Stephen Thompson

Stephen Thompson is an editor and reviewer for NPR Music, where he writes the advice column The Good Listener, fusses over the placement of commas and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the weekly NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk.

In 1993, Thompson founded The Onion's entertainment section, The A.V. Club, which he edited until December 2004. In the years since, he has provided music-themed commentaries for the NPR programs Weekend Edition Sunday, All Things Considered and Morning Edition, on which he earned the distinction of becoming the first member of the NPR Music staff ever to sing on an NPR newsmagazine. (Later, the magic of AutoTune transformed him from a 12th-rate David Archuleta into a fourth-rate Cher.) Thompson's entertainment writing has also run in Paste magazine, The Washington Post and The London Guardian.

During his tenure at The Onion, Thompson edited the 2002 book The Tenacity of the Cockroach: Conversations with Entertainment's Most Enduring Outsiders (Crown) and copy-edited six best-selling comedy books. While there, he also coached The Onion's softball team to a sizzling 21-42 record, and was once outscored 72-0 in a span of 10 innings. Later in life, Thompson redeemed himself by teaming up with the small gaggle of fleet-footed twentysomethings who won the 2008 NPR Relay Race, a triumph he documents in a hard-hitting essay for the book This Is NPR: The First Forty Years (Chronicle).

A 1994 graduate of the University of Wisconsin, Thompson now lives in Silver Spring, Md., with his two children, four cats and a room full of vintage arcade machines. His hobbies include watching reality television without shame, eating Pringles until his hand has involuntarily twisted itself into a gnarled claw, using the size of his Twitter following to assess his self-worth, touting the immutable moral superiority of the Green Bay Packers and maintaining a fierce rivalry with all Midwestern states other than Wisconsin.

The Newport Folk Festival has been around for more than half a century now — this is its 55th year, to be exact — and the event now routinely sells out months before its lineup is even announced. And why shouldn't it?

Luluc writes songs for late-night drives and uneventful mornings — stuff to slow the blood and the world outside. Bred in Australia but partly based in Brooklyn, Zoë Randell and Steve Hassett traffic in gentle, disarming simplicity, rarely allowing their music to speed up past a gentle lope. But for all their consistency of tone — and quality — Passerby's 10 songs never congeal into a blur or feel like a slog. Like the duo's labelmates in Low, Luluc uses calm as a medium unto itself.

The bluegrass-based Minnesota folk-rock band Trampled By Turtles knows how to play at extreme speeds, to the point where its careening compositions can seem downright unhinged. But its last two records, 2012's Stars and Satellites and the new Wild Animals, mostly move at a deliberate, even graceful pace.

Old Crow Medicine Show knows how to attract attention: The Virginia band's big, brash shows are carried off with rollicking energy and a carnival barker's showmanship.

Swedish sisters Klara and Johanna Söderberg first made their names with feather-light chamber-folk confections that echoed the soaring sweetness of Fleet Foxes. A cover of that band's "Tiger Mountain Peasant Song" even helped launch the then-teenagers to YouTube fame back in 2008. But in 2014, styles have changed and so have the Söderbergs: First Aid Kit's major-label debut, Stay Gold, moves well beyond the portentous prettiness of the pair's 2012 breakthrough, The Lion's Roar.

We get a lot of mail at NPR Music, and alongside the flyer for a maid service that disappeared into a massive pile of papers is a slew of smart questions about how music fits into our lives — and, this week, thoughts on when to deviate from traditional wedding-reception music.

Transcript

AUDIE CORNISH, HOST:

At NPR Music, they're wrapping up the year the best way they know how, with their hotly contested list of their 50 favorite albums of 2013. Now, all this week, we'll get a peak of that list from our in-house experts, including NPR Music writer and editor Stephen Thompson, whose beat is the ever amorphous indie pop, which - Stephen, what exactly is that these days?

STEPHEN THOMPSON, BYLINE: I have absolutely no idea. It used to mean accessible but unpopular.

CORNISH: OK. So...

(LAUGHTER)

Bluegrass' most beloved pros often play well into their 80s and 90s, so it would surprise no one if our children's children's children turn up at a Sarah Jarosz concert 70 years from now. The singer and multi-instrumentalist first surfaced as an 18-year-old wunderkind with the release of 2009's Song Up In Her Head, which generated the first of what will likely be many Grammy nominations; now a grizzled 22, she's out performing songs from her fine new third album, Build Me Up From Bones.

Daughter first popped up on our radar when we heard the London band's song "Landfill" while preparing for SXSW early last year: Achingly pretty and melancholy, the track builds to an absolute gut-punch of a line — "I want you so much, but I hate your guts" — that conjures a pitch-perfect mix of gloom, desire and hostility.

Shovels & Rope's presence in the NPR Music offices attracted plenty of interest; many in attendance had long since fallen in love with the husband-and-wife duo's mix of rowdy folk-rock and rootsy balladeering.

Pages