"God of Carnage," a Tony Award-winning play written about ten years ago by Yasmina Reza -- and translated from French into English by Christopher Hampton -- tells the story of two sets of parents who sit down together after the child of one couple injures the child of the other. The parents have arranged to meet so that they might resolve the matter in a peaceful and diplomatic matter -- yet things quickly (and hilariously) go from bad to worse as the conversation continues, and of course things only get uglier when the rum starts to flow.
The Department of Theatre here at TU will soon present one of the greatest plays of the modern American stage, "The Glass Menagerie" by Tennessee Williams. It's the play that made Williams a household name in the mid-1940s -- a clearly autobiographical drama, set in Depression-era St. Louis, in which an aging and rather unstable Southern Belle longs for her youth and dreams of a better life for her children: the restless would-be poet, Tom, who narrates this memory play, and the shy if not reclusive Laura, Tom's elder sister.
On this edition of our show, we're talking about buskers --- or, in other words, street performers. Whether it's by juggling, playing music, eating fire, doing magic tricks, enacting mime, or what-have-you, buskers take their creativity, theatricality, and pass-the-hat know-how directly to the streets, as it were --- and, as a socio-cultural phenomenon, they must be as old as cities themselves.
On this installment of ST, we listen back to an interview we did about a year ago with Jonathan Rossetti, who directed, stars in, and co-scripted "Home, James," a newly released indie feature film that was made here in T-Town...and that's now (or was recently) playing --- thanks to a distribution deal with Devolver Digital Films --- in New York City, Los Angeles, Portland, and the aforesaid Tulsa; "Home, James" will be screened at the Circle Cinema (near the corner of Admiral and Lewis) through May 29th.