The "Rediscover Gilcrease" weekend -- a two-day, free-to-the-public gala happening at the museum on September 6th and 7th -- will feature unique attractions, special activities, and lots of family-friendly entertainment. Among the highlights, without question, will be the official opening of the striking new Helmerich Center for American Research at Gilcrease. Several different lectures and presentations will be presented at the Helmerich Center, and one of them will be given by our guest today. Our guest is Brian Hosmer, the H.G.
On this edition of ST, we listen back to a fine interview that first aired in March of this year with H. Alan Day, who's the younger brother of former U.S. Supreme Court Justice Sandra Day O'Connor. Day tells us about his then-recent memoir, "The Horse Lover," which is a moving and perceptive account of how he established a sanctuary for unadoptable wild horses previously warehoused by the Bureau of Land Management. Mustang Meadows Ranch, as the facility was called, began in the late 1980s; it was the first-ever government-sponsored wild horse sanctuary established in the United States.
Once upon a time, museums throughout this country would invariably display or organize their "art" and their "Native American art" in two distinct categories; a piece would "belong" to one or the other camp, but never both. That's increasingly not the case anymore, thankfully --- and our guest today talks about why. We're pleased to welcome Rick West back to ST; he'll be the keynote speaker for a day-long Native Art Symposium tomorrow (Saturday the 5th) at the Philbrook Museum of Art here in Tulsa.
Our guest on ST is Anne Hyde, the William R. Hochman Professor of History at Colorado College. She'll be giving the 2014 H.G. Barnard Distinguished Lecture, which is presented annually by the TU Department of History, tonight (Tuesday the 25th) at the Gilcrease Museum Auditorium here in Tulsa. The lecture begins at the 7pm and is free to the public. Prof. Hyde, who mainly teaches courses on the history of Native America as well as that of North America, received her A.B. degree in American Studies from Mount Holyoke College and her M.A.
On this edition of ST, we speak by phone with H. Alan Day, who's the younger brother of former U.S. Supreme Court Justice Sandra Day O'Connor, and who co-wrote with her the bestselling "Lazy B" memoir of a dozen years ago. Alan Day has a new book out called "The Horse Lover," which he tells us about on today's program. This moving and perceptive autobiography mainly describes how he was able to establish a sanctuary for unadoptable wild horses previously warehoused by the Bureau of Land Management.
For the first time ever, the Tulsa Global Alliance, the Gilcrease Museum, and The University of Tulsa were jointly awarded a grant from the Institute of International Education to host more than 70 Fulbright Scholars from around the world at a Fulbright Enrichment Seminar here in our community.
Tulsa's Gilcrease Museum is currently showing one of the finest collections of early color printmaking, or chromolithography, in its exhibit called "Yellowstone and the West: The Chromolithographs of Thomas Moran," which is on display through September 8th at the museum. The exhibit features a suite of 15 prints commissioned and made by Louis Prang; these are prints of Moran's watercolors from his 1871 journey to Yellowstone as a member of the Hayden Expedition.
One of the more famous lines attributed to John Ford (1894-1973), the iconic film director who made many of the finest Westerns ever to come out of Hollywood, goes like this: "When the truth becomes legend, print the legend." That line is from "The Man Who Shot Liberty Valance," a movie from the early 1960s, but it just as clearly applies to "The Searchers," the classic Western from 1956, with John Wayne and Natalie Wood, which is commonly seen as a Ford masterpiece.
On this edition of ST, we speak with Jim Richardson, a longtime contributing photographer for National Geographic magazine (and contributing editor to NatGeo's Traveler magazine) who is known for his globe-trotting photo-journalism as well as his carefully observed images of rural American life. As a social documentary photographer who's been in the business for 30+ years, Richardson has enjoyed an influential and far-flung career.