On this edition of StudioTulsa, we speak with Steve Liggett, artistic director of the nonprofit Living Arts of Tulsa (located downtown at 307 East Brady). Liggett is also the curator of "Chandelier & Other Luminous Objects," which opened in early August and will remain on exhibit at the Living Arts gallery through September 25th -- and which Liggett tells us all about on today's program.
On this edition of ST, we speak with Bill Leighty, a longtime realtor in our community who's also served on the Tulsa Metropolitan Area Planning Commission, the City's Transportation Advisory Board, and its Land Use Task Force. Moreover, Leighty is the executive director of the Smart Growth Tulsa Coalition, which he tells us all about on today's program.
On this edition of ST, we speak by phone with the Oklahoma City-based artist and curator, Nathan Lee. Lee is the curator of "Noir," a newly opened group show at the Living Arts space in downtown Tulsa which includes work from a number of different African-American artists from throughout Oklahoma --- and which will be on exhibit through July 11th. As is noted of this show at the Living Arts of Tulsa website: "'Noir' is an examination of the shifting definition of Black culture.
On this edition of ST, we offer an interesting discussion with the mixed-media artist Naomi Wanjiku Gakunga, who studied art at the University of Nairobi in Kenya and then at UCLA and now lives and works in San Antonio, Texas. As is noted of this artist at her personal website: "[Gakunga's] works are predominantly wall-hanging sculptures created from tin cans, steel wire, and oxidized sheet metal forms.
On this edition of ST, we welcome Leticia Bajuyo, an Indiana-based artist whose vast, mixed-media, and digital-disc-driven installation/sculpture called "Dual Wielding" is now on view at the Living Arts Gallery in downtown Tulsa; this work is being exhibited in connection with Living Arts New Genre Festival XXI, which runs through Saturday the 8th. Tonight, Friday the 7th --- as part of the Brady Arts District's "First Friday Art Crawl" --- "Dual Wielding" will have its opening reception, which begins at 6pm.
Anyone residing in or near the City of Tulsa must be aware of the profound and ongoing influence that the George Kaiser Family Foundation has had on this community. Whether through its socially minded programs like Women in Recovery or Tulsa Educare, or through such dramatic civic-improvement initiatives as the Brady Arts District revitalization, the Kendall-Whittier Neighborhood development, or the Tulsa River Parks Trails refurbishment, it's clear that the foundation has significantly improved both the well-being and quality of life for those who live and work in Northeastern Oklahoma.
Today on our program, we're discussing a new and exciting group show on display at Living Arts of Tulsa (at 307 East Brady) --- a wide-ranging exhibition that aims to "celebrate or critique the City of Tulsa." It's the "Oh, Tulsa!" Biennial, collecting works by one hundred of our community's finest artists --- both known and unknown --- and it opens tonight (Friday the 2nd) at the Living Arts space, from 6pm till 9pm; this opening gala is part of the Brady District's First Friday Art Crawl.
On this edition of our show, we offer an engaging, wide-ranging conversation with Heather Clark Hilliard, a fiber artist based in Norman, Oklahoma. Hilliard is also the inaugural artist-in-residence at 108 Contemporary gallery (located at 108 East Brady in Tulsa, and formerly known as the Brady Craft Alliance). She tells us about her solo show, "Finding the Fire: Concepts in Fiber," which will be on view at 108 through July 20th, with an Artist Talk scheduled to occur at the gallery on the 19th at 6pm.
On this installment of our program, we speak by phone with the internationally known contemporary fiber artist, Jon Eric Riis, whose tapestry works can be found in private collections as well as The Metropolitan Museum of Art, The Art Institute of Chicago, The Cleveland Museum of Art, The New York Museum of Art and Design, The Renwick Gallery of the Smithsonian American Museum of Art, and elsewhere.