Howdy, folks, and Happy New Year from StudioTulsa. We've been airing The Best of ST for 2014 on our program lately, and hopefully you've heard and enjoyed some or all of these encore presentations.
Here's a guide to what we've been listening back to over the past week; please note that each listing below has a link whereby you can access a free, on-demand "stream" of the show in question. And thanks, as ever, for listening to ST.
(Note: This program originally aired in December of 2013.) On this edition of ST, we tap into the unmistakable holiday cheer that's currently wafting through our offices like so much thick fog in a John Durkee crack-of-dawn weather report. In other words, we sit down with a few of our co-workers here at Public Radio Tulsa to chat about which Christmas songs matter most to them and why. Please note, however, that due to certain music-rebroadcast-rights-related issues, we are not able to offer an online "stream" of this particular show.
In late October, Dr. Gerard P. “Gerry” Clancy was selected as vice president for health affairs and dean of The University of Tulsa's new College of Health Sciences. Dr. Clancy is our guest on this edition of ST. He has served as president of OU-Tulsa for the past eight years, and his tenure here at TU will begin on January 1st, when the newly created College of Health Sciences officially begins operations.
From "American Sniper," "Into the Woods," and "The Hobbit: The Battle of the Five Armies" to "Wild," "The Imitation Game" (shown here), and "Boyhood," we're dishing on this installment of StudioTulsa about several of the notable movies that arrived (or else will soon arrive) in theaters in 2014. Our guest is Michael Smith, film critic at The Tulsa World.
Alfred Hitchcock's longtime collaborator, Alexander Graham Bell's assistant, Vladimir Nabokov's wife, Muhammad Ali's first coach, Ernest Shackleton's right-hand man, John Wayne's stunt man, and the little-known sixth member of The Rolling Stones -- on this installment of ST, we're talking about some of the great "sidekicks" of modern history. Our guest is Julia Rothman, one of the editors of a new book called "The Who, the What, and the When: 65 Artists Illustrate the Secret Sidekicks of History," which is just out from Chronicle Books.
On this edition of StudioTulsa on Health, guest host John Schumann speaks with Dr. Donald Berwick, President Emeritus and Senior Fellow at the Institute for Healthcare Improvement. A pediatrician by background, Dr. Berwick is also a former Administrator of the Centers for Medicare & Medicaid Services, and he has served on the faculties of the Harvard Medical School and the Harvard School of Public Health, as well as the staffs of Boston's Children's Hospital Medical Center, Massachusetts General Hospital, and the Brigham and Women's Hospital.
Our guest on ST is Dr. George Glass, a longtime Texas-based physician who's also the co-author of "The Overparenting Epidemic: Why Helicopter Parenting Is Bad for Your Kids...and Dangerous for You, Too!" While the notion of "overparenting" or "helicopter parenting" is not really a new concept, what is rather newly and widely apparent is that our society's first generation of overparented children are now becoming adults in their own right.
(Note: This program originally aired earlier this year.) The Internet is, of course, bringing massive changes to our lives -- and bringing them rapidly -- but how often do we really consider what these changes mean, or how they will affect us? In the not-too-distant future, for example, no one will remember what life was actually like before the Internet. What does this unavoidable fact mean? What lessons can we draw from it?
Tonight (Thursday the 11th) at 7:30pm, in the Williams Theatre of the Tulsa Performing Arts Center, American Theatre Company (or ATC) will begin its annual production of "A Christmas Carol." (Several shows are scheduled for this run, which happens through the 23rd; you can see a full schedule of performances here.) It's the 38th consecutive year for ATC to be presenting this locally-created, all-original-music, ever-popular stage adaptation of the Charles Dickens classic -- and to say that this work of musical theatre has bec