City.

Pages