Barry Friedman

On this edition of our show, we learn about "Mother Road," which is "an exploration of Route 66 by artist Jessica Harvey" that will be on view at the AHHA space (in the Brady Arts District in downtown Tulsa) through November 23rd. Harvey, who's originally from Chicago, has exhibited throughout the United States, and is currently in residence at the AHHA Creative Studios, is our guest on ST today.

A fine show recently opened at the Gilcrease Museum here in Tulsa; "Form and Line: Allan Houser's Sculpture and Drawings" will be on exhibit through June 29th. One of the most widely known and admired Native American artists of the 20th century, the Oklahoma-born Houser, who died at 80 in 1994, was a Chiricahua Apache sculptor, painter, and book illustrator. He was also a dedicated and highly influential teacher of art, most notably at the Institute of American Indian Arts in Santa Fe, NM.

On this installment of StudioTulsa, we speak with Dr. Andrea Mazzarino, an anthropologist specializing in contemporary Russia who's currently a Fellow at the Europe and Central Asia Division of Human Rights Watch. While working with Human Rights Watch, she has researched and written various reports on human rights abuses. Last night, with the 2014 Olympic and Paralympic Games set to begin in Sochi (pictured here) in a matter of days, Dr.

Oscar Wilde is now rolling into Tulsa, so to speak, in a big way.

On this edition of our show, we speak with Max McLean, the producer and director of "The Screwtape Letters" --- he also formerly starred in this production --- which will be staged at the Broken Arrow Performing Arts Center on Saturday the 5th at both 4pm and 8pm. This is a theatrical adaptation of the C.S. Lewis novel of the same title, which is a widely cherished little book (commonly seen as a masterpiece, and dating from the early 1940s) that presents letters written by one of Satan's leading demons (named Screwtape) to his nephew (named Wormwood).

On today's show, we speak with Courtneay Sanders, artistic director of The Playhouse Tulsa, which has recently begun its new season with a funny play called "I Hate Hamlet" by Paul Rudrick. The play will be staged in the Williams Theatre at the Tulsa PAC through Saturday the 14th.

LOOK Musical Theatre, a revered nonprofit that began as the Gilbert & Sullivan Society of Tulsa (with "LOOK" later signifying Light Opera Oklahoma) is currently marking its 30th season; the organization was founded in 1983 by John and Jane Carmichael Everitt in association with The University of Tulsa. Every June, LOOK presents professional performances in repertory fashion; these shows are produced and staffed by dozens of professionals: artistic, technical, and marketing personnel from regions both local and national.

On this edition of ST, we listen back to an interview that first aired in May of last year. At that time, we spoke with Dr. Ricki Lewis, a geneticist, journalist, professor, and genetic counselor. She's also the author of one of the most widely used college textbooks about genetics --- "Human Genetics: Concepts and Applications" --- and her latest book, now out in paperback, is "The Forever Fix: Gene Therapy and the Boy Who Saved It." Dr.

"Oil Politics in the Islamic Republic of Iran"

Mar 11, 2013

On this edition of StudioTulsa, we speak with Paasha Mahdavi, who is currently a doctoral candidate in the Department of Political Science at UCLA. As part of the University of Tulsa Collins College of Business Lecture Series, Mahdavi will deliver a free-to-the-public talk on "Oil Politics in the Islamic Republic of Iran" on Wednesday the 13th at 7pm in the Tyrrell Hall Auditorium on the TU campus. Mahdavi's ongoing research concerns the study of national oil company governance and the political consequences of oil nationalizations, and he joins us today by phone.

The widely praised "Models & Muses: Max Weber and the Figure" exhibit at the Philbrook Museum of Art here in Tulsa will close on February 3rd. On this installment of ST, we revisit this terrific show --- the first museum survey of Weber's work in two decades, and an exhibition which originated at Philbrook --- in order to explore one aspect of Weber's long and influential career in American modern art. Namely, that aspect is his relationship with Mark Rothko, the pioneering abstract painter who, while still a young man, was briefly a student of Weber's in the middle 1920s.

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