On Saturday the 24th, in a performance beginning at 8pm, the highly acclaimed Rastrelli Cello Quartet will return to Tulsa. The concert happens at the Williams Theatre in the Tulsa Performing Arts Center and is presented by Choregus Productions. Our guest is the founder and artistic director of this group, Kira Kraftzoff. As he explains, the Rastrelli has been deliberately focused on -- and enthusiastically passionate about -- what classical music buffs sometimes call "non-traditional programming" since its inception in 2002.
(Note: This program originally aired in December of 2013.) On this edition of ST, we tap into the unmistakable holiday cheer that's currently wafting through our offices like so much thick fog in a John Durkee crack-of-dawn weather report. In other words, we sit down with a few of our co-workers here at Public Radio Tulsa to chat about which Christmas songs matter most to them and why. Please note, however, that due to certain music-rebroadcast-rights-related issues, we are not able to offer an online "stream" of this particular show.
On this installment of ST, we speak with the award-winning Canadian actor, playwright, and humorist Rick Miller, who will present his one-man show, "Boom," on Saturday the 20th at 7:30pm at the Tulsa PAC's Williams Theatre. As Miller tells us by phone, his 100-minute production offers a sweeping, fascinating, and maybe even educational exploration of the Baby Boomer generation -- from Che Guevara to Janis Joplin, from Buddy Holly to Nikita Khrushchev, and from Walter Cronkite to Martin Luther King, Jr.
The Signature Symphony at Tulsa Community College continues its search for a new artistic director and conductor, and the field has narrowed to three young finalists, each of whom is a promising talent amid the next generation of American conductors. As the Symphony begins its new season of concerts, each of these finalists will be given the chance to wave the baton, as it were, during an actual concert.
On this edition of StudioTulsa on Health, guest host John Schumann speaks by phone with Dr. David Schiedermayer, a reflective and soft-spoken physician/author who is based in Wisconsin, tells a good yarn, and has worked in the fields of medicine and health for many years now. He's been an internist and a hospitalist in the past, and he's now focused on palliative care. Oh, and he's also one heck of a harmonica player. In fact, Dr.
One week from tonight, on August 8th, Theatre Tulsa will unveil its much-anticipated new production of the epic musical, "Les Misérables," which will run in the Tulsa PAC's John H. Williams Theatre through August 24th. The rights for "Les Mis" -- a favorite, of course, of countless musical theatre buffs worldwide -- have only recently been made available to community theatre organizations, and Theatre Tulsa will open its 92nd season with this epic. The production will feature a cast of 70+ people in a 13-performance run.
On this installment of ST, we speak with harpist Janet Witman, whose accomplished career in music has taken her from the prestigious Curtis Institute of Music in Philadelphia to the Salzedo Harp Colony in Maine (where she worked with the legendary Alice Chalifoux). Witman, based in Pennsylvania, has performed as a soloist with the Allentown Symphony, the Hilton Head Orchestra, Concerto Soloists of Philadelphia, Providence Chamber Orchestra, the Wheatland Chorale, and other ensembles.
On this edition of ST, we're pleased to welcome Rebecca Ungerman back to our program. She has long been known and admired as one of the outstanding jazz/cabaret singers in the Tulsa community. She's also a wonderful songwriter, and her original musical, "The Unwitting Wife," was first staged about two years ago here in town (and was thereafter staged in Israel).
On this edition of our show, we're talking about buskers --- or, in other words, street performers. Whether it's by juggling, playing music, eating fire, doing magic tricks, enacting mime, or what-have-you, buskers take their creativity, theatricality, and pass-the-hat know-how directly to the streets, as it were --- and, as a socio-cultural phenomenon, they must be as old as cities themselves.