On this installment of ST, a discussion of both the art and craft of making books. Our guest is Jody Williams, a Minneapolis-based book artist, printmaker, teacher, and writer. The (mostly miniature-sized) books that she creates as individual works of art appear under the name Flying Paper Press; books created by Williams have appeared in exhibits all over the country, and some are included in a group show currently on view at the Philbrook Museum of Art (through July 21st) called About Bookworks III.
Sure, you loved "The Catcher in the Rye" at the age of 16...but would you still love it? You appreciated "To Kill a Mockingbird" and "Cannery Row" way back when, but would that still be the case today? And on the other hand, if the plays of Ibsen or Shakespeare didn't exactly knock you out during that long-ago sophomore year of college, do you think they'd still miss the mark? Or might they be worth another shot?
On this installment of ST, we're joined by our old friend and colleague, Jeff Martin, a local writer who's also the coordinator and creator of the popular Book Smart Tulsa reading series, the fiction editor at This Land, and an occasional commentator for this program. Jeff's newest book, just out, is an fun-to-read trade-paperback collection that brings together many works of short (make that "very short") fiction exploring "an Oklahoma of the mind," so to speak.
Robert Ward, the highly acclaimed American composer, died today at age 95. Ward won the Pulitzer Prize for his opera "The Crucible" --- based on the classic Arthur Miller play, with a libretto adapted by Bernard Stambler --- which was commissioned by the New York City Opera and had its premiere in 1961.
On this installment of our show, we speak by phone with the writer, critic, and journalist Thomas Mallon, whose critically acclaimed novels include "Henry and Clara" and "Dewey Defeats Truman." Mallon frequently writes for The New Yorker, The New York Times Book Review, and The Atlantic, and his newest novel, just out in paperback, is "Watergate." Hailed as "wildly entertaining from beginning to end" (Fort Worth Star-Telegram) and "a brilliant presentation, subtle and sympathetic but spiked with satire" (The Washington Post), this novel was named a New York Times Notable Book as well as a S
Today on ST we speak by phone with Benjamin Lytal, who grew up in Tulsa and now resides in Chicago, and who has written for The Wall Street Journal, The London Review of Books, The Los Angeles Times, The New York Sun, The Believer, McSweeney's, and other publications. Lytal's first novel, "A Map of Tulsa," has just been published, and he'll be doing a free reading/signing in connection with this book tonight (Tuesday the 26th) at the Harwelden Mansion here in Tulsa at 7pm.
(Please note: This program originally aired last year.) On this installment of our show, better living through savvy verb deployment. Our guest is Constance Hale, the bestselling author of "Sin and Syntax" and other books on language, writing, and word choice. A veteran journalist and teacher, Hale has a new book out called "Vex, Hex, Smash, Smooch: Let Verbs Power Your Writing." It's a work in four chapters, each as informative as it is entertaining, and it's that rare example of a "how to" book on English usage that's genuinely accessible from start to finish.
Dorothy Parker (1893-1967), the great American critic, fiction writer, poet, and satirist --- that famously witty (and frequently scathing) scribe whose many brilliant assertions include "I don't care what is written about me so long as it isn't true" and "if all the girls who attended the Yale prom were laid end to end, I wouldn't be a bit surprised" --- is now back in business. That is, she's cracking wise all over again, in a manner of speaking, in a new book.
Our two guests on this edition of ST are Michael Wright and Steven Marzolf. Both are directing plays currently being presented in repertory by the TU Department of Theatre and Musical Theatre; Wright is directing Neil Simon's classic comedy/drama, "Biloxi Blues," which opens tonight, and Marzolf is directing John Murrell's "Waiting for the Parade," which opened last night. Both plays concern the Second World War, yet they differ in some interesting ways --- for example, Simon's play is essentially an all-male saga about coming of age amid the struggles of basic training in the U.S.