On this edition of our show, we welcome back Catherine Whitney, the Chief Curator and Curator of American Art at the Philbrook Museum of Art here in Tulsa, who tells us all about a small but impressive photography show currently on view at the museum. "Hard Times, Oklahoma, 1939-40: The Documentary Photography of Russell Lee" will run through October 26th. Beginning in 1936, Lee worked alongside Walker Evans, Dorothea Lange, and others as part of the government-sponsored Farm Security Administration, which was a New Deal program created by FDR.
On this installment of ST, we preview a new exhibition that will soon open at the Gilcrease Museum here in Tulsa; "Alexandre Hogue: An American Visionary -- Paintings and Works on Paper" will be on view at Gilcrease from August 24th through November 30th. Mainly known for his "Dust Bowl" or "Erosion Series" of Depression-era paintings, Alexandre Hogue (1898-1994) was one of the more celebrated artists to come to prominence during the Regionalist movement in American art (which also saw the rise of such masters as Thomas Hart Benton and Grant Wood).
(Note: This program originally aired earlier this year.) On this edition of our show, we offer an interesting chat with Peter Korn, the founder and executive director of the Center for Furniture Craftsmanship, a non-profit school in Rockport, Maine. A furniture-maker since 1974, Korn is also the author of several noted how-to books, yet his latest volume is, so to speak, more of a "why" book. It's a readable and far-reaching memoir called "Why We Make Things and Why It Matters: The Education of a Craftsman" --- and he discusses it with us today.
Our guest on ST today is William Joyce, the well-known children's book author and illustrator, veteran New Yorker magazine cover artist, and all-around creative guru. Joyce's many picture books include "George Shrinks," "Dinosaur Bob," and "Santa Calls" --- and he won three Emmy Awards for his "Rolie Polie Olie" animated TV series.
On this edition of ST, we speak by phone with the Oklahoma City-based artist and curator, Nathan Lee. Lee is the curator of "Noir," a newly opened group show at the Living Arts space in downtown Tulsa which includes work from a number of different African-American artists from throughout Oklahoma --- and which will be on exhibit through July 11th. As is noted of this show at the Living Arts of Tulsa website: "'Noir' is an examination of the shifting definition of Black culture.
On this edition of ST, we offer an interesting discussion with the mixed-media artist Naomi Wanjiku Gakunga, who studied art at the University of Nairobi in Kenya and then at UCLA and now lives and works in San Antonio, Texas. As is noted of this artist at her personal website: "[Gakunga's] works are predominantly wall-hanging sculptures created from tin cans, steel wire, and oxidized sheet metal forms.
On this edition of our show, we offer an interesting chat with Peter Korn, the founder and executive director of the Center for Furniture Craftsmanship, a non-profit school in Rockport, Maine. A furniture-maker since 1974, Korn is also the author of several noted how-to books, yet his latest volume is, so to speak, more of a "why" book. It's a readable and far-reaching memoir called "Why We Make Things and Why It Matters: The Education of a Craftsman" --- and he discusses it with us today.
Once upon a time, museums throughout this country would invariably display or organize their "art" and their "Native American art" in two distinct categories; a piece would "belong" to one or the other camp, but never both. That's increasingly not the case anymore, thankfully --- and our guest today talks about why. We're pleased to welcome Rick West back to ST; he'll be the keynote speaker for a day-long Native Art Symposium tomorrow (Saturday the 5th) at the Philbrook Museum of Art here in Tulsa.
On this installment of ST, we're discussing a terrific new art exhibit at TU's Henry Zarrow Center for Art and Education, located at 124 East Brady in Tulsa's downtown Brady Arts District: "Painted Faces" will be on view through April 20th. This show explores the work of ten outstanding artists --- from Kansas City, Connecticut, Texas, the U.K., and elsewhere --- all of whom use the human head as a regular element in their picture-making.
On this edition of ST, we welcome Leticia Bajuyo, an Indiana-based artist whose vast, mixed-media, and digital-disc-driven installation/sculpture called "Dual Wielding" is now on view at the Living Arts Gallery in downtown Tulsa; this work is being exhibited in connection with Living Arts New Genre Festival XXI, which runs through Saturday the 8th. Tonight, Friday the 7th --- as part of the Brady Arts District's "First Friday Art Crawl" --- "Dual Wielding" will have its opening reception, which begins at 6pm.