American Music

On this edition of StudioTulsa, we are discussing a marvelous photography exhibit that goes on display tomorrow at the Gilcrease Museum here in Tulsa; "On 52nd Street: The Jazz Photography of William P. Gottlieb" will run from July 25th through October 11th. Our guest is Dr. Frank Goodyear, co-director of the Bowdoin College Museum of Art in Maine, who's also the curator of this show.

On this edition of ST, an interesting conversation with Dr. Margaret Martin, who more than a decade ago founded The Harmony Project, beginning with 36 students and a $9,000 check from The Rotary Club of Hollywood; today, The Harmony Project is the largest nonprofit in Los Angeles dedicated exclusively to music education for youth in low-income communities.

John Williams -- the still-active genius who created the music for such classic movies as "Jaws," "Star Wars," "Raiders of the Lost Ark," "Close Encounters of the Third Kind," "E.T.: The Extraterrestrial," and "Schindler's List" (to name just a handful) -- is arguably the greatest composer ever to work in Hollywood. And his memorable, broadly popular music will be the focal point for the final Tulsa Symphony Orchestra concert of this season.

On this installment of ST, we welcome Julie Watson and Mike Koster, the co-directors of Tulsa Roots Music, a nonprofit and ongoing (and quite wonderful) concert series that first got underway here in our community about four years ago. On Saturday the 18th, the day-long Tulsa Roots Music Bash will be presented, for the second consecutive year, at the Guthrie Green in downtown Tulsa.

On this edition of ST, we're pleased to speak with Andrés Franco, the newly named Artistic Director and Conductor of the Signature Symphony at Tulsa Community College. The TCC Board of Regents approved Frano's hiring at a meeting held yesterday; he will replace Dr. Barry Epperley, the founder and longtime leader of this orchestra, who is retiring.

Our guest on ST is Gerhardt Zimmermann, who will be the Guest Conductor for the Tulsa Symphony Orchestra on Saturday the 14th at the Tulsa PAC. This "Simply Tragic" concert, as its being called, will begin at 7:30pm, and it will feature the 80-to-85-minute masterpiece by Mahler known as Symphony No. 6 in A minor (a/k/a the "Tragische").

On this installment of ST, we speak with Holcombe Waller, an award-winning musician and performance artist who is based in Portland, Oregon, and who will present a multimedia production entitled "Surfacing" tonight (Friday the 6th) and tomorrow night (Saturday the 7th) at the Liddy Doenges Theatre in the Tulsa PAC. Both shows begin at 8pm, and both are offered as part of the now-underway New Genre Festival XXII-A from Living Arts of Tulsa.

On this edition of ST, we welcome Jeffrey Zeigler, the gifted cello player and composer who's best known for his eight-year tenure with the internationally known Kronos Quartet. Since leaving that collective about two years ago, Zeigler has embarked on an interesting (and decidedly multi-genre) solo career that's found him collaborating with a host of fascinating musicians -- such as singer/songwriter Norah Jones, avant-jazz guru John Zorn, pianist Vijay Iyer, composer Philip Glass, Wilco drummer Glenn Kotche, and so forth.

On Saturday the 24th, in a performance beginning at 8pm, the highly acclaimed Rastrelli Cello Quartet will return to Tulsa. The concert happens at the Williams Theatre in the Tulsa Performing Arts Center and is presented by Choregus Productions. Our guest is the founder and artistic director of this group, Kira Kraftzoff. As he explains, the Rastrelli has been deliberately focused on -- and enthusiastically passionate about -- what classical music buffs sometimes call "non-traditional programming" since its inception in 2002.

(Note: This program originally aired in December of 2013.) On this edition of ST, we tap into the unmistakable holiday cheer that's currently wafting through our offices like so much thick fog in a John Durkee crack-of-dawn weather report. In other words, we sit down with a few of our co-workers here at Public Radio Tulsa to chat about which Christmas songs matter most to them and why. Please note, however, that due to certain music-rebroadcast-rights-related issues, we are not able to offer an online "stream" of this particular show.

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