On this installment of StudioTulsa, we present a conversation with artist Christopher Lowther, who is an assistant professor of Time-Based Media (a term that he's happy to define for us) at the University of Alabama at Birmingham, where he's also on the faculty in the Department of Mechanical Engineering.
On today's StudioTulsa, we speak with Catherine Whitney, chief curator of the Philbrook Museum of Art, about the first two exhibitions at the museum's new Brady District facility. Philbrook Downtown is currently featuring a pair of exhibits concerning American art. The first, which was curated by Whitney, examines a group of female painters who worked in Santa Fe and Taos in the early 20th Century. "Sirens of the Southwest" draws on the resources of Philbrook's Eugene B.
Today on our program, we're discussing a new and exciting group show on display at Living Arts of Tulsa (at 307 East Brady) --- a wide-ranging exhibition that aims to "celebrate or critique the City of Tulsa." It's the "Oh, Tulsa!" Biennial, collecting works by one hundred of our community's finest artists --- both known and unknown --- and it opens tonight (Friday the 2nd) at the Living Arts space, from 6pm till 9pm; this opening gala is part of the Brady District's First Friday Art Crawl.
On this installment of ST, we are joined by Lauren Ross, the Meinig Curator of Modern and Contemporary Art at the Philbrook Museum of Art here in Tulsa, who tells us about a group show now on exhibit at the museum, "Remainder," which will run through September 29th.
On this edition of our show, we offer an engaging, wide-ranging conversation with Heather Clark Hilliard, a fiber artist based in Norman, Oklahoma. Hilliard is also the inaugural artist-in-residence at 108 Contemporary gallery (located at 108 East Brady in Tulsa, and formerly known as the Brady Craft Alliance). She tells us about her solo show, "Finding the Fire: Concepts in Fiber," which will be on view at 108 through July 20th, with an Artist Talk scheduled to occur at the gallery on the 19th at 6pm.
Tulsa's Gilcrease Museum is currently showing one of the finest collections of early color printmaking, or chromolithography, in its exhibit called "Yellowstone and the West: The Chromolithographs of Thomas Moran," which is on display through September 8th at the museum. The exhibit features a suite of 15 prints commissioned and made by Louis Prang; these are prints of Moran's watercolors from his 1871 journey to Yellowstone as a member of the Hayden Expedition.
This weekend --- beginning Friday the 14th --- the Tulsa community will welcome Philbrook Downtown, a new satellite space of the Philbrook Museum of Art, which was founded in 1938 and opened in 1939. Philbrook Downtown is a 30,000-square-foot, modern-style facility located in the city's vibrant Brady Arts District; it's comprised in a brick building that formerly housed a historic warehouse, and it's situated just steps away from several other newly created arts/cultural institutions in downtown Tulsa.
On this installment of ST, a discussion of both the art and craft of making books. Our guest is Jody Williams, a Minneapolis-based book artist, printmaker, teacher, and writer. The (mostly miniature-sized) books that she creates as individual works of art appear under the name Flying Paper Press; books created by Williams have appeared in exhibits all over the country, and some are included in a group show currently on view at the Philbrook Museum of Art (through July 21st) called About Bookworks III.
Today on ST, a special interview from our archives as we listen back to a 1993 discussion with Charles Banks Wilson. The widely beloved artist died last week at 94. Wilson was born in Arkansas and grew up in Miami, Oklahoma; over the course of his long and prolific career, he worked as a painter, printmaker, art teacher, lecturer, historian, and magazine and book illustrator --- and his works are in the permanent collections of the Metropolitan Museum of Art, the Library of Congress, the Corcoran Gallery, the Oklahoma State Capitol, the Smithsonian, and other notable institutions.
On this installment of our program, we speak by phone with the internationally known contemporary fiber artist, Jon Eric Riis, whose tapestry works can be found in private collections as well as The Metropolitan Museum of Art, The Art Institute of Chicago, The Cleveland Museum of Art, The New York Museum of Art and Design, The Renwick Gallery of the Smithsonian American Museum of Art, and elsewhere.