Acting (on Stage or Screen)

On this edition of ST, we learn about the newest production from Tulsa's own American Theatre Company, "Waiting for Godot" by Samuel Beckett. Our guest is Lisa Wilson, who's directing this postmodernist/absurdist classic. The play will be staged from tonight (the 30th) though November 7th at the ATC space in downtown Tulsa near 3rd and Lansing.

On this edition of ST, we speak with the critically acclaimed singer and actor Jason Graae, who has starred on Broadway in "A Grand Night for Singing," "Falsettos," "Stardust," and "Snoopy!" -- among other shows -- and has appeared Off-Broadway in such hits as "Forever Plaid," "Olympus on My Mind," "All in the Timing," and more. A comic performer with a strong voice and a broad range of abilities, Graae, who actually grew up in Tulsa, has also appeared in various operas, and has done several one-man shows and cabaret concerts nationwide over the years.

On this edition of StudioTulsa, we speak with acclaimed playwright Lee Blessing, who's best known for his 1988 Tony-nominated play, "A Walk in the Woods." Back in January, he workshopped his most recent play, "The Hourglass Project," here at the University of Tulsa. It's a comedy, with interesting ethical overtones, about several elderly couples who, though an experimental procedure, regain their youth.

Our guest is Sara Solovitch, a former reporter for the Philadelphia Inquirer whose articles have appeared in Esquire, Wired, The Los Angeles Times, and The Washington Post. She has also been a health columnist for the San Jose Mercury News -- and she seriously studied piano in her younger days. These formative at-the-keyboard experiences greatly influence her first book, which Solovitch discusses with us today.

On this presentation of ST, we chat with Joe Randazzo, a former editor of The Onion and former creative director of who now writes for the Comedy Central program called @midnight.

"God of Carnage," a Tony Award-winning play written about ten years ago by Yasmina Reza -- and translated from French into English by Christopher Hampton -- tells the story of two sets of parents who sit down together after the child of one couple injures the child of the other. The parents have arranged to meet so that they might resolve the matter in a peaceful and diplomatic matter -- yet things quickly (and hilariously) go from bad to worse as the conversation continues, and of course things only get uglier when the rum starts to flow.

The Department of Theatre here at TU will soon present one of the greatest plays of the modern American stage, "The Glass Menagerie" by Tennessee Williams. It's the play that made Williams a household name in the mid-1940s -- a clearly autobiographical drama, set in Depression-era St. Louis, in which an aging and rather unstable Southern Belle longs for her youth and dreams of a better life for her children: the restless would-be poet, Tom, who narrates this memory play, and the shy if not reclusive Laura, Tom's elder sister.

On this edition of our show, we're talking about buskers --- or, in other words, street performers. Whether it's by juggling, playing music, eating fire, doing magic tricks, enacting mime, or what-have-you, buskers take their creativity, theatricality, and pass-the-hat know-how directly to the streets, as it were --- and, as a socio-cultural phenomenon, they must be as old as cities themselves.

On this installment of ST, we listen back to an interview we did about a year ago with Jonathan Rossetti, who directed, stars in, and co-scripted "Home, James," a newly released indie feature film that was made here in T-Town...and that's now (or was recently) playing --- thanks to a distribution deal with Devolver Digital Films --- in New York City, Los Angeles, Portland, and the aforesaid Tulsa; "Home, James" will be screened at the Circle Cinema (near the corner of Admiral and Lewis) through May 29th.