Eric Deggans

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HBO's The Night Of, which premiered on Sunday, is a gripping, complex drama about crime and justice — and its arrival could not be better-timed. The eight-part series looks at how a criminal justice bureaucracy — filled with people who are just doing their jobs — trundles along on such dysfunction that truth and fairness are often the first casualties.

(Be warned, intrepid reader: This story contains loads of spoilers regarding every episode from this season's run of Game of Thrones, including Sunday's season finale.)

This was the season that Game of Thrones seriously changed its game.

Nowhere was that more evident than in Sunday's season finale, the last of 10 episodes that pulled together far-flung storylines and characters spread across the show's mythical seven kingdoms — and beyond.

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Doug Redler came to the life almost by accident. He took what he thought would be a short break from writing for Billboard magazine to help out a guitarist friend who was touring with Roxy Music frontman Bryan Ferry.

But in the three decades or so since that first outing, Redler has built a long resume as a roadie – he prefers the term "guitar technician" — working with the Black Crowes, the B-52s, Hall & Oates, Peter Gabriel, Paul Simon, Slash and The Dixie Chicks.

There is a moment, a little ways into tonight's first episode of the Oprah Winfrey Network's new drama, Greenleaf, which sums up all the things that work — and don't — in this ambitious nighttime soap.

Merle Dandridge plays the show's heroine, Grace Greenleaf. Her father, Bishop James Greenleaf, and mother, Lady Mae Greenleaf, founded a powerful, predominantly black megachurch in Memphis, Tenn., where she preached as a child. After 20 years away from home, she has come back — for the funeral of her sister Faith, who killed herself.

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Summer is always a weird time for the TV industry.

These days, in a #PeakTV world where hundreds of scripted shows air every year, there is no downtime. Which means viewers will see a dizzying number of new and returning TV shows this summer on broadcast, cable and online — close to 100 series, by my count.

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"Top Gear" is more than just a show about fast cars and funny adventures. It is a blockbuster for the BBC. Tonight, the show returns to BBC America revamped with new hosts. Here's NPR TV critic Eric Deggans on its chances for success.

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Netflix debuts its very first talk show today, Chelsea Handler's, "Chelsea." The comic tells NPR's TV critic Eric Deggans her new series is an attempt to break every rule of television talk shows.

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#NPRreads is a weekly feature on Twitter and on The Two-Way. The premise is simple: Correspondents, editors and producers from our newsroom share the pieces that have kept them reading, using the #NPRreads hashtag. Each weekend, we highlight some of the best stories.

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Transcript

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Host Chris Rock made sure Sunday's Oscars were about as black as they could be, given that no black people had been nominated in any high-profile categories.

Of course, Rock brought the pain, as he always does, in a razor-sharp monologue skewering sensibilities on all sides of the #OscarsSoWhite debate. And his comedy bits throughout the show kept up a steady drumbeat, reminding audiences in the hall and at home just who had been left behind.

A newly released study suggests diversity in TV and film is so bad, the hashtag #OscarsSoWhite should probably be changed to #HollywoodSoWhite.

That's because of an "epidemic of invisibility" cited by researchers at the University of Southern California, who analyzed more than 21,000 characters and behind-the-scenes workers on more than 400 films and TV shows released from September 2014 through August 2015. They tabulated representations of gender, race, ethnicity and sexual status.

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All right, the streaming service Hulu is premiering a miniseries tonight that's adapted from Stephen King's time travel novel "11.22.63." NPR TV critic Eric Deggans has this review.

HBO's music industry drama Vinyl comes at you like a classic rock song you can't get out of your head.

Powerful. Emotional. But also kind of predictable.

It's obvious from one of the earliest moments in the first episode, when Bobby Cannavale's out-of-control record company owner Richie Finestra stumbles into a smoky club circa 1971 and finds the New York Dolls.

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As the pilot episode for ABC's counter terrorism drama Quantico begins, one of the biggest stars in Bollywood is lying in the ruins of a bomb blast.

It's Priyanka Chopra, and she's playing Alex Parrish, an FBI trainee falsely accused of setting off the explosion. She's also making history as the first South Asian woman to play the lead in a network TV drama.

"The bomber knew exactly what they were doing," Chopra says as Parrish in a later episode. "They framed the brown girl."

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