When Bruce Sorrell was starting his tenure, about a year ago, as Executive Director of Chamber Music Tulsa, someone told him that this outstanding organization --- which will turn 60 next year, and which has been bringing world-class music ensembles to our community for decades --- was "one of Tulsa's best-kept secrets." As he tells us on this edition of ST, Sorrell wants to change this.
On this edition of our program, we're joined by Timothy Myers, an up-and-coming American classical-music conductor with an impressive resume and a thoughtful, articulate appreciation for music of all sorts. Myers will be the guest conductor for the next concert in the Tulsa Symphony's current --- and color-themed --- season of performances. "Red," a concert of music notable for its energy, heat, passion, and jazzy intensity, gets underway tomorrow night, Saturday the 9th, at 7:30pm at the Tulsa PAC. On the program will be works by Michael Daugherty, Mark O'Connor, and Charles Ives.
On this edition of ST, we speak with Constantine Kitsopoulos, who was recently named the new artistic director of the OK Mozart International Festival. Kitsopoulos, appointed to the post in late October, is also the music director of the Queens Symphony Orchestra, in New York City, and serves as general director of the Chatham Opera, which he founded in 2005. He's previously been a guest conductor at OK Mozart on several occasions; he also serves as the music director of the Festival of the Arts BOCA, a multi-day cultural arts event in South Florida.
On this edition of StudioTulsa, we remember the great jazz pianist and composer Dave Brubeck, who died yesterday at 91. (He would have turned 92 today, the 6th.) Rich Fisher spoke with Brubeck back in the fall of 1996, prior to a Tulsa concert appearance. Brubeck's quartet with saxophonist Paul Desmond and drummer Joe Morello was among the most popular bands (of any sort) of the 1950s and '60s, and even today, their 1959 album, "Time Out," remains one of the most popular jazz recordings of all time.
On this installment of our program, we are pleased to speak by phone with Michael Tilson Thomas, the renowned musician, conductor, and music director who has won ten Grammy Awards over the course of his still-thriving career (and who has appeared on scores of albums). Thomas has long served as music director of the San Francisco Symphony, a post in which he has flourished.
Tomorrow night, Saturday the 3rd, the Tulsa Symphony Orchestra will present the next concert in its current season at 7:30pm in the Tulsa PAC's Chapman Music Hall. This season's overall theme is "Color" --- and tomorrow night's concert is to be a "Green" evening, with music meant to evoke the natural world in all its wonder, variety, and majesty.
Today, we are happy to welcome back to our program Tim Sharp, who's been the artistic director of Tulsa Oratorio Chorus for the past few years now. (You can read Tim's bio here, by the way.) Tomorrow night, Thursday the 1st, at Cain's Ballroom in downtown Tulsa, Sharp will lead the Tulsa Chamber Chorus and Bluegrass Band in a performance of his work, "Come Away to the Skies: A High, Lonesome Bluegrass Mass." The concert starts at 7:30pm; doors open at 6:45pm, with a pre-show BBQ dinner and exhibit available.
On this installment of ST, which first aired in July, we're looking back on the life and music of the late Doc Watson, who died in late May at the age of 89. Watson was a truly legendary guitarist and singer whose work in the realms of folk, bluegrass, country, blues, and gospel music won him several Grammy Awards and universal acclaim. Despite being blind from infancy, he had a long, highly influential career; his guitar-playing (and especially his flat-picking skills) as well as his vast knowledge of traditional American music were, and still are, considered unequaled.
Our guest on ST is Elizabeth Patterson, the longtime director of the world-renowned choir known as Gloriae Dei Cantores ("Singers to the Glory of God"). This group is known and admired for its wide-ranging choral artistry, which takes in the repertoire of sacred choral music, Gregorian chant, 21st-century compositions, and more. The choir has received critical acclaim for its artistic elegance, performance authenticity, and compelling spirituality; it's made dozens of recordings over the years and has toured extensively across the globe.