Stephen Thompson

Stephen Thompson is an editor and reviewer for NPR Music, where he writes the advice column The Good Listener, fusses over the placement of commas and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the weekly NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk.

In 1993, Thompson founded The Onion's entertainment section, The A.V. Club, which he edited until December 2004. In the years since, he has provided music-themed commentaries for the NPR programs Weekend Edition Sunday, All Things Considered and Morning Edition, on which he earned the distinction of becoming the first member of the NPR Music staff ever to sing on an NPR newsmagazine. (Later, the magic of AutoTune transformed him from a 12th-rate David Archuleta into a fourth-rate Cher.) Thompson's entertainment writing has also run in Paste magazine, The Washington Post and The London Guardian.

During his tenure at The Onion, Thompson edited the 2002 book The Tenacity Of The Cockroach: Conversations With Entertainment's Most Enduring Outsiders (Crown) and copy-edited six best-selling comedy books. While there, he also coached The Onion's softball team to a sizzling 21-42 record, and was once outscored 72-0 in a span of 10 innings. Later in life, Thompson redeemed himself by teaming up with the small gaggle of fleet-footed twentysomethings who won the 2008 NPR Relay Race, a triumph he documents in a hard-hitting essay for the book This Is NPR: The First Forty Years (Chronicle).

A 1994 graduate of the University of Wisconsin, Thompson now lives in Silver Spring, Md., with his two children, his girlfriend, their four cats and a room full of vintage arcade machines. His hobbies include watching reality television without shame, eating Pringles until his hand has involuntarily twisted itself into a gnarled claw, using the size of his Twitter following to assess his self-worth, touting the immutable moral superiority of the Green Bay Packers and maintaining a fierce rivalry with all Midwestern states other than Wisconsin.

Glen Hansard's career includes a brilliant quarter-century with his rock band The Frames, a fruitful foray into statelier folk-pop with The Swell Season and, most recently, a pair of elegant, deliberately paced solo albums.

Put them together, and singer Yael Shoshana Cohen and multi-instrumentalist Gil Landau mount a charm offensive powerful enough to knock down some pretty sturdy defenses. Performing as Lola Marsh, the Israeli musicians distill their sound down to a small set of spare, ingratiating ingredients. In the case of "Wishing Girl," those building blocks are simple but potent: a whistled hook, Landau's briskly strummed ukulele and Cohen's voice, which dispenses sweetly plainspoken lines like, "You are my lonely star / And I'm, I'm your wishing girl."

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Already an industry veteran at 20, Rosie Carney writes songs that feel lived-in and worn, conveying a bruised ache well beyond her years. The Irish singer-songwriter has been letting singles trickle out for a few years now, and her latest, "Your Moon," strikes a sure-footed balance between airy tenderness and coolly jazzy melancholy.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

(SOUNDBITE OF PRINCE SONG, "KISS")

STEVE INSKEEP, HOST:

It's been about 10 years since Irish singer-songwriter Fionn Regan made his U.S. debut with The End Of History, a Mercury Prize-nominated collection of soft-spoken acoustic folk-pop songs in the tradition of Damien Rice and Nick Drake.

The combination of an acoustic guitar and the human voice can trigger powerful emotions in countless ways, but it's pretty remarkable when they come together in ways that sound novel. "Goji Berry Sunset" — the first single by Naomi Hamilton, a singer from Northern Ireland who goes by the name Jealous Of The Birds — is made from some of the sparest ingredients imaginable; it's just a gently plucked acoustic guitar, a whistled hook and Hamilton's layered vocals. But those simple sounds dig deep.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify playlist at the bottom of the page.

Blind Pilot and the Tiny Desk series both launched in the same year, 2008, so it's hard to comprehend how the two hadn't converged until now: The band's shimmery folk-pop sound, with its vibraphone and overarching vibrancy, is perfectly suited to the space behind Bob Boilen's desk.

Kentucky singer-songwriter Joan Shelley, working with the gifted guitarist Nathan Salsburg, made my favorite album of 2015: Over And Even, a collection of dreamy, gorgeous folk songs that exude comfort and calm.

As Joseph, sisters Allison, Meegan and Natalie Closner sing in tight harmony, fitting stylistically alongside fellow sister acts like First Aid Kit, Haim, The Staves and Lily & Madeleine.

Lisa Hannigan was introduced to the world alongside fellow Irish singer Damien Rice, whose debut album O featured her lilting, haunting voice. In the nearly 15 years since, Hannigan has stepped ever more confidently into a leading role, most notably on her own Sea Sew (2008) and Passenger (2011), but also as a featured performer in the Oscar-winning score for the 2013 film Gravity.

In honor of MTV's 35th birthday Monday, the network has launched MTV Classic, a new channel featuring programming from the '90s and '00s. On the same day, we also wish a happy birthday to NPR Music and Pop Culture Happy Hour's Stephen Thompson, who celebrates with an interview on All Things Considered about how MTV Classic is redefining which popular culture fits into the current environment for nostalgia.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify playlist at the bottom of the page.

Note: NPR's First Listen audio comes down after the album is released.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify playlist at the bottom of the page.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify playlist at the bottom of the page.

To be a fan in 2016 is to be super-served: If you love a musician today, you're likely to find a complete catalog on streaming services, have the option of falling down YouTube rabbit holes full of bootleg recordings and rare performances, and locate radio and video sessions all over the Internet — a glut of music, available all at once. Project that onto a 10- or 20-year career, and even obsessives can get their fill eventually.

Irish singer-songwriter Glen Hansard has proven incredibly versatile throughout a career spanning more than 25 years. In The Frames, he's mixed vein-bulging intensity, string-laden elegance and a rock star's flair for rafter-shaking anthems.

It's one thing for Low to have made a rewarding career of spare, dramatic, glacially paced music — for song after slow-moving song to have been constructed out of little more than crystalline guitar lines, minimal bass, maybe a few effects here and there, brushes of snare and the alternating or intertwined voices of Alan Sparhawk and Mimi Parker.

David Wax and Suz Slezak, the married couple who form David Wax Museum, have put an extraordinary amount of research and work into their sound.

When thinking about populism, it's easy to focus on either the relatable day-to-day struggles of average people — of the majority somewhere in the middle, glorified by so many rootsy tropes — or the more strung-out striving of those at the bottom. In politics and in culture, "the little guy" has typically made it far enough up the ladder to have a voice echoed in anthems and slogans, or else sunk far enough into desperation, homelessness or famine so as to surpass the need for detail entirely.

It's hard to believe Laura Marling is only 25 — not just because Short Movie is her fifth album, and not just because she's been singing with wise, almost impatiently weary authority since she was 16. What's especially striking is the way she's allowed her recordings and persona to evolve through so many decisively rendered, fully formed phases. Marling found her voice unusually early in life, but she's also never stopped refining it or discovering new ways to bare its teeth.

It's rare that a record lays out a mission statement as efficiently as the new supergroup Thompson does in the first 60 seconds of "Family." Here's Teddy Thompson, singing about the perils of being surrounded by his particular relatives:

My father is one of the greats to ever step on a stage

My mother has the most beautiful voice in the world

And I am betwixt and between

Sean Lennon, you know what I mean

Pages