A fine show recently opened at the Gilcrease Museum here in Tulsa; "Form and Line: Allan Houser's Sculpture and Drawings" will be on exhibit through June 29th. One of the most widely known and admired Native American artists of the 20th century, the Oklahoma-born Houser, who died at 80 in 1994, was a Chiricahua Apache sculptor, painter, and book illustrator. He was also a dedicated and highly influential teacher of art, most notably at the Institute of American Indian Arts in Santa Fe, NM.
Ever flipped through a box of old photographs at a flea market --- or perhaps a soon-to-be-discarded album of family photos at a garage sale --- and then stopped to wonder, at some point, about a certain image: "Who are these people? Where did this come from? Who took this?
On this installment of ST, we chat with TU Professor of Art Emeritus Glenn Godsey, who's been giving classes in painting, watercolor, drawing, and digital media in the university's School of Art for the past 45 years. A man of quick wit, keen insight, casual manner, and wide-ranging tastes and interests, Godsey has enjoyed a successful career as both a teacher and practitioner of art; his many drawings, watercolors, paintings, digital prints, and photographs reveal his easy humor as well as his intellect, his humanity as well as his agile and associative mind.
On this edition of ST, we are talking about the life and work of Dorothea Lange (1895-1965), the influential American documentary photographer and photo-journalist who's best known for her Depression-era photographs; her "Migrant Mother" is surely among the most recognized images to emerge from the 1930s. Our guest is Elizabeth Partridge, the goddaughter of Lange and an award-winning author of numerous books.
Back in 1938, the legendary local oilman Waite Phillips announced that he was giving his Italianate mansion --- and its surrounding 20-plus acres of uniformly gorgeous grounds --- to the citizens of Tulsa as an art museum and park space. Today, as has been the case all along, the Philbrook Museum of Art is an important and truly unique aspect of the art scene not just in our community but throughout this part of the nation.
On this edition of StudioTulsa, we welcome Paul Davis, who grew up in Tulsa and then left for NYC (at age 17 or so) to study at the School of Visual Arts, and who, since the early 1960s, has been a highly regarded and quite recognizable illustrator and graphic artist. Just after his time in art school, Davis worked at the commercial art powerhouse known as Push Pin Studios --- and the theatrical posters that he created, mainly in the 1980s and 1990s, for The New York Shakespeare Festival for plays like "Three Penny Opera" and "Hamlet" are today seen as classics.
On this installment of StudioTulsa, we present a conversation with artist Christopher Lowther, who is an assistant professor of Time-Based Media (a term that he's happy to define for us) at the University of Alabama at Birmingham, where he's also on the faculty in the Department of Mechanical Engineering.
On today's StudioTulsa, we speak with Catherine Whitney, chief curator of the Philbrook Museum of Art, about the first two exhibitions at the museum's new Brady District facility. Philbrook Downtown is currently featuring a pair of exhibits concerning American art. The first, which was curated by Whitney, examines a group of female painters who worked in Santa Fe and Taos in the early 20th Century. "Sirens of the Southwest" draws on the resources of Philbrook's Eugene B.
Today on our program, we're discussing a new and exciting group show on display at Living Arts of Tulsa (at 307 East Brady) --- a wide-ranging exhibition that aims to "celebrate or critique the City of Tulsa." It's the "Oh, Tulsa!" Biennial, collecting works by one hundred of our community's finest artists --- both known and unknown --- and it opens tonight (Friday the 2nd) at the Living Arts space, from 6pm till 9pm; this opening gala is part of the Brady District's First Friday Art Crawl.