Originally published on Fri April 19, 2013 3:42 pm
The advent of bebop added a fresh sound to American music. It also added new voices to some metropolitan radio stations: the late-night jazz DJs who specialized in presenting this new music to their fellow hipster nightflies.
To recognize the work of the groundbreaking DJs who lent them critical exposure, jazz musicians of the period would occasionally write songs in their honor. Here are five of those songs.
Many music lovers know Juan de Marcos González as the man who teamed up with guitarist Ry Cooder to create Buena Vista Social Club. But González was busy celebrating the history of Cuban music long before Cooder arrived on the scene.
Concurrently with the Buena Vista project, González was recording an album with his own band, The Afro-Cuban All Stars. The orchestra now contains expatriate Cuban musicians, young and old alike, from around the world.
Originally published on Fri March 1, 2013 10:42 am
Over the past few years, Take Five's theme-based jazz lists have covered a wide variety of subjects. We've covered the careers of legends, the cutting-edge work of up-and-coming artists, styles, periods, holidays, regional scenes and more. Today, Take Five goes "meta" and presents a list of songs about... lists.
The lyrical conceits of these five songs are simply to list things. And, of course, feel free to suggest your favorite songs about lists that weren't included here. ("What, no 'Route 66'? Really?")
Graham Dechter is a 26-year-old jazz guitarist who's been living his dream. Dechter was invited to join the world-famous Clayton-Hamilton Jazz Orchestra at 19, and now, seven years later, he's leading his own group — and just released his second album, Takin It There. Here's a clip of the Graham Dechter Quartet performing the title track in the Jazz24/KPLU studios.
Originally published on Thu November 22, 2012 9:54 pm
When tenor saxophonist John Coltrane recorded his composition "Giant Steps" in 1959, he created something that changed the way musicians thought about improvisation and harmony. Decades earlier, the man who took the first leaps and bounds with the tenor sax in jazz was Coleman Hawkins.
It's no wonder that pianist Bill Charlap loves the music that has come to be called The Great American Songbook — the songs of great Tin Pan Alley composers such as Jerome Kern, George Gershwin and Irving Berlin. He grew up with it. Charlap was born and raised in New York, the son of Moose Charlap (a Broadway composer) and Sandy Stern, a self-described "popular singer with jazz overtones."
Originally published on Sun October 7, 2012 4:05 pm
Django Reinhardt has achieved an almost godlike status among those who love jazz guitar. When he and violinist Stephane Grappelli formed the Quintet of the Hot Club of France in 1934, they created a new sound in jazz: The guitar and violin served as the lead instrumental voices, propelled by two hard-swinging rhythm guitars and a bass.
Pianist Cyrus Chestnut took his time making a name for himself on the jazz scene: For a decade starting in the mid-1980s, he apprenticed as pianist for Jon Hendricks, Betty Carter, Donald Harrison and Wynton Marsalis. But since then, he's toured the world and recorded 15 albums as a bandleader.
In this performance and interview, Cyrus describes his gospel roots and his discovery of jazz, and discusses how he approaches interpreting other composers' music.
Over the past 20 years, vocalist Karrin Allyson has recorded 13 albums that cover vast musical territory. She's explored The Great American Songbook, the musical styles of Brazil and France, the blues and the work of contemporary songwriters. She's recorded a tribute to John Coltrane and an album of late-night ballads, and she's earned four Grammy nominations.