On this edition of ST, we learn about the highly regarded, Vancouver-based dance company, Kidd Pivot. As is noted of this small but accomplished collective at the company's website: "Integrating movement, original music, text, and rich visual design, Kidd Pivot's performance work is assembled with recklessness and rigor, balancing sharp exactitude with irreverence and risk.
On this edition of ST, we meet Ari Christopher, the Executive Director and Choreographer of Tulsa Modern Movement (or TuMM). Initiated in 2011, TuMM, per its website, "invigorates modern dance in Oklahoma by creating and performing new choreography, promoting life-long learning in the art of dance, and collaborating across disciplines." Christopher studied at the Martha Graham Center for Contemporary Dance and attended the Modern Dance BFA program at Marymount Manhattan College in New York City.
The Osage ballet, "Wahzhazhe," had its premiere last summer here in Oklahoma; it was first conceived of about four years ago, and was originally inspired by a suite of music by Lou Brock, an Osage composer. This contemporary ballet brings together certain special qualities of Osage history and culture: a reverence for classical ballet (which was, of course, the legacy of two famous Osage ballerinas, Maria and Marjorie Tallchief) and a deep respect also for the richness of Osage traditional music, dance, and textile arts.