Our guest on this edition of ST is Derry Noyes, an art diretor and graphic designer with the US Postal Service (you can read her bio here). Noyes was the art director a series of Forever US Postage stamps created in 2011 to salute such pioneering American industrial designers as Norman Bel Geddes, Russell Wright, Henry Dreyfuss, and Walter Dorwin Teague.
Our guest on this installment of ST is the widely celebrated NYC-based jazz pianist Aaron Goldberg (born in Boston in 1974), whose playing has been tagged by The New York Times as "versatile and impressive, and he swings hard.... [He's a] sharp young pianist with a superb rhythm section." He has been active on the national/international jazz scene since the early 1990s, playing with everyone from Betty Carter, Wynton Marsalis, Al Foster, and Terry Gibbs, to Joshua Redman, Mark Turner, Ali Jackson, and Kurt Rosenwinkel.
On this installment of StudioTulsa, we're joined by Elizabeth Chambers, the collections manager for the Mount Vernon Estate, Museum, and Gardens, who's currently in town to help set-up a show opening at the Gilcrease Museum on Sunday the 24th. It's a traveling exhibit, "Discover the Real George Washington: New Views from Mount Vernon," that will be on view at Gilcrease through September 23rd. What do we know, for certain, about "the Father of Our Country"?
On this edition of StudioTulsa, Nancy Pearl, our longtime book expert and the author of four "Book Lust" volumes of recommended reading --- and now, also, the curator of Amazon.com's new series of reprints of classic, out-of-print books --- offers her summer reading list. (Summer arrives, officially, on Wednesday the 20th!) Here is Nancy's list:
"A Partial History of Lost Causes" by Jennifer Dubois
On this edition of our show, we speak with our old friend Jeff Martin, who occasionally contributes commentaries to ST, works as the Online Communities Manager at Philbrook Museum of Art, and is the founder/mastermind behind the ongoing (and non-profit) Book Smart Tulsa series of readings/signings. This always-active, ever-engaging literary series --- which has been popular with Tulsa book-lovers of all sorts since its inception three years ago (or so) --- will present its 100th event tonight, Tuesday the 12th, at 7pm at Dwelling Spaces in downtown Tulsa.
On this edition of our show, we speak with the artist Joseph Velasquez, who has an MA and an MFA from the University of Wisconsin-Madison, is the co-founder of the Dirty Printmakers of America, is a curator at the SlingShot Gallery (in Madison, WI), and is one of the creators/participants/educators behind Drive-By Press (which, per its website, is on a "mission to share [its] enthusiasm for printmaking with audiences everywhere.") Now based in Austin, Texas, Velasquez tells us that he began Drive-By Press in order to give demonstrations --- from the back of his truck --- of relief printing,
What do we mean when we call someone an "amateur"? What are we saying? As it happens, there are many answers to this question. On this edition of ST, we speak with Jack Hitt, a contributing editor to The New York Times Magazine, Harper’s, and public radio’s This American Life.
Today and tomorrow (May 18th and 19th), the University of Tulsa and Gilcrease Museum will host a two-day symposium to announce the now-being-planned Helmerich Center for American Research, a new scholarly resource to be constructed on the grounds of the museum. The symposium is entitled "Material Memory" (and you can learn all about it at this link). Our guest on this edition of StudioTulsa is the award-winning Civil War historian, David W.
On this edition of ST, we welcome Amy Wells, a Hollywood-based set decorator who's worked on several outstanding films and TV series over the years, among them the television programs "House," "Love Field," and "Mad Men," as well as the motion pictures "Clueless," "There Will Be Blood," and "A Single Man." Wells will speak this evening (Thursday the 17th) at 7pm at the Philbrook Museum of Art; her appearance is a part of the museum's ongoing "Third Thursday" series.