On this edition of our show, we learn about "Mother Road," which is "an exploration of Route 66 by artist Jessica Harvey" that will be on view at the AHHA space (in the Brady Arts District in downtown Tulsa) through November 23rd. Harvey, who's originally from Chicago, has exhibited throughout the United States, and is currently in residence at the AHHA Creative Studios, is our guest on ST today.
The lasting and widespread influence that choreographer Martha Graham (1894-1991) had on the world of dance has been likened to the impact that Pablo Picasso had on painting, or that Aaron Copland had on music, or that Frank Lloyd Wright had on architecture. In other words, it's an influence that clearly continues to this day; Graham is commonly seen as a visionary who all but created what we now call modern dance, and who shaped the ideas and careers of countless dancers who came after her.
On this edition of StudioTulsa, we present a delightful chat with Rosalind Cook, the locally based sculptor whose well-liked works can be seen throughout the Tulsa community (with more than 30 of her sculptures on public display). Cook's fine, sensitively rendered, and decidedly humane pieces celebrate the human as well as the divine, the earthbound or natural as well as the spiritual or devotional. And as the artist herself has noted, at her website: "I specialize in figurative bronze sculptures that are representational in style.
On today's show, we're discussing an interesting new exhibition that recently opened at the 108 Contemporary Gallery in Tulsa's Brady Arts District: "Twists and Turns" will be on display through October 26th. It's a craft exhibit of tapestries and ceramics that pairs -- for the first time ever -- two Israeli artists, Aleksandra Stoyanov and Zemer Peled, and it's actually the first "stop" in what will be a national tour for this show.
On this edition of ST, we speak with artist Ken Kewley, who teaches at the Pennsylvania Academy of Fine Arts and has shown his work at many galleries, museums, and schools nationwide. "Ken Kewley: Collages, Drawings, and Paintings" is a new show that will be on display at the Alexandre Hogue Gallery (in Phillips Hall on the TU campus) from today, Thursday the 4th, through the 25th of this month. Indeed, there will be an opening reception for this show today -- from 5pm to 7pm -- at the Hogue Gallery. This reception will begin with an Artist's Talk and is free to the public.
On this edition of StudioTulsa, we speak with Steve Liggett, artistic director of the nonprofit Living Arts of Tulsa (located downtown at 307 East Brady). Liggett is also the curator of "Chandelier & Other Luminous Objects," which opened in early August and will remain on exhibit at the Living Arts gallery through September 25th -- and which Liggett tells us all about on today's program.
The "Rediscover Gilcrease" weekend -- a two-day, free-to-the-public gala happening at the museum on September 6th and 7th -- will feature unique attractions, special activities, and lots of family-friendly entertainment. Among the highlights, without question, will be the official opening of the striking new Helmerich Center for American Research at Gilcrease. Several different lectures and presentations will be presented at the Helmerich Center, and one of them will be given by our guest today. Our guest is Brian Hosmer, the H.G.
On this edition of our show, we welcome back Catherine Whitney, the Chief Curator and Curator of American Art at the Philbrook Museum of Art here in Tulsa, who tells us all about a small but impressive photography show currently on view at the museum. "Hard Times, Oklahoma, 1939-40: The Documentary Photography of Russell Lee" will run through October 26th. Beginning in 1936, Lee worked alongside Walker Evans, Dorothea Lange, and others as part of the government-sponsored Farm Security Administration, which was a New Deal program created by FDR.
On this installment of ST, we preview a new exhibition that will soon open at the Gilcrease Museum here in Tulsa; "Alexandre Hogue: An American Visionary -- Paintings and Works on Paper" will be on view at Gilcrease from August 24th through November 30th. Mainly known for his "Dust Bowl" or "Erosion Series" of Depression-era paintings, Alexandre Hogue (1898-1994) was one of the more celebrated artists to come to prominence during the Regionalist movement in American art (which also saw the rise of such masters as Thomas Hart Benton and Grant Wood).
(Note: This program originally aired earlier this year.) On this edition of our show, we offer an interesting chat with Peter Korn, the founder and executive director of the Center for Furniture Craftsmanship, a non-profit school in Rockport, Maine. A furniture-maker since 1974, Korn is also the author of several noted how-to books, yet his latest volume is, so to speak, more of a "why" book. It's a readable and far-reaching memoir called "Why We Make Things and Why It Matters: The Education of a Craftsman" --- and he discusses it with us today.