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Ken Tucker

Ken Tucker reviews rock, country, hip-hop and pop music for Fresh Air. He is a cultural critic who has been the editor-at-large at Entertainment Weekly, and a film critic for New York Magazine. His work has won two National Magazine Awards and two ASCAP-Deems Taylor Awards. He has written book reviews for The New York Times Book Review and other publications.

Tucker is the author of Scarface Nation: The Ultimate Gangster Movie and Kissing Bill O'Reilly, Roasting Miss Piggy: 100 Things to Love and Hate About Television.

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Music Reviews
11:03 am
Mon October 14, 2013

'The Blow' Puts An Artsy, Electro-Pop Spin On Attraction

Originally published on Tue October 22, 2013 10:04 am

Transcript

TERRY GROSS, HOST:

This is FRESH AIR. Our rock critic Ken Tucker has a review of the new album, "The Blow" by the music and performance are duo called The Blow which was conceived by its singer, Khaela Maricich. Melissa Dyne plays a more behind the scenes role, arranging, mixing and co-producing much of this new collection. The music made by The Blow can be broadly labeled as electro pop, but Ken says it goes further than that.

(SOUNDBITE OF SONG, "A KISS")

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Music Reviews
10:14 am
Thu October 10, 2013

Two Bluegrass Truths From James King And Alan Jackson

James King.
Julie Lilliard King Courtesy of the artist

Originally published on Thu October 10, 2013 12:13 pm

On Three Chords and the Truth, bluegrass musician James King picks from the canon of country music to rearrange its songs as bluegrass. On The Bluegrass Album, country star Alan Jackson has recorded his first collection of bluegrass music — some classics, some originals.

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Music Reviews
12:19 pm
Wed October 2, 2013

On 'Days Are Gone,' Three Sisters HAIM It Up

HAIM.
Tom Beard Courtesy of the artist

Originally published on Wed October 2, 2013 12:28 pm

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Music Reviews
12:40 pm
Mon September 30, 2013

Don't Feel Too Bad For Sad-Sack Bob Schneider

Burden of Proof is Bob Schneider's third album.
Dan Winters Kirtland Records

Originally published on Mon September 30, 2013 2:40 pm

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Music Reviews
11:34 am
Tue September 24, 2013

Lucy Schwartz Is In Love With Her Own Voice, And That's OK

Lucy Schwartz.
Tierney Gearon Courtesy of the artist

Originally published on Tue September 24, 2013 2:16 pm

The first thing you notice about Lucy Schwartz's Timekeeper is the singer's voice — both her physical voice, which is at once ringing and adroit, and her writer's voice, which is precise yet elusive. When Schwartz sings "Ghost in My House," the production renders her tone in an echoing manner that signifies spookiness. It also suggests a metaphor — memory as a ghost, the haunting of someone who's no longer in her life. In general, Lucy Schwartz is in love with the sound of her own voice, and for once that phrase is not meant as a criticism; I think she has good reason to be.

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Music Reviews
10:16 am
Thu September 19, 2013

Robbie Fulks: Exhilarating And Bitter On 'Gone Away Backward'

Robbie Fulks' new album is titled Gone Away Backward.
Courtesy of the artist

Originally published on Thu September 19, 2013 1:06 pm

Robbie Fulks has been recording since the mid-'90s, making music that's difficult to categorize. He's written country songs about how compromised most country music is, and while he's fond of folk and bluegrass, he pleases concert audiences with covers of hits by Michael Jackson and Cher. Fulks' new album, Gone Away Backward, is one of his most sustained and subtle efforts.

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Music Reviews
1:00 pm
Tue September 10, 2013

Bob Dylan's 'Self Portrait,' Now In Vivid Color

Bob Dylan in 1970, the year he released his 10th studio album, Self Portrait.
John Cohen Courtesy of the artist

Originally published on Tue September 10, 2013 1:36 pm

In the late 1960s, it wasn't just that Bob Dylan's music was eagerly anticipated — it was music that millions of people pored over: for pleasure, for confirmation of their own ideas, and for clues as to the state of mind of its creator. In this context, the double-album Self-Portrait arrived in 1970 with a resounding, moist flop. I don't mean it was a commercial flop; it sold well.

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Music Reviews
12:46 pm
Thu September 5, 2013

On Its New Album, Superchunk Makes The Downtrodden Sound Upbeat

Superchunk's new album is titled I Hate Music.
Jason Arthurs Courtesy of the artist

Originally published on Fri September 6, 2013 12:53 pm

"I hate music, what is it worth? / Can't bring anyone back to this earth," the band Superchunk sings. It's the kind of sentiment you'd imagine someone blurting out with bitter spontaneity, but it's not really music the band hates; it's the despair and grief to which their music bears witness. Superchunk's new downbeat-but-upbeat album, I Hate Music, is dedicated to a close friend who died last year.

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Music Reviews
9:49 am
Thu August 22, 2013

Robin Thicke: Smirky But Sincere On 'Blurred Lines'

Robin Thicke on the cover of Blurred Lines.
Courtesy of the artist

Originally published on Thu August 22, 2013 12:57 pm

Robin Thicke exudes a kind of oily charm that is, with the right material, by no means off-putting. A prime example is the single "Blurred Lines," which gives you the complete Robin Thicke Experience. The song is a come-on, because basically all Thicke does in his music is try to put the make on women. What prevents him from being too creepy is that he's also genial, even gentlemanly and debonair, when the object of his lust shoots him down.

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Music Reviews
11:39 am
Tue August 13, 2013

Valerie June Wants To Be On Your Mind

Valerie June.
Susan Riddle Duke Photography Courtesy of the artist

Originally published on Tue August 13, 2013 12:32 pm

Valerie June wants to be on your mind; to get inside your head. She writes or co-writes songs that mix blues, gospel, folk and soul, and which describe emotional isolation, financial deprivation and insecurity about her place in the world. She's unafraid to proclaim her neediness — perhaps because, possessed of a powerful voice, she knows that her vulnerability isn't likely to come off as passive or self-pitying on Pushin' Against a Stone.

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